Buddhist Handmade Wall Prayer Wheel with Mantra Inside, Omph, Pancha Buddha, Table Top

Characteristics
The following shows the importance and characteristics of Pancha Buddhas in the life of Buddhist people.

Vairochana Buddha
Vairochana Buddha is considered as the supreme Buddha among Pancha Buddha. This Premordial Buddha represents the wisdom of Sunyata or essence of the Dharma realm meditation mudra. In Tibetan Buddhism, Pancha Buddha are drawn together in a mandala, it is always that Vairochana Buddha is in the center of Mandala. Vairochana Buddha statues are mostly depicted in white color and it is believed that if one meditate saying matra on Vairochana buddha, it helps to vanquish ingnorance. Vairocana Buddha Statues is quite popular among the Tibetan Buddha statues since the core of Jokhang temple is the Buddha image of Vairocana Buddha and Jokhang temple is one of the few important Buddhist pilgrimage sites in Tibet.
Ratnasambhava Buddha
Ratnasambhava Buddha represents the South Skandha and is believed to reign over it just like other Buddha. Ratnasambhava Buddha statues is especially depicted in yellow color and represents richness. Ratnasambhava Buddha is shown in Varada Mudra, also known as Boon giving mudra, one of the different styles of Buddha statues. In Mandala, Ratnasambhava Budhda is shown facing South.
Amoghasiddhi Buddha
As the Buddha reigning over North Skandha, Amoghasiddhi Buddha is believed to protect or destroy every ounce of envy or jealousy from the heart of people who meditate on Amoghasiddhi Buddha. Amoghasiddhi Buddha statues are depicted in green color holding double vajra. Since he is represented as the protector from envy, Amoghasiddhi Buddha is shown in Abhaya mudra.
Akshobhaya Buddha
Among Pancha Buddhas, Akshobhaya Buddha is quite popular representations of Buddha. Akshobhaya Buddha is depicted in Blue color, holding vajra with left hand and touching the earth using earth touching Mudra. Akshobahaya Buddha is considered as the heavenly Buddha who reign over the eastern Paradise and represents the fifth Skandha. By meditating on the name of Akshobhaya Buddha, one can overcome any kind of anger as well as hatred.
Amitabha Buddha
In many Asian countries, Amitabha Buddha of Pancha Buddha is greatly respected and followed by large number of Buddhist people as well as Buddhist monks. Amitabha Buddha is also the heavenly Buddha who reign over the Western Paradise and is represented in red Color, holding lotus which symbolizes gentle and pure. Amitabha Buddha stands in the center of Pure Land which is considered as heavenly place where one can be free from all cycles of life. Only who speaks or meditate on Amitabha Buddha can go to Pure Land according to Buddhist doctrines of Amitabha Buddha. Two major Bodhisattvas i.e. Avalokiteshvara and Mahasthamaprapta are depicted with Amitabha Buddha statues.
These Pancha Buddha are greatly respected by Newari Buddhism as well as Nepali-tibetan Buddhist ethnicities. These five Buddhas of five different skandha shows the qualities of Living Buddha and depicted in form of crown known as Five Buddha Crown or Rig Nga in Tibetan Buddhism. One of the key features of Pancha Buddha statues is that the hand postures of each Pancha Buddha are not considered mudra if all five Buddha statues are not placed together.

Our Buddha statue collection provides different styles of antique Pancha Buddha statues, Nepal Tibet Buddha statues, Tibetan Buddha statues, and Buddha sculptures, based on the mudras, etc. You can view our onlince collection for rare, old and antique Pancha Buddha Statues.

Detail Description
The syllable Om is referred to as praṇava. Other used terms are akṣara (literally, letter of the alphabet, imperishable, immutable) or ekākṣara (one letter of the alphabet) and omkāra (meaning literally
"Om syllable", and connoting: a beginning and female divine energy). Udgitha, a word found in Sama Veda and bhasya (commentaries) based on it, is also used as a name of the syllable. The word has three phonemes: "a-u-m", though it is often described as trisyllabic despite this being either archaic or the result of translation.

The syllable Om is first mentioned in the Upanishads, the mystical texts associated with the Vedanta philosophy. It has variously been associated with concepts of "cosmic sound" or "mystical syllable" or "affirmation to something divine", or as symbolism for abstract spiritual concepts in the Upanishads. In the Aranyaka and the Brahmana layers of Vedic texts, the syllable is so widespread and linked to knowledge, that it stands for the "whole of Veda". The etymological foundations of Om are repeatedly discussed in the oldest layers of the Vedantic texts (the early Upanishads). The Aitareya Brahmana of Rig Veda, in section 5.32, for example suggests that the three phonetic components of Om (pronounced AUM) correspond to the three stages of cosmic creation, and when it is read or said, it celebrates the creative powers of the universe. The Brahmana layer of Vedic texts equate Om with Bhur-bhuvah-Svah, the latter symbolizing "the whole Veda". They offer various shades of meaning to Om, such as it being "the universe beyond the sun", or that which is "mysterious and inexhaustible", or "the infinite language, the infinite knowledge", or "essence of breath, life, everything that exists", or that "with which one is liberated". The Sama Veda, the poetical Veda, orthographically maps Om to the audible, the musical truths in its numerous variations (Oum, Aum, Ovā Ovā Ovā Um, etc.) and then attempts to extract musical meters from it.

The syllable Om evolves to mean many abstract ideas in the earliest Upanishads. Max Müller and other scholars state that these philosophical texts recommend Om as a "tool for meditation", explain various meanings that the syllable may be in the mind of one meditating, ranging from "artificial and senseless" to "highest concepts such as the cause of the Universe, essence of life, Brahman, Atman, and Self-knowledge".