HomeBuddhist StatueAvalokitesvaraBuddhist Statue of Amoghpasa Lokeshvara with Green Tara and Chenrezig, Antique Finishing

Buddhist Statue of Amoghpasa Lokeshvara with Green Tara and Chenrezig, Antique Finishing

US$160

Code

HCS29072

Weight

1.795 Kg / 3.96 lbs

Size

Height

22cm (9")

Width

19cm (7")

Depth

6cm (2")

Material

Copper

Availability

Available

Shipping Calculation

The shipping weight for 1 piece of the product is 2 kg, and shipping cost is USD40.63.

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Shipping cost US$25.2 for upto 0.5 kgs

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Antique Finishing
This is an antique patina-finished Buddhist Statue Of Amoghpasa Lokeshvara With Green Tara And Chenrezig, [antique Finishing]. This is not an antique statue. It is just an antique patina finish. This Buddhist Statue Of Amoghpasa Lokeshvara With Green Tara And Chenrezig, [antique Finishing] is a testament to the artisan's mastery of the art of aging. Its antique patina has been meticulously crafted to give the appearance of an aged statue, showcasing the artist's unique techniques and skills. Through undisclosed processes and careful aging treatments, the Buddhist Statue Of Amoghpasa Lokeshvara With Green Tara And Chenrezig, [antique Finishing] undergoes a transformation that captures the essence of time and history. Read More . . .

Lost-Wax System
This Avalokitesvara of Buddhist Statue Of Amoghpasa Lokeshvara With Green Tara And Chenrezig, [antique Finishing] is made by the process of the Lost Wax system. This is a very complicated, time consuming and historic process of making metal sculptures.Which is why it is sometimes called Precision Casting as well. Hence the sculptures made by this process are comparatively expensive. There are many new, advanced and less time consuming methods of casting metal sculptures available as well. But due to the benefits provided by the traditional lost wax system in quality control and customization, we prefer the Loss wax system over Ceramic molding, or sand casting to make our Avalokitesvara.
Below we have tried to illustrate the process of making a loss wax system statue:

The method of metal casting in which a molten metal is poured into a mold that has been created by means of a wax model. Once the mold is made, the wax model is melted and drained away. Bronze statues come to life differently than marble statues. Instead of carving a block or marble, the bronze artist uses the lost-wax technique to make a series of molds, and then pours melted bronze into the final mold to create the sculpture. This method has been around since 4500 BCE.

There are few important steps in lost wax casting process :
Step 1: Sculpting ( It all starts in the studio with an idea, Then figuring out how to realize the vision in clay.)
Step 2: Mold Making.
Step 3: Wax Pouring.
Step 5: Wax Spruing.
Step 6: Shell Dipping.
Step 7: Bronze Pouring.

Interestingly enough Loss wax process is also called Investment casting because after layers have been formed and dried, the wax is melted out of the ceramic tree by using steam (120Â°C) in an autoclave. This is why it is called "lost wax casting". The majority of the molten wax which can then be regenerated and is reusable.

Before Making statue :At work room making the wax models.

Softening a piece of wax over a brazier.

Relaxing after softening the wax The working environment with works in progress.

Working the face of an Ekajata wax model.

Working the face of wax model.Using a modeling tool to form the face of Ekajata.

Deatail of wax model

The design for Ekajata compared to the Tibetan book on which it was based.Statues Maker Are master in buddhism .

Detail of A partially finished Candamaharoshana (Acala) wax figure made in the Tibetan style.

A finished wax image of Mahakala.

Anthor Finished Wax Model of Shakyamuni Buddha

One of the modelers working in the room shows the Pehar image on which he is working.

The artist showed how the goat , which had been completed earlier, fits under the image. ,

Tej Jyoti Shakya and his wife, Nani Maya Shakya Covering the wax model in a mixture of clay and dung

Pressing the mixture of clay and dung around the wax image.

The board with the clay and dung mixture ready for use.

Model Pieces drying after the initial (dipped) thin layer of fine clay.

Clay-covered model pieces drying in the sun.

Molds waiting to be put into the burnout furnace

The same molds, seen in the previous image, in the burnout furnace

The double row of refractory bricks used to support the heated molds during casting.

The melting furnace and a pile of coke used for melting the metals. Laying the bed of coke in the melting furnace.

The first ignition of the coke.

Checking the coke bed.

The electric blower used to force air into the melting furnace

Beginning to fill the crucibles with scrap copper.

Preparing the bed of burning coke to receive the crucibles

Sorting various metals used in the alloys.

Weighing precious metals that are used in the alloys

Weighing copper from Singapore to achieve a correct alloy.

Different sizes of crucibles and various types of metals to be cast in this melt.

Placing the crucibles in the bed of coke filled with metal are in place.

After the crucibles are in place, more coke is piled around them.

The crucibles are covered with scrap metal to hold in the heat.

The electric fan is then connected.Soon a very hot flame is produced.

