Code
HCS23434
Weight
100 gm / 0.22 lbs
Size
Height
83cm (33") Width
60cm (24") Material
Cotton Canvas Natural Color
Availability
Available
Date Added
2021-03-07 07:37:48
Note : We used to sell this product 4 years ago so it may no longer be in our stock.
It is possible that we still have it with our suppliers but the price could be different from before.
Feel free to order. We will verify availability and inform you promptly.
It is possible that we still have it with our suppliers but the price could be different from before.
Feel free to order. We will verify availability and inform you promptly.
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We ship Worldwide, except Russia.Shipping cost US$25.2 for upto 0.5 kgs
Hotline
Talk to help line for your question on 9841267335Use of Real Gold
This thangka of Thangka Painting Of Achala, Yamaraj, Old Thangka has real gold painted on its surface along with other paints. This is an ancient process of decorating the thangka in Tibetan Buddhism, Here gold is ground into gold dust, which is then mixed with other undisclosed material to make it paintable on the canvas. this mixture is then mixed with transparent glue and painted on the thangka. Read More . . .
This thangka of Thangka Painting Of Achala, Yamaraj, Old Thangka has real gold painted on its surface along with other paints. This is an ancient process of decorating the thangka in Tibetan Buddhism, Here gold is ground into gold dust, which is then mixed with other undisclosed material to make it paintable on the canvas. this mixture is then mixed with transparent glue and painted on the thangka. Read More . . .
Introduction to Thangka
A thangka, also known as tangka, thanka, or tanka, is a vibrant and intricate Tibetan Buddhist painting that serves as a visual representation of spiritual teachings. Crafted with meticulous detail on cotton or silk appliqué, thangkas depict a wide range of subjects including Buddhist deities, sacred scenes, mandalas, and narrative stories. These sacred artworks are traditionally kept unframed and rolled up for storage, resembling ancient scrolls. To protect their delicate nature, thangkas are mounted on textile backings and often adorned with a silk cover on the front. Proper preservation in dry environments is crucial to maintain the integrity and longevity of the silk. Read More . . .
A thangka, also known as tangka, thanka, or tanka, is a vibrant and intricate Tibetan Buddhist painting that serves as a visual representation of spiritual teachings. Crafted with meticulous detail on cotton or silk appliqué, thangkas depict a wide range of subjects including Buddhist deities, sacred scenes, mandalas, and narrative stories. These sacred artworks are traditionally kept unframed and rolled up for storage, resembling ancient scrolls. To protect their delicate nature, thangkas are mounted on textile backings and often adorned with a silk cover on the front. Proper preservation in dry environments is crucial to maintain the integrity and longevity of the silk. Read More . . .
About Achala :
Acala or Achala (Sanskrit: अचल "Immovable") is a Dharmapala (protector of the Dharma), prominent in Vajrayana Buddhism and East Asian Buddhism. He is classed among the Wisdom Kings and is preeminent among the Five Wisdom Kings of the Womb Realm. Accordingly, his figure occupies an important hierarchical position in the Mandala of the Two Realms.
In China, he is known through esoteric Tangmi traditions as Budong Mingwang ("The Immovable Wisdom King"). In Japan, he is known as Fud? My??, which is the on'yomi reading of his Chinese name.He is also highly revered among some Yakuza members, who often draw on his intense facial expression and demeanor
History :Wooden sculpture of Acala. Japan, late Heian Period, 12th century
Wooden sculpture of Acala. Japan, late Heian Period, 12th century
Acala at Buddha Tooth Relic Temple and Museum, Singapore
Statue of Acala, from 12th century Japan. Currently in Rietberg Museum (Zürich,Switzerland)
Originally the Mahayana deity Acalanātha, whose name means "immovable protector", Acala was incorporated into Vajrayana Buddhism as a servant of the Buddha. In Tangmi (Tang-era Chinese Vajrayana), his name was translated as Budong "immovable" (Chinese: 不動; pinyin: Búdòng, Middle Chinese: /pǝw dungx/). In turn, the deity was imported into Japan as "Immovable" (不動, Fudō) by the priest Kūkai (died 835) who was studying in China as a member of the Kentoshi mission and founded Shingon Buddhism. Scholars such as Miyeko Murase state that the origins of this Buddhist deity are in the Hindu god Shiva, particularly his attributes of destruction and reincarnation.
The deity has been popular throughout the Middle Ages and into modern times in Nepal, Tibet, and Japan, where sculptural and pictorial representations of him are most often found. Much of the iconography comes from Japan.
In Tibetan Buddhism and art, the Buddha Akshobhya, whose name also means "the immovable one", presides over the clan of deities to which Ācala belongs. Other sources refer to the Acala and Caṇḍaroṣaṇa as an "emanation" of Akshobhya
He evolves into a deity invoked in Buddhist rituals to "frighten gods, titans, men and destroy the strength of demons", and he slays all ghosts and evil spirits. In some Buddhist texts such as the Sādhanamālā, the Hindu gods Vishnu, Shiva, Brahma, and Kandarpa (god of love) are said to be "wicked" because they cause endless rebirth, and these gods are terrified of Acala because he carries a rope to bind them. In other texts, such as the Mahāvairocana Sūtra, one dedicated to the Buddha is instructed to visualize the left foot of Acala on his head during meditation, to prevent obstacles in his reaching Prajñā .
In the Nepalese and Tibetan Buddhist traditions, Viśvavajrī becomes Acala's consort.
The deity has been popular throughout the Middle Ages and into modern times in Nepal, Tibet, and Japan, where sculptural and pictorial representations of him are most often found. Much of the iconography comes from Japan.
In Tibetan Buddhism and art, the Buddha Akshobhya, whose name also means "the immovable one", presides over the clan of deities to which Ācala belongs. Other sources refer to the Acala and Caṇḍaroṣaṇa as an "emanation" of Akshobhya
He evolves into a deity invoked in Buddhist rituals to "frighten gods, titans, men and destroy the strength of demons", and he slays all ghosts and evil spirits. In some Buddhist texts such as the Sādhanamālā, the Hindu gods Vishnu, Shiva, Brahma, and Kandarpa (god of love) are said to be "wicked" because they cause endless rebirth, and these gods are terrified of Acala because he carries a rope to bind them. In other texts, such as the Mahāvairocana Sūtra, one dedicated to the Buddha is instructed to visualize the left foot of Acala on his head during meditation, to prevent obstacles in his reaching Prajñā .
In the Nepalese and Tibetan Buddhist traditions, Viśvavajrī becomes Acala's consort.
Yamaraj, 
Yamaraj, 
of Achala, 
of Achala, 
