HomeThangka - NewariNewariBuddha Gaya Thangka, Buddhist Traditional Painting, Real Gold, One Hundred Jataka, Newari

Buddha Gaya Thangka, Buddhist Traditional Painting, Real Gold, One Hundred Jataka, Newari

US$2000

Code

HCS29503

Weight

200 gm / 0.44 lbs

Size

Height

88cm (35")

Width

68cm (27")

Material

Cotton Canvas & Natural Color

Availability

Available

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Newari Paubha
This Buddha Gaya Thangka, Buddhist Traditional Painting, [real Gold], One Hundred Jataka, [newari] is a newari thangka or Paubaha, Paubha, also known as "paubhas," is a traditional religious painting created by the Newar people of Nepal. These exquisite artworks depict various subjects, including deities, mandalas, and monuments, and serve as aids for meditation and spiritual practices. Paubhas are similar to Tibetan Thangka paintings and are highly regarded for their religious and cultural significance.
While most paubhas portray Buddhist subjects, there are also a few that incorporate Hindu themes. The creation of these paintings is seen as a means of earning religious merit for both the artist and the patron. Newar Buddhists often commission skilled artists, primarily from the Chitrakar caste (known as Pun in Nepal Bhasa), to paint paubhas that are displayed during festivals and special occasions. Read More . . .

Introduction to Thangka
A thangka, also known as tangka, thanka, or tanka, is a vibrant and intricate Tibetan Buddhist painting that serves as a visual representation of spiritual teachings. Crafted with meticulous detail on cotton or silk appliquÃ©, thangkas depict a wide range of subjects including Buddhist deities, sacred scenes, mandalas, and narrative stories. These sacred artworks are traditionally kept unframed and rolled up for storage, resembling ancient scrolls. To protect their delicate nature, thangkas are mounted on textile backings and often adorned with a silk cover on the front. Proper preservation in dry environments is crucial to maintain the integrity and longevity of the silk.

These sacred paintings serve as objects of contemplation, inspiration, and instruction, guiding practitioners on their spiritual path. Thangkas provide a visual gateway to the world of Tibetan Buddhism, encapsulating its rich symbolism, iconography, and spiritual concepts. With their vibrant colors, intricate patterns, and skillful craftsmanship, thangkas offer a profound visual medium for deepening one's understanding and connection to the teachings of Buddhism.

Thangkas come in various sizes, ranging from small pieces resembling Western half-length portraits to grand-scale creations spanning several meters in each dimension. While the larger thangkas are intended for temporary display during religious festivals, the majority of these artworks are designed for personal meditation or as educational aids for monastic students. The compositions of thangkas are meticulously crafted, featuring intricate details and often incorporating numerous small figures. A central deity or focal point is typically surrounded by a symmetrical arrangement of other divine beings, symbols, or narrative elements that convey profound spiritual teachings.

How is Thangka made

First, the canvas on which the painting is to be executed is laid on a wooden frame to determine the required dimensions. This canvas is an extremely finely woven cotton material, referred to in the Holy Scriptures as "Ãura Canvas".

Then the canvas is cut, hemmed and, with the use of sturdy strings, very tightly mounted in the wooden frame. Painting is carried out with the frame in an upright position, without any further rigid support or backing.

In this studio, our primary artist, who works virtually exclusively for us, applies the undercoat consisting of a mixture of chalk and glue to the canvas by hand. Other Thangka workshops have turned to mainly using industrially pre-primed canvas.

This photo shows how the canvas, after receiving its base coat followed by a second coating of bone glue, is polished and smoothed by hand with a stone to attain a perfectly smooth, featureless painting surface. Through this process the canvas becomes quite rigid, thereby providing perfect conditions to evoke very finest artistic detail and over-all superior painting quality.

Using a different Thangka, we see how, after mounting, the complete basic pattern of the respective theme is applied to the canvas.

