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Code
HCS29090
Weight
160 gm / 0.35 lbs
Size
Height
8cm (3") Width
7cm (3") Depth
4cm (2") Material
Copper
Availability
Available
Safe Payment
We accept Paypal, Money Transfer, Bank Transfer
Confidence
Protection covers your purchase and personal data.
Worldwide Delivery
We ship Worldwide, except Russia.Shipping cost US$25.2 for upto 0.5 kgs
Hotline
Talk to help line for your question on 9841267335About Color Finishing
The Buddhist Miniature Statue Of Naga Kanya, [high Quality], [traditional Color Finishing] is adorned with traditional colors, creating a captivating aesthetic through a combination of gold and various hues. This painting technique follows a time-honored process that aims to faithfully represent the Buddhist Miniature Statue Of Naga Kanya, [high Quality], [traditional Color Finishing] in accordance with traditional color descriptions. In the context of Buddhist statues, this approach holds great significance. Each statue has its own primary color, and it is crucial to depict the statue in its authentic shade. Read More . . .
The Buddhist Miniature Statue Of Naga Kanya, [high Quality], [traditional Color Finishing] is adorned with traditional colors, creating a captivating aesthetic through a combination of gold and various hues. This painting technique follows a time-honored process that aims to faithfully represent the Buddhist Miniature Statue Of Naga Kanya, [high Quality], [traditional Color Finishing] in accordance with traditional color descriptions. In the context of Buddhist statues, this approach holds great significance. Each statue has its own primary color, and it is crucial to depict the statue in its authentic shade. Read More . . .
Ceramic Molding System
The Buddhist Miniature Statue Of Naga Kanya, [high Quality], [traditional Color Finishing] has been crafted using the Ceramic mold casting process, a modern approach that provides an alternative to traditional methods such as the lost-wax system or rubber molding. Also referred to as ceramic molding, this technique involves the creation of a ceramic mold to cast the statue. The process begins by making a precise and detailed wax model of the desired sculpture. The wax model is then coated with layers of ceramic material, creating a sturdy mold. Once the mold is complete, it is fired in a kiln, causing the wax to melt and escape, leaving behind a cavity that perfectly replicates the original sculpture. Molten metal is then poured into the mold, allowing it to fill the cavity and take on the desired form. Once cooled and solidified, the ceramic mold is carefully broken away, revealing the final metal statue. Read More . . .
The Buddhist Miniature Statue Of Naga Kanya, [high Quality], [traditional Color Finishing] has been crafted using the Ceramic mold casting process, a modern approach that provides an alternative to traditional methods such as the lost-wax system or rubber molding. Also referred to as ceramic molding, this technique involves the creation of a ceramic mold to cast the statue. The process begins by making a precise and detailed wax model of the desired sculpture. The wax model is then coated with layers of ceramic material, creating a sturdy mold. Once the mold is complete, it is fired in a kiln, causing the wax to melt and escape, leaving behind a cavity that perfectly replicates the original sculpture. Molten metal is then poured into the mold, allowing it to fill the cavity and take on the desired form. Once cooled and solidified, the ceramic mold is carefully broken away, revealing the final metal statue. Read More . . .
Brief Introduction :
Naga Kanya means in Sanskrit the virgin, the maiden of the Nagas. This picture refers to a beautiful Buddhist tale narrated in the XIIth chapter of the Lotus Sutra where a Naga princess, daughter of the Ocean (Sagara) comes to bodhicitta at the tender age of eight. Before an incredulous assembly of bodhisattvas (because she was so young, and a woman), the Nagini offers then to the Buddha a jewel, said to be worth thousands of worlds. When the bodhisattvas tell her that the Buddha accepted her jewel immediately, she told them to watch her become a buddha even more rapidly. The common interpretation of this myth is that her jewel was in truth her very own life, worth indeed thousands of worlds, and the gift of which was the ultimate price, whether it be spontaneous or the work of an entire life.
Iconography :Naga Kanya is usually seen as a very beautiful young girl in sited position, holding precious jewels with her both hand in offering posture, She has 5 headed snake on top of her head as a crown and wings representing she has the ability to fly.
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