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Code
HCS26647
Weight
6.626 Kg / 14.61 lbs
Size
Height
37cm (15") Width
26cm (10") Depth
12cm (5") Material
Copper
Availability
Available
Safe Payment
We accept Paypal, Money Transfer, Bank Transfer
Confidence
Protection covers your purchase and personal data.
Worldwide Delivery
We ship Worldwide, except Russia.Shipping cost US$25.2 for upto 0.5 kgs
Hotline
Talk to help line for your question on 9841267335Gold Painted Face
The face of Buddhist Statue Of [vajrapani [chana Dorje], [chana Dorje]], Full Gold Plated, Antique Finishing With Painted Face is painted with gold to enhance its significant features, particularly the eyes, and lips. This detailed painting is essential as it brings forth the crucial attributes of the expression of eyes and lips that metal carving alone cannot capture.
Moreover, the painted face serves as a symbolic and sacred ritual in Buddhism, preparing the statue for consecration and practice. The act of painting the face with gold in Buddhism holds deep meaning. It represents the intention to bring life and expression to the statue, imbuing it with a sense of vitality and presence. The application of gold on the face showcases the devotion and craftsmanship of the artisans, ensuring that every detail is carefully attended to honor the sacred essence of the Buddhist Statue Of [vajrapani [chana Dorje], [chana Dorje]], Full Gold Plated, Antique Finishing With Painted Face. Read More . . .
The face of Buddhist Statue Of [vajrapani [chana Dorje], [chana Dorje]], Full Gold Plated, Antique Finishing With Painted Face is painted with gold to enhance its significant features, particularly the eyes, and lips. This detailed painting is essential as it brings forth the crucial attributes of the expression of eyes and lips that metal carving alone cannot capture.
Moreover, the painted face serves as a symbolic and sacred ritual in Buddhism, preparing the statue for consecration and practice. The act of painting the face with gold in Buddhism holds deep meaning. It represents the intention to bring life and expression to the statue, imbuing it with a sense of vitality and presence. The application of gold on the face showcases the devotion and craftsmanship of the artisans, ensuring that every detail is carefully attended to honor the sacred essence of the Buddhist Statue Of [vajrapani [chana Dorje], [chana Dorje]], Full Gold Plated, Antique Finishing With Painted Face. Read More . . .
Full Gold Plated with Antique patina
This Buddhist Statue Of [vajrapani [chana Dorje], [chana Dorje]], Full Gold Plated, Antique Finishing With Painted Face has finished in a full gold Plated antique patina. The Antique finishing imparts a sense of age and character to the Buddhist Statue Of [vajrapani [chana Dorje], [chana Dorje]], Full Gold Plated, Antique Finishing With Painted Face, enhancing its overall appeal. In the Antique finishing process, after the Gold plating is applied, a carefully applied layer of varnish is added. This varnish not only contributes to the antique look but also serves as a protective barrier, ensuring the longevity of the gold plating. It helps to safeguard the gold layer but also prevents tarnishing for an extended period. Read More . . .
This Buddhist Statue Of [vajrapani [chana Dorje], [chana Dorje]], Full Gold Plated, Antique Finishing With Painted Face has finished in a full gold Plated antique patina. The Antique finishing imparts a sense of age and character to the Buddhist Statue Of [vajrapani [chana Dorje], [chana Dorje]], Full Gold Plated, Antique Finishing With Painted Face, enhancing its overall appeal. In the Antique finishing process, after the Gold plating is applied, a carefully applied layer of varnish is added. This varnish not only contributes to the antique look but also serves as a protective barrier, ensuring the longevity of the gold plating. It helps to safeguard the gold layer but also prevents tarnishing for an extended period. Read More . . .
Lost-Wax System
This Buddha of Buddhist Statue Of [vajrapani [chana Dorje], [chana Dorje]], Full Gold Plated, Antique Finishing With Painted Face is made by the process of the Lost Wax system. This is a very complicated, time consuming and historic process of making metal sculptures.Which is why it is sometimes called Precision Casting as well. Hence the sculptures made by this process are comparatively expensive. There are many new, advanced and less time consuming methods of casting metal sculptures available as well. But due to the benefits provided by the traditional lost wax system in quality control and customization, we prefer the Loss wax system over Ceramic molding, or sand casting to make our Buddha.
Below we have tried to illustrate the process of making a loss wax system statue: Read More . . .
This Buddha of Buddhist Statue Of [vajrapani [chana Dorje], [chana Dorje]], Full Gold Plated, Antique Finishing With Painted Face is made by the process of the Lost Wax system. This is a very complicated, time consuming and historic process of making metal sculptures.Which is why it is sometimes called Precision Casting as well. Hence the sculptures made by this process are comparatively expensive. There are many new, advanced and less time consuming methods of casting metal sculptures available as well. But due to the benefits provided by the traditional lost wax system in quality control and customization, we prefer the Loss wax system over Ceramic molding, or sand casting to make our Buddha.
Below we have tried to illustrate the process of making a loss wax system statue: Read More . . .
Brief Introduction :
Vajrapaṇi is one of the earliest bodhisattvas of Mahayana Buddhism. He is the protector and guide of the Buddha, and rose to symbolize the Buddha's power. Vajrapani was used extensively in Buddhist iconography as one of the three protective deities surrounding the Buddha. Each of them symbolizes one of the Buddha's virtues: Manjusri (the manifestation of all the Buddhas' wisdom), Avalokitesvara (the manifestation of all the Buddhas' compassion) and Vajrapani (the manifestation of all the Buddhas' power). Furthermore, Vajrapani is one of the earliest Dharmapalas and one of the rare Buddhist deities to be worshiped in the original Zen Buddhism of the Shaolin Temple, Tibetan Buddhism, and even Pure Land Buddhism (where he is known as Mahasthamaprapta). Manifestations of Vajrapani can also be found in many Buddhist temples in Japan as Dharma protectors called Nio.
Iconography :Vajrapani is pictured dancing wildly within a halo of flames, which represent transformation.
He holds a vajra (thunderbolt) in his right hand, which emphasizes the power to cut through the darkness of delusion. Vajrapani looks wrathful, but as a representation of the enlightened mind, heâs completely free from hatred.
Vajrapaniâs mantra is simply his name, which means "wielder of the thunderbolt", framed between the mystical syllables Om and Hūm. This mantra helps us to gain access to the irrepressible energy that Vajrapani symbolizes. A familiarity with Vajrapani does, of course, help here, although the sound of the mantra is itself rather energetic.
Mantra :He holds a vajra (thunderbolt) in his right hand, which emphasizes the power to cut through the darkness of delusion. Vajrapani looks wrathful, but as a representation of the enlightened mind, heâs completely free from hatred.
Vajrapaniâs mantra is simply his name, which means "wielder of the thunderbolt", framed between the mystical syllables Om and Hūm. This mantra helps us to gain access to the irrepressible energy that Vajrapani symbolizes. A familiarity with Vajrapani does, of course, help here, although the sound of the mantra is itself rather energetic.
The Mantra oṃ vajrapāṇi hūṃ phaṭ is associated with Vajrapani. His Seed Syllable is hūṃ.
Matra of Vajrapani
oṃ va jra pā ṇi hūṃ
oṃ vajrapāṇi hūṃ
oṃ vajrapāṇi hūṃ
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