Code
HCS21740
Weight
424 gm / 0.93 lbs
Size
Height
12cm (5") Width
7cm (3") Depth
6cm (2") Material
Copper
Availability
Subject to Availability
Date Added
2020-10-03 08:47:46
Note : We used to sell this product 5 years ago so it may no longer be in our stock.
It is possible that we still have it with our suppliers but the price could be different from before.
Feel free to order. We will verify availability and inform you promptly.
It is possible that we still have it with our suppliers but the price could be different from before.
Feel free to order. We will verify availability and inform you promptly.

Safe Payment
We accept Paypal, Money Transfer, Bank Transfer
Confidence
Protection covers your purchase and personal data.
Worldwide Delivery
We ship Worldwide, except Russia.Shipping cost US$25.2 for upto 0.5 kgs

Hotline
Talk to help line for your question on 9841267335About Sacred Serenity Collection
This is a beautiful old Buddhist statue that carries a deep sense of spirituality and craftsmanship. These statues were made around 15 to 20 years ago and are crafted from pure copper. If the statue has gold, it has a thick layer of gold plating, unlike modern statues where using a lot of gold is expensive.
Skilled artisans, who were well-versed in religious teachings, made these statues. They followed traditional guidelines and sacred texts to create each statue with precise expressions and postures. The artisans believed they were creating representations of gods rather than just ordinary figures. This unique perspective is reflected in the statues themselves. Read More . . .
This is a beautiful old Buddhist statue that carries a deep sense of spirituality and craftsmanship. These statues were made around 15 to 20 years ago and are crafted from pure copper. If the statue has gold, it has a thick layer of gold plating, unlike modern statues where using a lot of gold is expensive.
Skilled artisans, who were well-versed in religious teachings, made these statues. They followed traditional guidelines and sacred texts to create each statue with precise expressions and postures. The artisans believed they were creating representations of gods rather than just ordinary figures. This unique perspective is reflected in the statues themselves. Read More . . .
Natural Finish
The [old Stock] Statue Of Garuda has no patina finishing over it. presenting a unique opportunity for personalization. As it is, the statue can be displayed in its raw form, showcasing its inherent beauty and craftsmanship. Alternatively, you have the option to further enhance the statue's appearance by applying various finishes such as gold plating, oxidation, or silver plating. Over time, if left untreated, the statue will naturally develop a patina. This is a gradual process where the surface undergoes subtle changes, resulting in a charming and distinct aged appearance. The patina adds character and depth to the statue, telling a story of its journey and the passage of time. Read More . . .
The [old Stock] Statue Of Garuda has no patina finishing over it. presenting a unique opportunity for personalization. As it is, the statue can be displayed in its raw form, showcasing its inherent beauty and craftsmanship. Alternatively, you have the option to further enhance the statue's appearance by applying various finishes such as gold plating, oxidation, or silver plating. Over time, if left untreated, the statue will naturally develop a patina. This is a gradual process where the surface undergoes subtle changes, resulting in a charming and distinct aged appearance. The patina adds character and depth to the statue, telling a story of its journey and the passage of time. Read More . . .
Lost-Wax System
This Collection of [old Stock] Statue Of Garuda is made by the process of the Lost Wax system. This is a very complicated, time consuming and historic process of making metal sculptures.Which is why it is sometimes called Precision Casting as well. Hence the sculptures made by this process are comparatively expensive. There are many new, advanced and less time consuming methods of casting metal sculptures available as well. But due to the benefits provided by the traditional lost wax system in quality control and customization, we prefer the Loss wax system over Ceramic molding, or sand casting to make our Collection.
Below we have tried to illustrate the process of making a loss wax system statue: Read More . . .
This Collection of [old Stock] Statue Of Garuda is made by the process of the Lost Wax system. This is a very complicated, time consuming and historic process of making metal sculptures.Which is why it is sometimes called Precision Casting as well. Hence the sculptures made by this process are comparatively expensive. There are many new, advanced and less time consuming methods of casting metal sculptures available as well. But due to the benefits provided by the traditional lost wax system in quality control and customization, we prefer the Loss wax system over Ceramic molding, or sand casting to make our Collection.
