HomeStatue - Old StockCollection Old Stock Statue of Maitreya Buddha Oxidized, Last Piece

Old Stock Statue of Maitreya Buddha Oxidized, Last Piece

US$50

Code

HCS21744

Weight

295 gm / 0.65 lbs

Size

10x5x5 Cm / 3.94 Inches

Material

Copper

Availability

Available

Date Added

2020-10-03 08:48:37

Note : We used to sell this product 4 years ago so it may no longer be in our stock.
It is possible that we still have it with our suppliers but the price could be different from before.
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About Sacred Serenity Collection
This is a beautiful old Buddhist statue that carries a deep sense of spirituality and craftsmanship. These statues were made around 15 to 20 years ago and are crafted from pure copper. If the statue has gold, it has a thick layer of gold plating, unlike modern statues where using a lot of gold is expensive.
Skilled artisans, who were well-versed in religious teachings, made these statues. They followed traditional guidelines and sacred texts to create each statue with precise expressions and postures. The artisans believed they were creating representations of gods rather than just ordinary figures. This unique perspective is reflected in the statues themselves. Read More . . .

About Chocolate Oxidized
This [old Stock] Statue Of Maitreya Buddha [oxidized], [last Piece] has been meticulously treated with a chocolate color antique patina. The intention behind this patina is to replicate the appearance of a copper statue that has gracefully aged over a century. Unlike a simple coat of paint, this patina is not applied superficially and is designed to endure. It undergoes an artificial oxidation process that adds depth and character, while also serving as a protective layer against natural oxidation.
By imitating the natural aging process, the chocolate color antique patina lends an air of authenticity and vintage charm to the [old Stock] Statue Of Maitreya Buddha [oxidized], [last Piece]. This carefully crafted finish ensures that the patina remains intact for an extended period, offering longevity and resistance to wear. The result is a unique piece that captures the essence of a time-worn copper statue, evoking a sense of history and artistic heritage.

Lost-Wax System
This Collection of [old Stock] Statue Of Maitreya Buddha [oxidized], [last Piece] is made by the process of the Lost Wax system. This is a very complicated, time consuming and historic process of making metal sculptures.Which is why it is sometimes called Precision Casting as well. Hence the sculptures made by this process are comparatively expensive. There are many new, advanced and less time consuming methods of casting metal sculptures available as well. But due to the benefits provided by the traditional lost wax system in quality control and customization, we prefer the Loss wax system over Ceramic molding, or sand casting to make our Collection.
Below we have tried to illustrate the process of making a loss wax system statue:

The method of metal casting in which a molten metal is poured into a mold that has been created by means of a wax model. Once the mold is made, the wax model is melted and drained away. Bronze statues come to life differently than marble statues. Instead of carving a block or marble, the bronze artist uses the lost-wax technique to make a series of molds, and then pours melted bronze into the final mold to create the sculpture. This method has been around since 4500 BCE.

There are few important steps in lost wax casting process :
Step 1: Sculpting ( It all starts in the studio with an idea, Then figuring out how to realize the vision in clay.)
Step 2: Mold Making.
Step 3: Wax Pouring.
Step 5: Wax Spruing.
Step 6: Shell Dipping.
Step 7: Bronze Pouring.

Interestingly enough Loss wax process is also called Investment casting because after layers have been formed and dried, the wax is melted out of the ceramic tree by using steam (120Â°C) in an autoclave. This is why it is called "lost wax casting". The majority of the molten wax which can then be regenerated and is reusable.

Before Making statue :At work room making the wax models.

Softening a piece of wax over a brazier.

Relaxing after softening the wax The working environment with works in progress.

Working the face of an Ekajata wax model.

Working the face of wax model.Using a modeling tool to form the face of Ekajata.

Deatail of wax model

The design for Ekajata compared to the Tibetan book on which it was based.Statues Maker Are master in buddhism .

Detail of A partially finished Candamaharoshana (Acala) wax figure made in the Tibetan style.

A finished wax image of Mahakala.

Anthor Finished Wax Model of Shakyamuni Buddha

One of the modelers working in the room shows the Pehar image on which he is working.

The artist showed how the goat , which had been completed earlier, fits under the image. ,

Tej Jyoti Shakya and his wife, Nani Maya Shakya Covering the wax model in a mixture of clay and dung

Pressing the mixture of clay and dung around the wax image.

The board with the clay and dung mixture ready for use.

Model Pieces drying after the initial (dipped) thin layer of fine clay.

Clay-covered model pieces drying in the sun.

Molds waiting to be put into the burnout furnace

The same molds, seen in the previous image, in the burnout furnace

The double row of refractory bricks used to support the heated molds during casting.

The melting furnace and a pile of coke used for melting the metals. Laying the bed of coke in the melting furnace.

The first ignition of the coke.

Checking the coke bed.

The electric blower used to force air into the melting furnace

Beginning to fill the crucibles with scrap copper.

Preparing the bed of burning coke to receive the crucibles

Sorting various metals used in the alloys.

Weighing precious metals that are used in the alloys

Weighing copper from Singapore to achieve a correct alloy.

Different sizes of crucibles and various types of metals to be cast in this melt.

Placing the crucibles in the bed of coke filled with metal are in place.

After the crucibles are in place, more coke is piled around them.

The crucibles are covered with scrap metal to hold in the heat.

The electric fan is then connected.Soon a very hot flame is produced.

The entire furnace temperature goes up to about 1800 -1900 degrees.

