Note : We used to sell this product 10 years ago so it may no longer be in our stock. It is possible that we still have it with our suppliers but the price could be different from before. Feel free to order. We will verify availability and inform you promptly.
Old Post : OLD POST
Please note that this Medicine Buddha, [old Post], [remakable] is an old post. We typically do not remove our posts from the website for various reasons, such as nostalgia and maintaining page ratings. These posts are not intended for direct sales, but occasionally, we can remake the items.
Remakable : Remakable
Please note that the Medicine Buddha, [old Post], [remakable] we posted some time ago is not currently available in our store. However, due to the possibility of a remake, it is still on sale. The remake will not be an exact replica of the original statue shown in the picture and will require additional time to be ready for dispatch. If you are willing to wait for this custom remake, you may proceed with your order. Thank you for your understanding and patience.
Bronze Finishing
This Medicine Buddha, [old Post], [remakable] product features a stunning Bronze patina finish. Our store takes pride in offering this exclusive patina, which involves a meticulous process utilizing organic materials such as butter and vegetable color. The aim is to recreate the appearance of an aged bronze statue, evoking a sense of timeless elegance.
The art of giving the bronze color to red copper is truly exceptional and is practiced by skilled craftsmen. With each piece, you not only acquire a beautifully finished Medicine Buddha, [old Post], [remakable] product but also pay homage to the artisans who are dedicated to preserving this rare and fading art form. The result is a unique and captivating aesthetic that adds a touch of sophistication and nostalgia to any setting.
Why use bronze Color? Bronze color refers to the distinctive hue that is characteristic of bronze metal. It is a rich, warm tone that falls somewhere between brown and copper. Bronze has been used for centuries in the creation of statues, sculptures, and various decorative items due to its unique aesthetic appeal.
While the production of bronze statues can be complex and challenging, particularly in the Nepali statue-making industry, the bronze color can still be achieved through alternative methods such as the Bronze finishing process. In Nepal, sand casting is commonly used for creating bronze statues, but the resulting quality may not always meet desired standards. The Lost Wax system, on the other hand, yields better quality but can be prone to damage during the intricate carving process, leading to a decline in its practice.
Despite the challenges faced in creating bronze statues, the Bronze finishing process offers a way for individuals who appreciate the appearance of bronze to still experience its allure. By applying this finishing technique to other materials, such as Medicine Buddha, [old Post], [remakable], individuals can enjoy the look and feel of a bronze statue while preserving the essence of this revered art form.
Example of Bronze finishing
Read More . . .
Lost-Wax System
This Buddha of Medicine Buddha, [old Post], [remakable] is made by the process of the Lost Wax system. This is a very complicated, time consuming and historic process of making metal sculptures.Which is why it is sometimes called Precision Casting as well. Hence the sculptures made by this process are comparatively expensive. There are many new, advanced and less time consuming methods of casting metal sculptures available as well. But due to the benefits provided by the traditional lost wax system in quality control and customization, we prefer the Loss wax system over Ceramic molding, or sand casting to make our Buddha.
Below we have tried to illustrate the process of making a loss wax system statue:
The method of metal casting in which a molten metal is poured into a mold that has been created by means of a wax model. Once the mold is made, the wax model is melted and drained away. Bronze statues come to life differently than marble statues. Instead of carving a block or marble, the bronze artist uses the lost-wax technique to make a series of molds, and then pours melted bronze into the final mold to create the sculpture. This method has been around since 4500 BCE.
There are few important steps in lost wax casting process :
Step 1: Sculpting ( It all starts in the studio with an idea, Then figuring out how to realize the vision in clay.)
Step 2: Mold Making.
Step 3: Wax Pouring.
Step 5: Wax Spruing.
Step 6: Shell Dipping.
Step 7: Bronze Pouring.
Interestingly enough Loss wax process is also called Investment casting because after layers have been formed and dried, the wax is melted out of the ceramic tree by using steam (120°C) in an autoclave. This is why it is called "lost wax casting". The majority of the molten wax which can then be regenerated and is reusable.
Before Making statue :At work room making the wax models.
Softening a piece of wax over a brazier.
Relaxing after softening the wax The working environment with works in progress.
Working the face of an Ekajata wax model.
Working the face of wax model.Using a modeling tool to form the face of Ekajata.
Deatail of wax model
The design for Ekajata compared to the Tibetan book on which it was based.Statues Maker Are master in buddhism .
Detail of A partially finished Candamaharoshana (Acala) wax figure made in the Tibetan style.
A finished wax image of Mahakala.
Anthor Finished Wax Model of Shakyamuni Buddha
One of the modelers working in the room shows the Pehar image on which he is working.
The artist showed how the goat , which had been completed earlier, fits under the image. ,
Tej Jyoti Shakya and his wife, Nani Maya Shakya Covering the wax model in a mixture of clay and dung
Pressing the mixture of clay and dung around the wax image.
