HomeMandala & StoriesSamadhi And MedicalTibetan Thangka of Small Samadhi

Tibetan Thangka of Small Samadhi

US$13.23

Code

HCS21203

Weight

100 gm / 0.22 lbs

Size

49x17 Cm / 19.29 Inches

Material

Cotton Canvas and Natural Colors

Availability

Available

Date Added

2020-07-08 22:00:00

Note : We used to sell this product 4 years ago so it may no longer be in our stock.
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Ritaul Thangka code : RT50084

Introduction to Thangka
A thangka, also known as tangka, thanka, or tanka, is a vibrant and intricate Tibetan Buddhist painting that serves as a visual representation of spiritual teachings. Crafted with meticulous detail on cotton or silk appliquÃ©, thangkas depict a wide range of subjects including Buddhist deities, sacred scenes, mandalas, and narrative stories. These sacred artworks are traditionally kept unframed and rolled up for storage, resembling ancient scrolls. To protect their delicate nature, thangkas are mounted on textile backings and often adorned with a silk cover on the front. Proper preservation in dry environments is crucial to maintain the integrity and longevity of the silk.

These sacred paintings serve as objects of contemplation, inspiration, and instruction, guiding practitioners on their spiritual path. Thangkas provide a visual gateway to the world of Tibetan Buddhism, encapsulating its rich symbolism, iconography, and spiritual concepts. With their vibrant colors, intricate patterns, and skillful craftsmanship, thangkas offer a profound visual medium for deepening one's understanding and connection to the teachings of Buddhism.

Thangkas come in various sizes, ranging from small pieces resembling Western half-length portraits to grand-scale creations spanning several meters in each dimension. While the larger thangkas are intended for temporary display during religious festivals, the majority of these artworks are designed for personal meditation or as educational aids for monastic students. The compositions of thangkas are meticulously crafted, featuring intricate details and often incorporating numerous small figures. A central deity or focal point is typically surrounded by a symmetrical arrangement of other divine beings, symbols, or narrative elements that convey profound spiritual teachings.

How is Thangka made

First, the canvas on which the painting is to be executed is laid on a wooden frame to determine the required dimensions. This canvas is an extremely finely woven cotton material, referred to in the Holy Scriptures as "Ãura Canvas".

Then the canvas is cut, hemmed and, with the use of sturdy strings, very tightly mounted in the wooden frame. Painting is carried out with the frame in an upright position, without any further rigid support or backing.

In this studio, our primary artist, who works virtually exclusively for us, applies the undercoat consisting of a mixture of chalk and glue to the canvas by hand. Other Thangka workshops have turned to mainly using industrially pre-primed canvas.

This photo shows how the canvas, after receiving its base coat followed by a second coating of bone glue, is polished and smoothed by hand with a stone to attain a perfectly smooth, featureless painting surface. Through this process the canvas becomes quite rigid, thereby providing perfect conditions to evoke very finest artistic detail and over-all superior painting quality.

Using a different Thangka, we see how, after mounting, the complete basic pattern of the respective theme is applied to the canvas.

The following picture shows the steps in creating a gold-based Thangka, such as our No PH 9, the "Holy Mount Kailash". To achieve more intensive colour, yet another prime coat, in ochre, is applied, followed by a coat of pure gold. The so-called Thangka painting gold is traditionally produced by members of the Newar people in Nepal. 24-karat gold is ground to finest powder and mixed with bone glue and water in proportions suitable for direct use in painting. Thus, the Thangka gold is not gold leaf at all! Silver can be processed and used in the same way: Mount Kailash and the surrounding peaks in our completed Thangka were not painted with white paint, rather with precious silver.

Here, the nearly completed piece has been removed from the wooden frame. Now only the very finest finishing touches remain to be added, such as compacting the gold and giving Mount Kailash its silver mantle.

K. Lama regarded his already half-finished thangka proudly

The Mount Kailash Thangka, including the black margin (which can also facilitate the fastening of a traditional brocade frame), is now complete. Only the background gold must be compacted in the places where it is later intended to exhibit a sheen.

Here we see an old ballpoint pen casing into which a specially cut agate has been fitted. The back of this semi-precious stone is slightly concave and can be used to compact gold over extensive areas of the Thangka, while the blunt point is used to lineally compact gold, thus creating a shiny effect.

In this way, through partial compaction of the gold or refraining from compaction, nearly three-dimensional effects can be achieved. The glorious sheen of gold artistically treated in this way richly rewards the beholder or meditator with a Thangka possessed of an extraordinarily aesthetic aura.

Thangka Making Video

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The seven chakra system :

Chakra is various focal points used in a variety of ancient meditation practices, collectively denominated as Tantra, or the esoteric or inner traditions of Hinduism.
The concept is found in the early traditions of Hinduism. Beliefs differ between the Indian religions, with many Buddhist texts consistently mentioning five chakras, while Hindu sources offer six or even seven. Early Sanskrit texts speak of them both as meditative visualizations combining flowers and mantras and as physical entities in the body. Some modern interpreters speak of them as complexes of electromagnetic variety, the precise degree and variety of which directly arise from a synthetic average of all positive and negative so-called "fields", thus eventuating the complex Nadi. Within kundalini yoga, the techniques of breath exercises, visualizations, mudras, bandhas, kriyas, and mantras are focused on manipulating the flow of subtle energy through chakras.