Setting up molds in between the refractory bricks to receive the molten metal. Handling the molds with asbestos gloves and bracing them with fragments of bricks.

Pouring the molten metal into the base of a mold

Another view of the artists pouring the molten metal.Detailed view showing the molten metal being poured into the sprues.

Preparing to lift and pour molten metal from one of the larger crucibles.

Cooling a mold containing the recently poured metal.

Beginning to break away the clay mold from the metal casting. The mold breaks away revealing the metal image inside

The first metal image from the day's work.

Examining the image for flaws

Two auras (prabhamandalas), one that cast perfectly and one (in front) that only partially filled.

Opening more molds

Researchers mark specific metal images for future identification.

Cleaning the details of the image with a metal tool.

Sawing off the sprues from Aura image. The sprue metal will be reused in future castings.

Two auras that worked perfectly. The one on the right has been cut off of the sprues, while the one on the left still has the sprues attached.

The finishing specialist begins the finishing process with a set of tools, including a small hammer. to give more detail

The entire surface of the image will be gently hammered to a final, almost polished finish.

The finisher's tools and the work in progress

Finishing work on an image of the Buddha.

Hammering the chest of an image that is being held against the work block

A Buddha image hammered and chased to the final, detailed finish.

Cleaning in a very mild acid bath. The image and prabhamandala are placed in a final acidic bath to make sure the surface is absolutely clean.

Drying the image with a blow torch.

Read More . . .

Brief Introduction :

Benefit Maitreya represents the future state of love emanating from great universal bliss. This is embodied by the Adi Buddha Samantabhadra & gained by using the tools of Vajrayana 'magical' Buddhism & can be realised from the adamantine truth of emptiness embodied by Adi Buddha Vajradhara. The name Maitreya is derived from the Sanskrit word maitri stemming from the old Pali word metta meaning 'loving-kindness' related to Pali word mitta meaning 'friend'. When Maitreya becomes fully realised, he will preside over the Ketumati Pure Land, an earthly paradise. Maitreya is the embodiment of a future state of loving kindness, sympathetic joy, equanimity & compassion which create great bliss & conscious love.

Iconography :

Maitreya resides in Tushita heaven accessible through mediation & sits on a throne seat with two snow lions [Skt. Singhasana] in the frieze. Snow lions are the national symbol of Tibet. Tushita is alluded to by the mountainous landscapes swirling cumulous cloudbanks. His wears a green upper garment of Indian royalty from his shoulders, maroon Buddhist trousers with silk brocade, a blue Mantrayana apron and a sash representing the Himalayan Rainbow [Five Pure Lights of the Mahabhuta]. The small stupa shape in his headdress represents the stupa of the Buddha Sakyamuni's relics to help him identify it when his turn comes to lay claim to his succession. The light green khata loose around his waist is a traditional ceremonial scarf symbolizing purity.

He holds both hands in front of his heart in a hand position signifying the turning the wheel of Buddhist teachings [Skt. dharmachakra mudra]. The left hand holds the stem of a blue lotus or 'night lotus'[Skt. Utpala]. The word utpala means to 'burst open'. This supports an auspicious golden wheel [Skt. Chakra] which represents change, universal cycles of existence such as the changing of the hands of a watch, the seasons of the year, the earth & moon revolving around the sun and these three in turn revolving with other planets. All is in flux, forever changing. Each forward Turning of the wheel represents a movement of Buddhist teaching. This is usually called the turning of the Wheel of Dharma. The eight spokes symbolising the noble Eightfold Path of right Thought [mirror], right Insight or View [mustard seed], right Thought, right Action [bilva fruit], right Effort [durva grass], right Livelihood [curds] and right Contemplation [vermilion powder].

The right hand holds another lotus stem supporting a water pot [Skt. Kalasa] which traditionally contains the primeval water carried by the creator Brahma. This water of creation or water of life [don't confuse with the blue nectar of immortality]represents the pure conscious mind and its ability to regenerate and purify the conscious mind. The water pot is one of the eight auspicious symbols [Skt. Astamangalas] where the word asta means eight. The green nimbus around his head represents his cosmic nature. He is surrounded by a blooming 'pink lotus' [Skt. Kamala] and an unopened bud on her left hand. The Pink lotus blossoms represents the present love and the red unopened bud future love & yet to be born Buddhas. The future here also refers to beneficial changes circumstances that will help bring about. Maitreya's elongated earlobes represent patience; his topknot [Skt. Ushnisa] his abandonment of worldly possessions, the dot [Skt.urna] on his brow on the command chakra [Skt.ajna] represents his transcendent wisdom. The thin blue aureole around his body signifies the highest level of understanding.

Commentary :

It is up to all sentient beings to turn the wheel Maitreya is a future Buddha, an enlightened person who will appear on Earth, achieve complete enlightenment, and teach the pure dharma which are the principles of Buddhism.

Mantra Maitreya Buddha

NAMO RATNA TRAYAYA / NAMO BHAGAVATE
SHAKYAMUNIYE / TATHAGATAYA / ARHATE SAMYAKSAM
BUDDHAYA / TADYATHA / OM AJITE AJITE APARAJITE /
AJITAÃCHAYA HA RA HA RA MAITRI AVALOKITE KARA KARA
MAHA SAMAYA SIDDHI BHARA BHARA MAHA BODHI MANDA
BIJA SMARA SMARA AHSMA KAM SAMAYA BODHI BODHI
MAHA BODHI SVAHA

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