The board with the clay and dung mixture ready for use.
Model Pieces drying after the initial (dipped) thin layer of fine clay.
Clay-covered model pieces drying in the sun.
Molds waiting to be put into the burnout furnace
The same molds, seen in the previous image, in the burnout furnace
The double row of refractory bricks used to support the heated molds during casting.
The melting furnace and a pile of coke used for melting the metals. Laying the bed of coke in the melting furnace.
The first ignition of the coke.
Checking the coke bed.
The electric blower used to force air into the melting furnace
Beginning to fill the crucibles with scrap copper.
Preparing the bed of burning coke to receive the crucibles
Sorting various metals used in the alloys.
Weighing precious metals that are used in the alloys
Weighing copper from Singapore to achieve a correct alloy.
Different sizes of crucibles and various types of metals to be cast in this melt.
Placing the crucibles in the bed of coke filled with metal are in place.
After the crucibles are in place, more coke is piled around them.
The crucibles are covered with scrap metal to hold in the heat.
The electric fan is then connected.Soon a very hot flame is produced.
The entire furnace temperature goes up to about 1800 -1900 degrees.
Setting up molds in between the refractory bricks to receive the molten metal. Handling the molds with asbestos gloves and bracing them with fragments of bricks.
Pouring the molten metal into the base of a mold
Another view of the artists pouring the molten metal.Detailed view showing the molten metal being poured into the sprues.
Preparing to lift and pour molten metal from one of the larger crucibles.
Cooling a mold containing the recently poured metal.
Beginning to break away the clay mold from the metal casting. The mold breaks away revealing the metal image inside
The first metal image from the day's work.
Examining the image for flaws
Two auras (prabhamandalas), one that cast perfectly and one (in front) that only partially filled.
Opening more molds
Researchers mark specific metal images for future identification.
Cleaning the details of the image with a metal tool.
Sawing off the sprues from Aura image. The sprue metal will be reused in future castings.
Two auras that worked perfectly. The one on the right has been cut off of the sprues, while the one on the left still has the sprues attached.
The finishing specialist begins the finishing process with a set of tools, including a small hammer. to give more detail
The entire surface of the image will be gently hammered to a final, almost polished finish.
The finisher's tools and the work in progress
Finishing work on an image of the Buddha.
Hammering the chest of an image that is being held against the work block
A Buddha image hammered and chased to the final, detailed finish.
Cleaning in a very mild acid bath. The image and prabhamandala are placed in a final acidic bath to make sure the surface is absolutely clean.
Drying the image with a blow torch.
Read More . . .
Brief Introduction :
Bhaisajyaguru is known as the Medicine Buddha. He is also called the Healing Buddha. It is said that he dispenses spiritual medicine when properly worshipped. There is even a belief that an efficacious cure may be accomplished by merely touching his image. In Tibet, he may be represented either as a Buddha or as a Bodhisattva. As a Buddha, he exhibits the urn (a small round bulge or protuberance above the bridge of the nose), which is the fourth superior mark of a Buddha, and the Ushnisha (a bulge or protuberance on the top of the Buddha's skull), which is the first superior mark of a Buddha. He has short and curly hair, wears a monastic robe, and is seated with his legs crossed. His left hand, lying in his lap in a meditation mudra, usually holds the medicine bowl, while his right hand, in a charity mudra, holds either a branch with fruit or the fruit alone of the myrobalan, a medicinal plant found in India and other tropical countries.
Iconography :
Medicine Buddha is the popular term for Bhaisajyaguru and refers to healing blue light transmitted by his representation and conception. Bhaisajyaguru means "Master of Blue Light". His healing energy is transmitted through blue light wave length called Vaydurya light. Medicine Buddha radiates this healing energy. Think of the light as internal chakra energy. The colour blue has been known for its purifying properties since ancient times and the deep blue colour of the Medicine Buddha is directly associated with this blue Vaydurya light energy. The energy source originates in the transparent beryl crystal bowl the Medicine Buddha supports and manifests itself in the deep blue of Lapis Lazuli [Lapis] of his corporeal body. The goldenergy lines [Skt. Chritrini] of his psychic body link all the yogic "vital airs" or energy winds [Skt. Vayus] and form the Beryl healing light energy beryl blue band of the inner aureole representing all the vital airs [Skt. Vyana] of the subtle body [Skt. Pranamayakosha]. As we journey through life we can find ourselves suffering through illness or through the illness of someone else. During illness previous priorities seem almost irrelevant as we seek to restore our balance or to find a new balance in our lives. Suddenly the medicine Buddha who is often overlooked becomes the most important of all while we realise our oversight. The image of the medicine Buddha can be used as a meditation deity [Skt. Ishta-devata] texts often call a meditation deity a Tutelary Deity or a Yidam Deity. A Yidam is the Tibetan word for an Ishtar-devata, a fully enlightened being who is the focus of personal meditation, during a retreat or for life. Deity Yoga practices can be undertaken. In essence, the mindstream of the guru and the yidam are indivisible. The yidam is considered to be the root of success in the practice. Visualise his serenity & healing light.
