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Code
HCS30009
Weight
1.2 Kg / 2.65 lbs
Size
Height
189cm (74") Width
129cm (51") Material
Cotton Canvas & Natural Color
Availability
Available
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Protection covers your purchase and personal data.
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We ship Worldwide, except Russia.Shipping cost US$25.2 for upto 0.5 kgs
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Talk to help line for your question on 9841267335Yamaraj : Brief Introduction
Yama or Yamaraa or jivayam is a Hindu and Buddhist deity of death, dharma, the south direction, and the underworld, belonging to an early stratum of Rigvedic Hindu deities. In Sanskrit, his name can be interpreted to mean "twin". He is also an important deity worshipped in Kalasha and now extinct Nuristani religions, indicating his prominence in ancient Hinduism. Read More . . .
Yama or Yamaraa or jivayam is a Hindu and Buddhist deity of death, dharma, the south direction, and the underworld, belonging to an early stratum of Rigvedic Hindu deities. In Sanskrit, his name can be interpreted to mean "twin". He is also an important deity worshipped in Kalasha and now extinct Nuristani religions, indicating his prominence in ancient Hinduism. Read More . . .
Rare Find : what is a Rare find?
This Achala [yamaraj], [master Quality], Buddhist Handmade Thangka Painting, Japanese Style [real Gold], [rare Find] is a rare find product, The Rare Find product is an uncommon and elusive product that is difficult to find and likely the only one available for sale. Once sold, Achala [yamaraj], [master Quality], Buddhist Handmade Thangka Painting, Japanese Style [real Gold], [rare Find] will be removed from the listings or marked as sold. This rarity and exclusivity make it highly sought-after by collectors and enthusiasts, offering a unique and irreplaceable addition to any collection.
This Achala [yamaraj], [master Quality], Buddhist Handmade Thangka Painting, Japanese Style [real Gold], [rare Find] is a rare find product, The Rare Find product is an uncommon and elusive product that is difficult to find and likely the only one available for sale. Once sold, Achala [yamaraj], [master Quality], Buddhist Handmade Thangka Painting, Japanese Style [real Gold], [rare Find] will be removed from the listings or marked as sold. This rarity and exclusivity make it highly sought-after by collectors and enthusiasts, offering a unique and irreplaceable addition to any collection.
Master Quality : What is master Quality?
The attribute of "master quality" distinguishes the Achala [yamaraj], [master Quality], Buddhist Handmade Thangka Painting, Japanese Style [real Gold], [rare Find] as an embodiment of extraordinary craftsmanship and artistic excellence. This exceptional piece is directly handcrafted by an artist or craftsman of the highest categorization, reflecting their unparalleled skill and expertise. The uniqueness of Achala [yamaraj], [master Quality], Buddhist Handmade Thangka Painting, Japanese Style [real Gold], [rare Find] lies in its exclusivity to the artist, making it a rare find with nearly impossible chances of finding an identical piece in the same category. While copies may exist, they can never truly replicate the essence of the original, as an artist or craftsman capable of creating such exceptional artistry would prefer to showcase their own creative vision rather than reproduce another's work. Read More . . .
The attribute of "master quality" distinguishes the Achala [yamaraj], [master Quality], Buddhist Handmade Thangka Painting, Japanese Style [real Gold], [rare Find] as an embodiment of extraordinary craftsmanship and artistic excellence. This exceptional piece is directly handcrafted by an artist or craftsman of the highest categorization, reflecting their unparalleled skill and expertise. The uniqueness of Achala [yamaraj], [master Quality], Buddhist Handmade Thangka Painting, Japanese Style [real Gold], [rare Find] lies in its exclusivity to the artist, making it a rare find with nearly impossible chances of finding an identical piece in the same category. While copies may exist, they can never truly replicate the essence of the original, as an artist or craftsman capable of creating such exceptional artistry would prefer to showcase their own creative vision rather than reproduce another's work. Read More . . .
Use of Real Gold
This thangka of Achala [yamaraj], [master Quality], Buddhist Handmade Thangka Painting, Japanese Style [real Gold], [rare Find] has real gold painted on its surface along with other paints. This is an ancient process of decorating the thangka in Tibetan Buddhism, Here gold is ground into gold dust, which is then mixed with other undisclosed material to make it paintable on the canvas. this mixture is then mixed with transparent glue and painted on the thangka. Read More . . .
This thangka of Achala [yamaraj], [master Quality], Buddhist Handmade Thangka Painting, Japanese Style [real Gold], [rare Find] has real gold painted on its surface along with other paints. This is an ancient process of decorating the thangka in Tibetan Buddhism, Here gold is ground into gold dust, which is then mixed with other undisclosed material to make it paintable on the canvas. this mixture is then mixed with transparent glue and painted on the thangka. Read More . . .
