HomeStatue - LargeBodhisattvasBuddhist Statue of Vajrasattva, Stone Color Finishing, Old Post, Remakable

Buddhist Statue of Vajrasattva, Stone Color Finishing, Old Post, Remakable

US$600

Code

HCS11177

Weight

9.6 Kg / 21.16 lbs

Size

51xNaNx26 Cm / 20.08 Inches

Material

Copper

Availability

Subject to Avilability

Date Added

2014-11-29 19:59:52

Note : We used to sell this product 10 years ago so it may no longer be in our stock.
It is possible that we still have it with our suppliers but the price could be different from before.
Feel free to order. We will verify availability and inform you promptly.

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Shipping cost US$25.2 for upto 0.5 kgs

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Old Post : OLD POST
Please note that this Buddhist Statue Of Vajrasattva, [stone Color Finishing], [old Post], [remakable] is an old post. We typically do not remove our posts from the website for various reasons, such as nostalgia and maintaining page ratings. These posts are not intended for direct sales, but occasionally, we can remake the items.

Remakable : Remakable
Please note that the Buddhist Statue Of Vajrasattva, [stone Color Finishing], [old Post], [remakable] we posted some time ago is not currently available in our store. However, due to the possibility of a remake, it is still on sale. The remake will not be an exact replica of the original statue shown in the picture and will require additional time to be ready for dispatch. If you are willing to wait for this custom remake, you may proceed with your order. Thank you for your understanding and patience.

What is Stone Color
This Buddhist Statue Of Vajrasattva, [stone Color Finishing], [old Post], [remakable] is finished in a stunning Stone color finishing. This finish offers several advantages, allowing you to experience the feel of a stone statue while benefiting from the durability and detailed craftsmanship of copper. By choosing the Stone color finishing, you can enjoy the aesthetic appeal of a stone statue. This finish replicates the texture and appearance of stone, bringing a natural and organic touch to Buddhist Statue Of Vajrasattva, [stone Color Finishing], [old Post], [remakable]. It creates a visually pleasing effect that adds depth and character to the piece. Read More . . .

Lost-Wax System
This Bodhisattvas of Buddhist Statue Of Vajrasattva, [stone Color Finishing], [old Post], [remakable] is made by the process of the Lost Wax system. This is a very complicated, time consuming and historic process of making metal sculptures.Which is why it is sometimes called Precision Casting as well. Hence the sculptures made by this process are comparatively expensive. There are many new, advanced and less time consuming methods of casting metal sculptures available as well. But due to the benefits provided by the traditional lost wax system in quality control and customization, we prefer the Loss wax system over Ceramic molding, or sand casting to make our Bodhisattvas.
Below we have tried to illustrate the process of making a loss wax system statue:

The method of metal casting in which a molten metal is poured into a mold that has been created by means of a wax model. Once the mold is made, the wax model is melted and drained away. Bronze statues come to life differently than marble statues. Instead of carving a block or marble, the bronze artist uses the lost-wax technique to make a series of molds, and then pours melted bronze into the final mold to create the sculpture. This method has been around since 4500 BCE.

There are few important steps in lost wax casting process :
Step 1: Sculpting ( It all starts in the studio with an idea, Then figuring out how to realize the vision in clay.)
Step 2: Mold Making.
Step 3: Wax Pouring.
Step 5: Wax Spruing.
Step 6: Shell Dipping.
Step 7: Bronze Pouring.

Interestingly enough Loss wax process is also called Investment casting because after layers have been formed and dried, the wax is melted out of the ceramic tree by using steam (120Â°C) in an autoclave. This is why it is called "lost wax casting". The majority of the molten wax which can then be regenerated and is reusable.

Before Making statue :At work room making the wax models.

Softening a piece of wax over a brazier.

Relaxing after softening the wax The working environment with works in progress.

Working the face of an Ekajata wax model.

Working the face of wax model.Using a modeling tool to form the face of Ekajata.