His extended left hand with an open front palm is shown in gift bestowing [Skt. Varada] hand gesture [Skt. Mudra] and holds the stem of a triple fruited myrobalan plant between his thumb & forefinger. In Tibetan medicine the myrobalan plant is known as the 'King of Medicines' on account of its medicinal properties. The gift bestowing hand gesture represents his dispensing of healing and holds a myrobalan plant bearing three myrobalan fruits. The number three refers to Principle of Three Gunas, which are Energy [Skt. Rajas] Inertia/Movement [Skt. Tamas] & wholeness or bodily order [Skt. Sattwa] When balanced we enjoy good health, when unbalanced illness can arise. Our bodies have a remarkable ability to rebalance if we allow them in a process known as homeostasis, directly linked to the principle of the Gunas. Unbalancing can occur when the moon residing at the naval root absorbs too much form the sun at the palette root which relates to too much sensual indulgence with the and the nectar of the moon is.
The right hand of Medicine Buddhas rests upon his lap in the position associated with an advanced connection with the inner self arrived at through meditation, commonly called the meditative state. The same hand supports a blue beryl crystal alms bowl containing medicinal nectar and a myrobalan fruit. He is portrayed wearing maroon monastic robes painted seated on a white moon disc in a lotus body position [Skt. Padmasana] and upon an actual lotus flower. Magical Buddhism [Tantric Buddhism] is very connected with Although more commonly linked to Vedic Yoga.
Commentary :
This is why the ideas in Patanjali's Yoga Sutra are so closely connected with the Buddhist Principle of The Four Noble Truths and on gaining the liberated path. There are many other connections with Yoga such as the tantric gold energy lines [Skt. Chitrini] the lotus and chakras and in the choice of colours of aureoles. Perhaps most obvious is the classic yoga lotus asana with one leg crossed over the other that the Medicine Buddha is sitting in. The wisdom of Devata Yoga will help.
At Handicraft Seller, we believe in providing a seamless and user-friendly experience to our valued customers. While our website is not an online shopping platform, we have incorporated a shopping cart system to simplify the process of sending us your inquiries. Please follow the steps below to place your order:
Step 1: Browsing the Selection Explore our website to discover a delightful array of authentic Nepali handicraft products. Click on the products you are interested in to view detailed descriptions and images.
Step 2: Adding Items to Your Inquiry Cart To express your interest in a particular product, click the "Add to Inquiry Cart" button associated with that item. The shopping cart will accumulate your selected products, providing a convenient way to organize your choices.
Step 3: Reviewing Your Inquiry Cart Once you have finished selecting the items you wish to inquire about, review your "Inquiry Cart" to ensure accuracy.
Step 4: Sending Your Inquiries Proceed to submit your inquiries by clicking the "Submit Inquiry" button. A form will prompt you to provide your contact details, the selected products, and any specific queries you may have.
Step 5: Communicating through Email As we do not have an automated payment system, we will conduct the business process through email. Our team will review your inquiries and respond via email, offering further assistance and guidance.
Step 6: Clarifying Details and Finalizing Your Order Engage in direct communication with our team to clarify any additional information or customization requests. Once you are satisfied with the details, we will provide you with payment instructions and confirm the order.
Step 7: Completing the Transaction Make the payment through the designated method as provided in the email. After receiving the payment, we will process your order and prepare it for shipment.
Step 8: Shipping and Delivery We offer worldwide shipping for all our products. Once your order is dispatched, we will provide you with shipping details and tracking information.
Step 9: Receiving and Enjoying Your Handicrafts Wait for your exquisite handicrafts to arrive at your doorstep. Unpack and revel in the beauty and craftsmanship of your chosen Nepali treasures.
Contacting Us If you encounter any complications while submitting your inquiries or need further assistance, please feel free to contact us. Preferably, reach out to us through mobile communication applications or email for prompt responses and support.
We hope this straightforward ordering process ensures a delightful and satisfying experience with Handicraft Seller. Thank you for choosing us to connect you with the rich heritage of Nepali handicrafts.
Return Policy
We have a 7 days money back policy but buyer have to pay the return shipping charges.
Shipping
Shipping cost USD US$25.2 for upto 0.5 kgs
We ship Worldwide, Except Russia and India.
The deliver duration varies for international Shipping location. We normally dispatch the product in 2 -3 business days. Else Buyer will be infromed Personally about the shipping.
This is not a direct shopping website. So no payments are needed for placing an order. Please feel free to send us an order for the product you are interested in, mentioning the approximate quantity. Based on which we will send you a wholesale price quotation.
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