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Talk to help line for your question on 9841267335This is a beautiful old Buddhist statue that carries a deep sense of spirituality and craftsmanship. These statues were made around 15 to 20 years ago and are crafted from pure copper. If the statue has gold, it has a thick layer of gold plating, unlike modern statues where using a lot of gold is expensive.
Skilled artisans, who were well-versed in religious teachings, made these statues. They followed traditional guidelines and sacred texts to create each statue with precise expressions and postures. The artisans believed they were creating representations of gods rather than just ordinary figures. This unique perspective is reflected in the statues themselves.
The [old], Buddhist Statue Of [dorje Legpa], Full Gold Plated Antique Finishing has full gold plated antique finishing. This finishing is a combination of fire mercury gold plating and antique finishing. This traditional technique involves the application of a genuine layer of gold onto the [old], Buddhist Statue Of [dorje Legpa], Full Gold Plated Antique Finishing using the time-honored process of mercury gold plating. Skilled artisans meticulously handle the amalgamation of gold with mercury, ensuring precise application and a truly authentic result. To enhance its charm further, the [old], Buddhist Statue Of [dorje Legpa], Full Gold Plated Antique Finishing undergoes an antique finishing process. This meticulous treatment adds a touch of age and character to the gold plating, creating a sense of antiquity. Through careful craftsmanship and the application of specialized techniques, the [old], Buddhist Statue Of [dorje Legpa], Full Gold Plated Antique Finishing acquires a beautifully aged appearance that adds depth and uniqueness to its overall aesthetic.
This Collection of [old], Buddhist Statue Of [dorje Legpa], Full Gold Plated Antique Finishing is made by the process of the Lost Wax system. This is a very complicated, time consuming and historic process of making metal sculptures.Which is why it is sometimes called Precision Casting as well. Hence the sculptures made by this process are comparatively expensive. There are many new, advanced and less time consuming methods of casting metal sculptures available as well. But due to the benefits provided by the traditional lost wax system in quality control and customization, we prefer the Loss wax system over Ceramic molding, or sand casting to make our Collection.
Below we have tried to illustrate the process of making a loss wax system statue:
This form where Dorje legpa is seen riding a snow lion is a 'majestic yogi form who rides the vast tracks of sky beyond the mountain peaks. The snow lion represents youthful energy , a type of power which is enlivened by humour. The humour of the snow lion is the non dual humour which transcends seriousness and non-seriousness. There is a wide awake, wide open, wide-eyed quality to the youthful 'emotional astuteness' of the snow lion. The snow lion carries Dorje Legpa on her back in a graceful yet precise manner, not needing to be 'swift to the kil with regard to tracking down our deviousness with regard to our vows. The snow lion mount, simply allows Dorje Legpa the space of vajra humour in which all deviations are hoist on their respected petards. Neuroses simply run from the gaze of the Dorje Legpa and his snow lion until they exhaust themselves. This is their field of power.
Right after this, to the northwest of Mount Meru, a mu demon who was the embodiment of hatred, and a female mara who was the embodiment of lust, had sex. Seven months later on the first day of the last winter month of a tiger year, the mother produced an iron placental sack which fell at the base of a poison tree. When the mu father picked it up and looked inside, he saw a single child made out of iron, who immediately flew up to Mount Meru and reduced the four continents of our world system to ash. He bound the gods and demons who lived on Meru under his power. The lords of the mu, za, naga, and tsen demons all offered him their life essence. With these four as his retinue, the iron child began harming all living beings. Angered that they could not control him, the parents prayed that he would be enslaved by an "even greater power....from the realm of space." And so he apparently was, though no specific subjugating deity is mentioned in this account.
In another version of the myth of Dorje Lekpa's birth, Shri Heruka, in the form of a rakshasa, and Krodhishvari, in the form of a rakshasi, produced five daughters. The eldest of these mated with the king of the maras, and from their union was born Dorje Lekpa on the seventeenth day of the twelfth month. His mother urged him to eat the hearts of tigers, goats, and cats, and to protect the teachings of Shri Heruka. Because the boy had a birthmark in the shape of a vajra at his heart, he was determined to be part of the Vajra Buddha Family, and consequently received empowerment by Vajrapani. It is said that he was enthroned as the great yaksha that has power over our world system until the teachings of 5,000 buddhas disappear.
In yet another version of the myth, the "Ten Chapter Tantra of Dorje Lekpa Garwa Nagpo," the deity's parents were a cat-headed rakshasa and a monkey-headed female mara. They lived in a cube-shaped stone castle in a city of yamas in India. It was surrounded by swirling dust storms, whirling sword-blades, blazing fire, lightening, thunder, and hail. The rakshasa and mara lived there, eating the flesh and blood of sentient beings and having sex. From their union came five children. The main one was born with the head of a wolf and he had four siblings that had the teeth of tigers, lions, and jackals, claws like vulture talons, and the horns of scorpions. They were black demons of the charnel ground that attacked the life-force of all living things.
One day, the wolf-headed demon killed a goat that belonged to the sage Tramena. Tramena went to the Buddha and told him that there was a terrible hungry ghost that was preying on the beings of the three worlds, and needed to be subdued, which he promptly was by Vajrapani. Another source asserts that Dorje Lekpa manifested as an iron hawk to kill beings in the sky, an iron wolf to kill those on earth, and a solitary iron man who caused much injury and violence. This being angered Hayagriva who promptly split his head into pieces, before resurrecting and empowering him as the lord of the gods and demons who arise from the eight classes of consciousness.
Also, according to the "Ten Chapter Tantra," Dorje Lekpa took on different deity forms in each of the different realms of rebirth. He was born first as "All-Joyful" the king of the wealth gods. Then he was born as an asura lord of death who had a rat's head, took cat hearts as offerings, and made weapons, called Garwa Nagpo, or "Black Ironsmith." He was also born as the son of the King of Lanka, and named "Tiger Tamer," who took tiger hearts as offerings. Born as animal, he was called "Blue Iron Wolf," a wolf who killed flocks of goats to eat. As this deity he received goat hearts as offerings. As a hungry ghost, he was a tsen who lived in a maroon-colored castle in a rocky crag.
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