Deatail of wax model

The design for Ekajata compared to the Tibetan book on which it was based.Statues Maker Are master in buddhism .

Detail of A partially finished Candamaharoshana (Acala) wax figure made in the Tibetan style.

A finished wax image of Mahakala.

Anthor Finished Wax Model of Shakyamuni Buddha

One of the modelers working in the room shows the Pehar image on which he is working.

The artist showed how the goat , which had been completed earlier, fits under the image. ,

Tej Jyoti Shakya and his wife, Nani Maya Shakya Covering the wax model in a mixture of clay and dung

Pressing the mixture of clay and dung around the wax image.

The board with the clay and dung mixture ready for use.

Model Pieces drying after the initial (dipped) thin layer of fine clay.

Clay-covered model pieces drying in the sun.

Molds waiting to be put into the burnout furnace

The same molds, seen in the previous image, in the burnout furnace

The double row of refractory bricks used to support the heated molds during casting.

The melting furnace and a pile of coke used for melting the metals. Laying the bed of coke in the melting furnace.

The first ignition of the coke.

Checking the coke bed.

The electric blower used to force air into the melting furnace

Beginning to fill the crucibles with scrap copper.

Preparing the bed of burning coke to receive the crucibles

Sorting various metals used in the alloys.

Weighing precious metals that are used in the alloys

Weighing copper from Singapore to achieve a correct alloy.

Different sizes of crucibles and various types of metals to be cast in this melt.

Placing the crucibles in the bed of coke filled with metal are in place.

After the crucibles are in place, more coke is piled around them.

The crucibles are covered with scrap metal to hold in the heat.

The electric fan is then connected.Soon a very hot flame is produced.

The entire furnace temperature goes up to about 1800 -1900 degrees.

Setting up molds in between the refractory bricks to receive the molten metal. Handling the molds with asbestos gloves and bracing them with fragments of bricks.

Pouring the molten metal into the base of a mold

Another view of the artists pouring the molten metal.Detailed view showing the molten metal being poured into the sprues.

Preparing to lift and pour molten metal from one of the larger crucibles.

Cooling a mold containing the recently poured metal.

Beginning to break away the clay mold from the metal casting. The mold breaks away revealing the metal image inside

The first metal image from the day's work.

Examining the image for flaws

Two auras (prabhamandalas), one that cast perfectly and one (in front) that only partially filled.

Opening more molds

Researchers mark specific metal images for future identification.

Cleaning the details of the image with a metal tool.

Sawing off the sprues from Aura image. The sprue metal will be reused in future castings.

Two auras that worked perfectly. The one on the right has been cut off of the sprues, while the one on the left still has the sprues attached.

The finishing specialist begins the finishing process with a set of tools, including a small hammer. to give more detail

The entire surface of the image will be gently hammered to a final, almost polished finish.

The finisher's tools and the work in progress

Finishing work on an image of the Buddha.

Hammering the chest of an image that is being held against the work block

A Buddha image hammered and chased to the final, detailed finish.

Cleaning in a very mild acid bath. The image and prabhamandala are placed in a final acidic bath to make sure the surface is absolutely clean.

Drying the image with a blow torch.

Read More . . .

Brief Introduction :

Vajrasattva is also regarded as Adi-Buddha by Nepalese Bajracharya's who follow Vajrayana tradition according to the text Vajrasattva Kaya. His body is white with one face and two hands. His right-hand holds a five-pronged golden vajra at his heart. His left-hand holds a silver bell at his side. He sits in the Vajraparyanka posture wearing precious silks and ornaments with jewel diadem. His body is adorned with the major and minor marks of a Sambhogakaya and emits a clear limitless light. It appears to lack all notion of substantiality, like the reflection of the moon in the water.
Vajrasattva has a father-mother aspect too. Generally, this form is not exhibited in open. It is shown only to those who are initiated in the Highest Yoga Tantra. His form is the same as in the single one but his consort carries a Kartika in her right hand and a kapala in her left hand.