The following picture shows the steps in creating a gold-based Thangka, such as our No PH 9, the "Holy Mount Kailash". To achieve more intensive colour, yet another prime coat, in ochre, is applied, followed by a coat of pure gold. The so-called Thangka painting gold is traditionally produced by members of the Newar people in Nepal. 24-karat gold is ground to finest powder and mixed with bone glue and water in proportions suitable for direct use in painting. Thus, the Thangka gold is not gold leaf at all! Silver can be processed and used in the same way: Mount Kailash and the surrounding peaks in our completed Thangka were not painted with white paint, rather with precious silver.

Here, the nearly completed piece has been removed from the wooden frame. Now only the very finest finishing touches remain to be added, such as compacting the gold and giving Mount Kailash its silver mantle.

K. Lama regarded his already half-finished thangka proudly

The Mount Kailash Thangka, including the black margin (which can also facilitate the fastening of a traditional brocade frame), is now complete. Only the background gold must be compacted in the places where it is later intended to exhibit a sheen.

Here we see an old ballpoint pen casing into which a specially cut agate has been fitted. The back of this semi-precious stone is slightly concave and can be used to compact gold over extensive areas of the Thangka, while the blunt point is used to lineally compact gold, thus creating a shiny effect.

In this way, through partial compaction of the gold or refraining from compaction, nearly three-dimensional effects can be achieved. The glorious sheen of gold artistically treated in this way richly rewards the beholder or meditator with a Thangka possessed of an extraordinarily aesthetic aura.

Thangka Making Video

Read More . . .

Use of Real Gold
This thangka of Buddha Gaya Thangka, Buddhist Traditional Painting, [real Gold], One Hundred Jataka, [newari] has real gold painted on its surface along with other paints. This is an ancient process of decorating the thangka in Tibetan Buddhism, Here gold is ground into gold dust, which is then mixed with other undisclosed material to make it paintable on the canvas. this mixture is then mixed with transparent glue and painted on the thangka. Read More . . .

One Hundred Jataka :

The Buddhist Thangka painting known as "One Hundred Jataka" depicts the sacred site of Buddha Gaya and illustrates the stories of the Buddha's previous lives, which are known as Jataka tales. This particular Thangka is a visual representation of the rich narrative tradition of the Jataka tales and holds significant cultural and religious value in Buddhism.
Buddha Gaya, also known as Bodh Gaya, is a renowned pilgrimage site located in the Indian state of Bihar. It is the place where Gautama Buddha, the historical Buddha, attained enlightenment under the Bodhi tree. The site is considered one of the most sacred places for Buddhists and attracts pilgrims from all over the world.

The Thangka painting portrays the physical layout of Buddha Gaya, capturing its serene and spiritual ambiance. It typically includes the iconic Mahabodhi Temple, which houses the Bodhi tree, as well as other important structures and landmarks associated with the site. The artist pays meticulous attention to detail, showcasing the architectural beauty and sacredness of the location.

Within the Thangka, the artist portrays the One Hundred Jataka tales. These tales narrate the various past lives of the Buddha, when he was still on the path to attaining enlightenment. Each Jataka tale depicts a moral lesson or virtue that the Buddha-to-be cultivated in his previous existence. These tales showcase his compassion, wisdom, self-sacrifice, and other qualities that eventually led him to become an enlightened being.

The Thangka painting is rich in color and symbolism. The artist employs vibrant hues to represent different elements, such as the lush greenery of the landscape, the golden glow of the temples, and the diverse characters and scenes depicted in the Jataka tales. The figures are often depicted in intricate detail, with delicate brushwork and exquisite ornamentation.

The Thangka serves not only as a visual representation of the Buddha Gaya site but also as a tool for meditation and contemplation. It is believed that by gazing at the painting, one can connect with the teachings and qualities of the Buddha, as well as cultivate the virtues portrayed in the Jataka tales.

Overall, the "One Hundred Jataka" Thangka painting is a captivating and spiritually significant artwork that encapsulates the essence of Buddha Gaya and the transformative journey of the Buddha through his past lives. It stands as a testament to the depth of Buddhist philosophy and serves as a source of inspiration for practitioners seeking enlightenment and wisdom.

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