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Code
HCS23104
Weight
1.8 Kg / 3.97 lbs
Size
Height
27cm (11") Width
14cm (6") Depth
8cm (3") Material
Copper Gold Plated
Availability
Available
Date Added
2021-02-19 04:43:59
Note : We used to sell this product 4 years ago so it may no longer be in our stock.
It is possible that we still have it with our suppliers but the price could be different from before.
Feel free to order. We will verify availability and inform you promptly.
It is possible that we still have it with our suppliers but the price could be different from before.
Feel free to order. We will verify availability and inform you promptly.
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Protection covers your purchase and personal data.
Worldwide Delivery
We ship Worldwide, except Russia.Shipping cost US$25.2 for upto 0.5 kgs
Hotline
Talk to help line for your question on 9841267335Yamaraj : Brief Introduction
Yama or Yamaraa or jivayam is a Hindu and Buddhist deity of death, dharma, the south direction, and the underworld, belonging to an early stratum of Rigvedic Hindu deities. In Sanskrit, his name can be interpreted to mean "twin". He is also an important deity worshipped in Kalasha and now extinct Nuristani religions, indicating his prominence in ancient Hinduism. Read More . . .
Yama or Yamaraa or jivayam is a Hindu and Buddhist deity of death, dharma, the south direction, and the underworld, belonging to an early stratum of Rigvedic Hindu deities. In Sanskrit, his name can be interpreted to mean "twin". He is also an important deity worshipped in Kalasha and now extinct Nuristani religions, indicating his prominence in ancient Hinduism. Read More . . .
Antique Finishing
This is an antique patina-finished Buddhist Statue Of Yamaraj, Achala [golden Paint And Antique Finishing]. This is not an antique statue. It is just an antique patina finish. This Buddhist Statue Of Yamaraj, Achala [golden Paint And Antique Finishing] is a testament to the artisan's mastery of the art of aging. Its antique patina has been meticulously crafted to give the appearance of an aged statue, showcasing the artist's unique techniques and skills. Through undisclosed processes and careful aging treatments, the Buddhist Statue Of Yamaraj, Achala [golden Paint And Antique Finishing] undergoes a transformation that captures the essence of time and history. Read More . . .
This is an antique patina-finished Buddhist Statue Of Yamaraj, Achala [golden Paint And Antique Finishing]. This is not an antique statue. It is just an antique patina finish. This Buddhist Statue Of Yamaraj, Achala [golden Paint And Antique Finishing] is a testament to the artisan's mastery of the art of aging. Its antique patina has been meticulously crafted to give the appearance of an aged statue, showcasing the artist's unique techniques and skills. Through undisclosed processes and careful aging treatments, the Buddhist Statue Of Yamaraj, Achala [golden Paint And Antique Finishing] undergoes a transformation that captures the essence of time and history. Read More . . .
Lost-Wax System
This Yamaraj - Achala of Buddhist Statue Of Yamaraj, Achala [golden Paint And Antique Finishing] is made by the process of the Lost Wax system. This is a very complicated, time consuming and historic process of making metal sculptures.Which is why it is sometimes called Precision Casting as well. Hence the sculptures made by this process are comparatively expensive. There are many new, advanced and less time consuming methods of casting metal sculptures available as well. But due to the benefits provided by the traditional lost wax system in quality control and customization, we prefer the Loss wax system over Ceramic molding, or sand casting to make our Yamaraj - Achala.
Below we have tried to illustrate the process of making a loss wax system statue: Read More . . .
This Yamaraj - Achala of Buddhist Statue Of Yamaraj, Achala [golden Paint And Antique Finishing] is made by the process of the Lost Wax system. This is a very complicated, time consuming and historic process of making metal sculptures.Which is why it is sometimes called Precision Casting as well. Hence the sculptures made by this process are comparatively expensive. There are many new, advanced and less time consuming methods of casting metal sculptures available as well. But due to the benefits provided by the traditional lost wax system in quality control and customization, we prefer the Loss wax system over Ceramic molding, or sand casting to make our Yamaraj - Achala.
Below we have tried to illustrate the process of making a loss wax system statue: Read More . . .