The entire furnace temperature goes up to about 1800 -1900 degrees.

Setting up molds in between the refractory bricks to receive the molten metal. Handling the molds with asbestos gloves and bracing them with fragments of bricks.

Pouring the molten metal into the base of a mold

Another view of the artists pouring the molten metal.Detailed view showing the molten metal being poured into the sprues.

Preparing to lift and pour molten metal from one of the larger crucibles.

Cooling a mold containing the recently poured metal.

Beginning to break away the clay mold from the metal casting. The mold breaks away revealing the metal image inside

The first metal image from the day's work.

Examining the image for flaws

Two auras (prabhamandalas), one that cast perfectly and one (in front) that only partially filled.

Opening more molds

Researchers mark specific metal images for future identification.

Cleaning the details of the image with a metal tool.

Sawing off the sprues from Aura image. The sprue metal will be reused in future castings.

Two auras that worked perfectly. The one on the right has been cut off of the sprues, while the one on the left still has the sprues attached.

The finishing specialist begins the finishing process with a set of tools, including a small hammer. to give more detail

The entire surface of the image will be gently hammered to a final, almost polished finish.

The finisher's tools and the work in progress

Finishing work on an image of the Buddha.

Hammering the chest of an image that is being held against the work block

A Buddha image hammered and chased to the final, detailed finish.

Cleaning in a very mild acid bath. The image and prabhamandala are placed in a final acidic bath to make sure the surface is absolutely clean.

Drying the image with a blow torch.

Read More . . .

Introduction :

Amoghpasa Lokeshvara is a multi-armed form of Avalokiteshvara that seems to have been popular in Nepal since the Middle ages. The name suggests that he is the lord of the world with infallible noose which leads suffering sentient beings to enlightenment.Amoghpasa is popular not only in Nepal but all the countries where Mahayana Buddhism is practiced. The images of Amoghpasa can be found in Java, China and Japan.

Iconograply of Amoghpasa Lokeshvara :

Amoghpasa is the mystery in the center of the world lotus; all his limbs are white; he has one face, wears the saffron dress. He is wearing an antelope skin symbolizing that he is extremely compassionate to suffering sentient beings. He has eight hands, the right showing the gesture of fearlessness (Skt. Abhaya) and the boon granting gesture (Skt. Varada), holding the noose and the string of beads, the left holding a trident, a scripture, a white lotus and a water pot (Skt. Kamandalu). To the right of the lord is Tara who is of green colour, with two hands, the right showing the Varada mudra and the left holding a blue lotus, she wears all the proper ornaments related with sambhhogakaya Buddha. On his left is Bhrikuti of yellow colour having four hands; on the right her first hand makes the varada mudra and second anjali mudra; on the left the first hand holds a coral tree flower, the second a rosary. He has three divine eyes looking on triple word.

Among four left hands, one principal hand holds Kamandalu i. e. a water pot signifying he has the capacity of initiating all the sentient beings into Tathagatahood.Second left hand holding lotus signifies that he frees the sentient beings residing in Hell realm from the suffering of intense heat and cold just like a lotus emerges from a muddy water. Third left hand holding triple staff (Skt. Tri-dandi) signifies that he purifies three poisons of sentient beings i.e. Just, ill will and stupidity. Fourth left hand holding a scripture signifies that he gives prajna to the devotees and thereby attaining liberation from cyclic existence.

Benifits of Practicing Amogpasha Lokeshvara :

Type of Life one should follow to attain the benifts of Amogpasha Lokeshvara : One should practice refraining from bad foods such as meat, liquor, onions and garlic.

1. He will be free from any type of diseases.
2. Even if the disease appears out of Karmic causes it will disappear very soon.
3. He will be popular or liked by all.
4. HIS organs will be secret.
5. He will gain much property and possessions.
6. His property will not be stolen by thieves,
7. Not be affected by fire,
8. Not be affected by water,
9. Cannot be confiscated by the king or government.
10. All his actions will be complete.
11. Free from 5the fears of water, with din his person.
12. Pacifies all disturbances.
13. His personality will not diminish.
14. Free from the fear of Dakinis.
15. Afflictions will no increase.
16. He will not die due to the weapons, fire or water.
17. The devas will take care of his person or protect him.
18. He will have loving kindness, compassion.
19. Joyfulness and Equanimity wherever he will born.

Besides this, he will also receive eight further qualities. They are as follows:

1. When he will die he will be received by avalokiteshvara in monk's form and
2. He will die comfortably
3. His arms and legs will not vibrate, he will not have wrong views.
4. His body will not produce faces and urines, no aerial trouble
6. He is endowed with awareness and alertness, no decrease in memory.
8. He will not die with his face downward,
9. He will not die with heavy affliction,
10. will be born wherever he aspired to be borne, and
11. associated with kalyana mitras

You may also want to read the related articles :

Service of Filling and blessing in Statue | Videos of statue Making Process | Making Process Of Metal Statues | Gold Plating in Statues | Altering Finishing in Statue

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