Iconography :

Vajrasattva is pure white in colour and is sometimes known as the Prince of Purity. His name means "Adamantine Being", or more poetically "Embodying Reality". He is a member of the Vajra family of Akṣobhya which also includes Vajrapāṇi.
He is depicted as a young man in the prime of life, with all the silks and jewels of a wealthy prince. In his right hand he delicately balances a vajra at his heart. In his left had he holds a bell at his waist. The vajra represents Reality, and Compassion; while the bell represents Wisdom.

Vajrasattva is said to have been originated from seed syllable Hum and is generally invoked for removal of obscuration of Kleshavarana and Jneya Avarana. His hundred syllable mantra is very efficacious in purifying our defilements through confession practice. It is said if confession is done with the four opponent powers, then non-virtuous actions or obscurations will be purified. The first opponent power is the force of reliance. This means looking upon the visualized image of Vajrasattva as the embodiment of oneâ' refuge. The second opponent power is the sincere regret for the non-virtuous action done by oneself. The third opponent power is desisting from evil deeds. The fourth opponent power is to apply power of good deeds; and specially regarding this case, practicing the meditation and recitation of Vajrasattva without parting from Bodhicitta while remaining in the state of emptiness. Vajrasattva is a very popular tutelary deity for Nepalese Vajracharya. He is worshipped very often by Nepalese Buddhists through Guru Mandala ritual.

In some mandalas Vajrasattva represents the Adi Buddha or the Primordial Principle of Buddhahood; in others he changes places with Akṣobhya in the East. In Shingon Buddhism it is Vajrasattva that passes on the initiation of the Dharmakāya Buddha Mahāvairocana to Nāgārjuna, thereby creating the Vajrayāna lineage.

Vajrasattav Purification :

Purification of Body
Your disturbing attitudes and negativities in general and particularly those of the body, take the form of black ink. Sickness takes the form of pus and blood and afflictions caused by spirits appear in the form of scorpions, snakes, frogs and crabs. Flushed out by the light and nectar, they all leave your body through the lower openings, like filthy liquid flowing down a drain pipe. Feel completely empty of these problems and negativities; they no longer exist anywhere.
Purification of Speech
Your disturbing attitudes and imprints of negativities of speech take the form of liquid tar. The light and nectar fill your body as water fills a dirty glass: the negativities, like the dirt, rise to the top and flow out through the upper openings of your body: your eyes, ears, mouth, nose, etc. Feel completely empty of these problems; they no longer exist.
Purification of the Mind
Your disturbing attitudes and the imprints of mental negativities appear as darkness at your heart. When struck by the forceful stream of light and nectar, the darkness completely vanishes. It is like turning a light on in a room: the darkness does not go anywhere, it simply ceases to exist. Feel that you are completely empty of all these problems; they are non-existent.
Simultaneous Purification
Do the three above visualizations simultaneously. This sweeps away the subtle obscurations that prevent you from seeing correctly all that exists. Feel completely free of these obscurations.
The Power of the Promise
After reciting the mantra and doing the visualizations, make the following promise to Vajrasattva, specifying a period of time for which you intend to keep it:
"I shall not create these negative actions from now until ."
Vajrasattva is extremely pleased and says, "My spiritual child of the essence, all your negativities, obscurations and degenerated vows have been completely purified."
With delight, Vajrasattva melts into light and dissolves into you. Your body, speech and mind become inseparably one with Vajrasattva holy body, speech and mind. Concentrate on this.

Dedication
Due to this merit may I soon Attain the enlightened state of Vajrasattva, That I may be able to liberate
All sentient beings from their suffering.
May the precious bodhi mind Not yet born arise and grow. May that born have no decline,But increase forever more.

Mantras in Various Language :

Mantra of Vajrasattva

ༀ་ཨ་ར་པ་ཙ་ན་དྷཱི༔,
om vajrasattva hum

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