About Achala :
Acala or Achala (Sanskrit: अचल "Immovable") is a Dharmapala (protector of the Dharma), prominent in Vajrayana Buddhism and East Asian Buddhism. He is classed among the Wisdom Kings and is preeminent among the Five Wisdom Kings of the Womb Realm. Accordingly, his figure occupies an important hierarchical position in the Mandala of the Two Realms.
In China, he is known through esoteric Tangmi traditions as Budong Mingwang ("The Immovable Wisdom King"). In Japan, he is known as Fud? My??, which is the on'yomi reading of his Chinese name.He is also highly revered among some Yakuza members, who often draw on his intense facial expression and demeanor
History :Wooden sculpture of Acala. Japan, late Heian Period, 12th century
Wooden sculpture of Acala. Japan, late Heian Period, 12th century
Acala at Buddha Tooth Relic Temple and Museum, Singapore
Statue of Acala, from 12th century Japan. Currently in Rietberg Museum (Zürich,Switzerland)
Originally the Mahayana deity Acalanātha, whose name means "immovable protector", Acala was incorporated into Vajrayana Buddhism as a servant of the Buddha. In Tangmi (Tang-era Chinese Vajrayana), his name was translated as Budong "immovable" (Chinese: 不動; pinyin: Búdòng, Middle Chinese: /pǝw dungx/). In turn, the deity was imported into Japan as "Immovable" (不動, Fudō) by the priest Kūkai (died 835) who was studying in China as a member of the Kentoshi mission and founded Shingon Buddhism. Scholars such as Miyeko Murase state that the origins of this Buddhist deity are in the Hindu god Shiva, particularly his attributes of destruction and reincarnation.
The deity has been popular throughout the Middle Ages and into modern times in Nepal, Tibet, and Japan, where sculptural and pictorial representations of him are most often found. Much of the iconography comes from Japan.
In Tibetan Buddhism and art, the Buddha Akshobhya, whose name also means "the immovable one", presides over the clan of deities to which Ācala belongs. Other sources refer to the Acala and Caṇḍaroṣaṇa as an "emanation" of Akshobhya
He evolves into a deity invoked in Buddhist rituals to "frighten gods, titans, men and destroy the strength of demons", and he slays all ghosts and evil spirits. In some Buddhist texts such as the Sādhanamālā, the Hindu gods Vishnu, Shiva, Brahma, and Kandarpa (god of love) are said to be "wicked" because they cause endless rebirth, and these gods are terrified of Acala because he carries a rope to bind them. In other texts, such as the Mahāvairocana Sūtra, one dedicated to the Buddha is instructed to visualize the left foot of Acala on his head during meditation, to prevent obstacles in his reaching Prajñā .
In the Nepalese and Tibetan Buddhist traditions, Viśvavajrī becomes Acala's consort.
The deity has been popular throughout the Middle Ages and into modern times in Nepal, Tibet, and Japan, where sculptural and pictorial representations of him are most often found. Much of the iconography comes from Japan.
In Tibetan Buddhism and art, the Buddha Akshobhya, whose name also means "the immovable one", presides over the clan of deities to which Ācala belongs. Other sources refer to the Acala and Caṇḍaroṣaṇa as an "emanation" of Akshobhya
He evolves into a deity invoked in Buddhist rituals to "frighten gods, titans, men and destroy the strength of demons", and he slays all ghosts and evil spirits. In some Buddhist texts such as the Sādhanamālā, the Hindu gods Vishnu, Shiva, Brahma, and Kandarpa (god of love) are said to be "wicked" because they cause endless rebirth, and these gods are terrified of Acala because he carries a rope to bind them. In other texts, such as the Mahāvairocana Sūtra, one dedicated to the Buddha is instructed to visualize the left foot of Acala on his head during meditation, to prevent obstacles in his reaching Prajñā .
In the Nepalese and Tibetan Buddhist traditions, Viśvavajrī becomes Acala's consort.
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of Achala Yamaraj 
of Achala Yamaraj 
of Achala Yamaraj, 
of Achala Yamaraj, 