Below we have tried to illustrate the process of making a loss wax system statue: Read More . . .
Brief Introduction :
The Garuda is a giant mythical bird or bird-like creature in Hindu and Buddhist mythology.
Garuda is the name for the constellation Aquila and the Brahminy kite is considered to be the contemporary representation of Garuda. In Buddhist mythology, the Garuda are enormous predatory birds with intelligence and social organization. Another name for the Garuda is supara meaning "well-winged, having good wings". Like the naga, they combine the characteristics of animals and divine beings and may be considered among the lowest devas.
Iconography :Garuda is the name for the constellation Aquila and the Brahminy kite is considered to be the contemporary representation of Garuda. In Buddhist mythology, the Garuda are enormous predatory birds with intelligence and social organization. Another name for the Garuda is supara meaning "well-winged, having good wings". Like the naga, they combine the characteristics of animals and divine beings and may be considered among the lowest devas.
There were also the four garuda-kings : Great-Power-Virtue Garuda-King, Great-Body Garuda-King, Great-Fulfillment Garuda-King, and Free-At-Will Garuda-King, each accompanied by hundreds of thousands of attendants.
The Garudas have kings and cities, and at least some of them have the magical power of changing into human form when they wish to have dealings with people. On some occasions Garuda kings have had romances with human women in this form. Their dwellings are in groves of the simbalī, or silk-cotton tree.
The Garuda are enemies to the nāga, a race of intelligent serpent- or dragon-like beings, whom they hunt. The Garudas at one time caught the nāgas by seizing them by their heads; but the nāgas learned that by swallowing large stones, they could make themselves too heavy to be carried by the Garudas, wearing them out and killing them from exhaustion. This secret was divulged to one of the Garudas by the ascetic Karambiya, who taught him how to seize a nāga by the tail and force him to vomit up his stone.
The exact size of the is uncertain, but its wings are said to have a span of many miles. This may be a poetic exaggeration, but it is also said that when a Garuda's wings flap, they create hurricane-like winds that darken the sky and blow down houses. A human being is so small compared to a Garuda that a man can hide in the plumage of one without being noticed. They are also capable of tearing up entire banyan trees from their roots and carrying them off.
Garudas are the great golden-winged Peng birds. They also have the ability to grow large or small, and to appear and disappear at will. Their wingspan is 330 yojanas (one yojana being 40 miles long). With one flap of its wings, a Peng bird dries up the waters of the sea so that it can gobble up all the exposed dragons. With another flap of its wings, it can level the mountains by moving them into the ocean.
The Garudas have kings and cities, and at least some of them have the magical power of changing into human form when they wish to have dealings with people. On some occasions Garuda kings have had romances with human women in this form. Their dwellings are in groves of the simbalī, or silk-cotton tree.
The Garuda are enemies to the nāga, a race of intelligent serpent- or dragon-like beings, whom they hunt. The Garudas at one time caught the nāgas by seizing them by their heads; but the nāgas learned that by swallowing large stones, they could make themselves too heavy to be carried by the Garudas, wearing them out and killing them from exhaustion. This secret was divulged to one of the Garudas by the ascetic Karambiya, who taught him how to seize a nāga by the tail and force him to vomit up his stone.
The exact size of the is uncertain, but its wings are said to have a span of many miles. This may be a poetic exaggeration, but it is also said that when a Garuda's wings flap, they create hurricane-like winds that darken the sky and blow down houses. A human being is so small compared to a Garuda that a man can hide in the plumage of one without being noticed. They are also capable of tearing up entire banyan trees from their roots and carrying them off.
Garudas are the great golden-winged Peng birds. They also have the ability to grow large or small, and to appear and disappear at will. Their wingspan is 330 yojanas (one yojana being 40 miles long). With one flap of its wings, a Peng bird dries up the waters of the sea so that it can gobble up all the exposed dragons. With another flap of its wings, it can level the mountains by moving them into the ocean.