Code
HCS26576
Weight
2.534 Kg / 5.59 lbs
Size
Height
29cm (11") Width
19cm (7") Depth
12cm (5") Material
Copper
Availability
Available

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We ship Worldwide, except Russia.Shipping cost US$25.2 for upto 0.5 kgs

Hotline
Talk to help line for your question on 9841267335Silver and Chocolate Oxidized
The Buddhist Handmade Statue Of [nagarjuna Buddha], [chocolate Oxidation] With Silver Plating features a captivating combination of partly silver plating and dark oxidation. This unique finishing technique combines the lustrous shine of silver with the rich, deep tones achieved through oxidation. In the process of creating this finish, selected areas of the Buddhist Handmade Statue Of [nagarjuna Buddha], [chocolate Oxidation] With Silver Plating are expertly silver-plated, creating a radiant and reflective surface that catches the light. The remaining areas are intentionally oxidized, resulting in a darkened patina that adds depth and character to the piece. Read More . . .
The Buddhist Handmade Statue Of [nagarjuna Buddha], [chocolate Oxidation] With Silver Plating features a captivating combination of partly silver plating and dark oxidation. This unique finishing technique combines the lustrous shine of silver with the rich, deep tones achieved through oxidation. In the process of creating this finish, selected areas of the Buddhist Handmade Statue Of [nagarjuna Buddha], [chocolate Oxidation] With Silver Plating are expertly silver-plated, creating a radiant and reflective surface that catches the light. The remaining areas are intentionally oxidized, resulting in a darkened patina that adds depth and character to the piece. Read More . . .
Lost-Wax System
This Buddha of Buddhist Handmade Statue Of [nagarjuna Buddha], [chocolate Oxidation] With Silver Plating is made by the process of the Lost Wax system. This is a very complicated, time consuming and historic process of making metal sculptures.Which is why it is sometimes called Precision Casting as well. Hence the sculptures made by this process are comparatively expensive. There are many new, advanced and less time consuming methods of casting metal sculptures available as well. But due to the benefits provided by the traditional lost wax system in quality control and customization, we prefer the Loss wax system over Ceramic molding, or sand casting to make our Buddha.
Below we have tried to illustrate the process of making a loss wax system statue: Read More . . .
This Buddha of Buddhist Handmade Statue Of [nagarjuna Buddha], [chocolate Oxidation] With Silver Plating is made by the process of the Lost Wax system. This is a very complicated, time consuming and historic process of making metal sculptures.Which is why it is sometimes called Precision Casting as well. Hence the sculptures made by this process are comparatively expensive. There are many new, advanced and less time consuming methods of casting metal sculptures available as well. But due to the benefits provided by the traditional lost wax system in quality control and customization, we prefer the Loss wax system over Ceramic molding, or sand casting to make our Buddha.
Below we have tried to illustrate the process of making a loss wax system statue: Read More . . .
Brief Introduction :
Nagarjuna was an Indian Mahāyāna Buddhist thinker, scholar-saint and philosopher. He is widely considered as one of the most important Buddhist philosophers. Furthermore, according to Jan Westerhoff, he is also "one of the greatest thinkers in the history of Asian philosophy." Nagarjuna is widely considered to be the founder of the madhyamaka school of Buddhist philosophy and a defender of the Mahāyāna movement. His Mulamadhyamakakarika is the most important text on the madhyamaka philosophy of emptiness. The MMK inspired a large number of commentaries in Sanskrit, Chinese, Tibetan, Korean and Japanese and continues to be studied today
life Of Nagarjuna :Very little is reliably known of the life of Nagarjuna and modern historians do not agree on a specific date or place for him. The earliest surviving accounts were written in Chinese and Tibetan centuries after his death and are mostly hagiographical accounts that are historically unverifiable.
Some scholars such as Joseph Walser argue that Nāgārjuna was an advisor to a king of the Sātavāhana dynasty which ruled the Deccan Plateau in the second century. This is supported by most of the traditional hagiographical sources as well. Archaeological evidence at Amarāvatī indicates that if this is true, the king may have been Yajna Sri Satakarni. On the basis of this association, Nagarjuna is conventionally placed at around 150â250 CE.
A model of the Amaravati Stupa
Walser thinks that it is most likely that when Nagarjuna wrote the Ratnavali, he lived in a mixed monastery in which Mahāyānists were the minority. The most likely sectarian affiliation of the monastery according to Walser was Purvasailya, Aparasailya, or Caityaka
He also argues that "it is plausible that he wrote the Ratnavali within a thirty-year period at the end of the second century in the Andhra region around Dhanyakataka (modern-day Amaravati)."
Some scholars such as Joseph Walser argue that Nāgārjuna was an advisor to a king of the Sātavāhana dynasty which ruled the Deccan Plateau in the second century. This is supported by most of the traditional hagiographical sources as well. Archaeological evidence at Amarāvatī indicates that if this is true, the king may have been Yajna Sri Satakarni. On the basis of this association, Nagarjuna is conventionally placed at around 150â250 CE.
A model of the Amaravati Stupa
Walser thinks that it is most likely that when Nagarjuna wrote the Ratnavali, he lived in a mixed monastery in which Mahāyānists were the minority. The most likely sectarian affiliation of the monastery according to Walser was Purvasailya, Aparasailya, or Caityaka
He also argues that "it is plausible that he wrote the Ratnavali within a thirty-year period at the end of the second century in the Andhra region around Dhanyakataka (modern-day Amaravati)."