Introduction to Thangka
A thangka, also known as tangka, thanka, or tanka, is a vibrant and intricate Tibetan Buddhist painting that serves as a visual representation of spiritual teachings. Crafted with meticulous detail on cotton or silk appliqué, thangkas depict a wide range of subjects including Buddhist deities, sacred scenes, mandalas, and narrative stories. These sacred artworks are traditionally kept unframed and rolled up for storage, resembling ancient scrolls. To protect their delicate nature, thangkas are mounted on textile backings and often adorned with a silk cover on the front. Proper preservation in dry environments is crucial to maintain the integrity and longevity of the silk. Read More . . .
A thangka, also known as tangka, thanka, or tanka, is a vibrant and intricate Tibetan Buddhist painting that serves as a visual representation of spiritual teachings. Crafted with meticulous detail on cotton or silk appliqué, thangkas depict a wide range of subjects including Buddhist deities, sacred scenes, mandalas, and narrative stories. These sacred artworks are traditionally kept unframed and rolled up for storage, resembling ancient scrolls. To protect their delicate nature, thangkas are mounted on textile backings and often adorned with a silk cover on the front. Proper preservation in dry environments is crucial to maintain the integrity and longevity of the silk. Read More . . .
About Achala :
Acala or Achala (Sanskrit: अचल "Immovable") is a Dharmapala (protector of the Dharma), prominent in Vajrayana Buddhism and East Asian Buddhism. He is classed among the Wisdom Kings and is preeminent among the Five Wisdom Kings of the Womb Realm. Accordingly, his figure occupies an important hierarchical position in the Mandala of the Two Realms.
In China, he is known through esoteric Tangmi traditions as Budong Mingwang ("The Immovable Wisdom King"). In Japan, he is known as Fud? My??, which is the on'yomi reading of his Chinese name.He is also highly revered among some Yakuza members, who often draw on his intense facial expression and demeanor
History :Wooden sculpture of Acala. Japan, late Heian Period, 12th century
Wooden sculpture of Acala. Japan, late Heian Period, 12th century
Acala at Buddha Tooth Relic Temple and Museum, Singapore
Statue of Acala, from 12th century Japan. Currently in Rietberg Museum (Zürich,Switzerland)
Originally the Mahayana deity Acalanātha, whose name means "immovable protector", Acala was incorporated into Vajrayana Buddhism as a servant of the Buddha. In Tangmi (Tang-era Chinese Vajrayana), his name was translated as Budong "immovable" (Chinese: 不動; pinyin: Búdòng, Middle Chinese: /pǝw dungx/). In turn, the deity was imported into Japan as "Immovable" (不動, Fudō) by the priest Kūkai (died 835) who was studying in China as a member of the Kentoshi mission and founded Shingon Buddhism. Scholars such as Miyeko Murase state that the origins of this Buddhist deity are in the Hindu god Shiva, particularly his attributes of destruction and reincarnation.
The deity has been popular throughout the Middle Ages and into modern times in Nepal, Tibet, and Japan, where sculptural and pictorial representations of him are most often found. Much of the iconography comes from Japan.
In Tibetan Buddhism and art, the Buddha Akshobhya, whose name also means "the immovable one", presides over the clan of deities to which Ācala belongs. Other sources refer to the Acala and Caṇḍaroṣaṇa as an "emanation" of Akshobhya
He evolves into a deity invoked in Buddhist rituals to "frighten gods, titans, men and destroy the strength of demons", and he slays all ghosts and evil spirits. In some Buddhist texts such as the Sādhanamālā, the Hindu gods Vishnu, Shiva, Brahma, and Kandarpa (god of love) are said to be "wicked" because they cause endless rebirth, and these gods are terrified of Acala because he carries a rope to bind them. In other texts, such as the Mahāvairocana Sūtra, one dedicated to the Buddha is instructed to visualize the left foot of Acala on his head during meditation, to prevent obstacles in his reaching Prajñā .
In the Nepalese and Tibetan Buddhist traditions, Viśvavajrī becomes Acala's consort.
The deity has been popular throughout the Middle Ages and into modern times in Nepal, Tibet, and Japan, where sculptural and pictorial representations of him are most often found. Much of the iconography comes from Japan.
In Tibetan Buddhism and art, the Buddha Akshobhya, whose name also means "the immovable one", presides over the clan of deities to which Ācala belongs. Other sources refer to the Acala and Caṇḍaroṣaṇa as an "emanation" of Akshobhya
He evolves into a deity invoked in Buddhist rituals to "frighten gods, titans, men and destroy the strength of demons", and he slays all ghosts and evil spirits. In some Buddhist texts such as the Sādhanamālā, the Hindu gods Vishnu, Shiva, Brahma, and Kandarpa (god of love) are said to be "wicked" because they cause endless rebirth, and these gods are terrified of Acala because he carries a rope to bind them. In other texts, such as the Mahāvairocana Sūtra, one dedicated to the Buddha is instructed to visualize the left foot of Acala on his head during meditation, to prevent obstacles in his reaching Prajñā .
In the Nepalese and Tibetan Buddhist traditions, Viśvavajrī becomes Acala's consort.
of Achala, Yamaraj, Old Thangka" title="Thangka Painting 
of Achala, Yamaraj, Old Thangka" title="Thangka Painting 