One widely popular schema of seven chakras is as follows, from bottom to top	A Tibetan thangka with a diagram showing six chakrasâa root chakra, a chakra at the sex organs, one at the navel, one at the heart, another at the throat and the last one located at the crown	A Tibetan illustration of the subtle body showing the central channel and two side channels as well as five chakras.	In meditation, chakras are often visualised in different ways, such as a lotus flower, or a disc containing a particular deity..
An illustration of a Saiva Nath chakra system, folio 2 from the Nath Charit, 1823. Mehrangarh Museum Trust.	Sapta Chakra, an 1899 manuscript (above) illustrates the esoteric correspondence(s) between subtle energy and Tibetan psycho-physiology

Various Images of Chakra Diagram :

Image of chakra	location and Sound	Description
Name: Sahasrara	Crown Chakra Keynote: B Frequency: 480 Hz. Vowel: Eee Bija: Om Element: All Sound: Om Energy: Transcendence	Highest spiritual centre, pure consciousness, containing neither object nor subject. When the feminine Kundalini Shakti rises to this point, it unites with the masculine Shiva, giving self-realization and samadhi. In esoteric Buddhism, it is called Mahasukha, the petal lotus of "Great Bliss" corresponding to the fourth state of Four Noble Truths.
Name: Ajna	Third Eye Chakra Keynote: A Frequency: 426.7 Hz. Vowel: Aye Bija: Sham Element: All Sound: Bells/Space Energy: Insight, Wisdom	Guru chakra or third-eye chakra, the subtle center of energy, where the tantra guru touches the seeker during the initiation ritual (saktipata). He or she commands the awakened kundalini to pass through this centre.
Name: Vishuddha	Throat Chakra Keynote: G Frequency: 384 Hz. Vowel: Eye Bija: Ham Element: Ether Sound: Crickets Energy: Communication, Creation	The Vishuddha is iconographically represented with 16 petals covered with the sixteen Sanskrit vowels. It is associated with the element of space (akasha) and has the seed syllable of the space element Ham at its centre. The residing deity is Panchavaktra shiva, with 5 heads and 4 arms, and the Shakti is Shakini. In esoteric Buddhism, it is called Sambhoga and is generally considered to be the petal lotus of "Enjoyment" corresponding to the third state of Four Noble Truths.
Name: Anahata	Heart Chakra Keynote: F Frequency: 341. 3 Hz. Vowel: Ah Bija: Yam Element: Air Sound: Wind Energy: Compassion, Love	Within it is a yantra of two intersecting triangles, forming a hexagram, symbolising a union of the male and female as well as being the esoteric symbol for the element of air (vayu). The seed mantra of air, Yam, is at its centre. The presiding deity is Ishana Rudra Shiva, and the Shakti is Kakini. In esoteric Buddhism, this Chakra is called Dharma and is generally considered to be the petal lotus of "Essential nature" and corresponding to the second state of Four Noble Truths
Name: Manipura	Sacral Navel Chakra Keynote: E Vowel: Oh Frequency: 320 Hz. Bija: Ram Element: Fire Sound: Roaring Fire Element: Fire Energy: Power	For the Nath yogi meditation system, this is described as the Madhyama-Shakti or the intermediate stage of self-discovery. This chakra is represented as an downward pointing triangle representing fire in the middle of a lotus with ten petals. The seed syllable for fire is at its center Ram. The presiding deity is Braddha Rudra, with Lakini as the Shakti
Name: Svadhishthana	Sacral Chakra Keynote: D Frequency: 288 Hz Vowel: Ooo Bija: Vam Element: Water Sound: Ocean Energy: Life Energy,	Svadhisthana is represented with a lotus within which is a crescent moon symbolizing the water element. The seed mantra in its center is Vam representing water. The presiding deity is Brahma, with the Shakti being Rakini (or Chakini). In esoteric Buddhism, it is called Nirmana, the petal lotus of "Creation" and corresponding to the first state of Four Noble Truths
Name: Muladhara	Root Chakra Keynote: C Frequency: 256 Hz. Vowel: Uh Bija: Lam Element: Earth Sound: Thunder/Earthquake Energy: Grounding	Dormant Kundalini is often said to be resting here, wrapped three and a half, or seven or twelve times. Sometimes she is wrapped around the black Svayambhu linga, the lowest of three obstructions to her full rising (also known as knots or granthis). It is symbolised as a four-petaled lotus with a yellow square at its center representing the element of earth. The seed syllable is Lam for the earth element (pronounced lum),. All sounds, words and mantras in their dormant form rest in the muladhara chakra, where Ganesha resides, while the Shakti is Dakini. The associated animal is the elephant

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