![Copper Statue Of Marpa Lotsawa [gold And Silver Plated], [painted Face], [double Color Oxidation]](https://handicraftseller.com/uploads/pics/product/thumb/2017/12/14700.jpg)
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Code
HCS14700
Weight
1.2 Kg / 2.65 lbs
Size
Height
21cm (8") Width
15cm (6") Depth
11cm (4") Material
Copper
Availability
Available
Date Added
2017-12-09 16:01:12
Note : We used to sell this product 8 years ago so it may no longer be in our stock.
It is possible that we still have it with our suppliers but the price could be different from before.
Feel free to order. We will verify availability and inform you promptly.
It is possible that we still have it with our suppliers but the price could be different from before.
Feel free to order. We will verify availability and inform you promptly.
Safe Payment
We accept Paypal, Money Transfer, Bank Transfer
Confidence
Protection covers your purchase and personal data.
Worldwide Delivery
We ship Worldwide, except Russia.Shipping cost US$25.2 for upto 0.5 kgs
Hotline
Talk to help line for your question on 9841267335Gold Painted Face
The face of Copper Statue Of Marpa Lotsawa [gold And Silver Plated], [painted Face], [double Color Oxidation] is painted with gold to enhance its significant features, particularly the eyes, and lips. This detailed painting is essential as it brings forth the crucial attributes of the expression of eyes and lips that metal carving alone cannot capture.
Moreover, the painted face serves as a symbolic and sacred ritual in Buddhism, preparing the statue for consecration and practice. The act of painting the face with gold in Buddhism holds deep meaning. It represents the intention to bring life and expression to the statue, imbuing it with a sense of vitality and presence. The application of gold on the face showcases the devotion and craftsmanship of the artisans, ensuring that every detail is carefully attended to honor the sacred essence of the Copper Statue Of Marpa Lotsawa [gold And Silver Plated], [painted Face], [double Color Oxidation]. Read More . . .
The face of Copper Statue Of Marpa Lotsawa [gold And Silver Plated], [painted Face], [double Color Oxidation] is painted with gold to enhance its significant features, particularly the eyes, and lips. This detailed painting is essential as it brings forth the crucial attributes of the expression of eyes and lips that metal carving alone cannot capture.
Moreover, the painted face serves as a symbolic and sacred ritual in Buddhism, preparing the statue for consecration and practice. The act of painting the face with gold in Buddhism holds deep meaning. It represents the intention to bring life and expression to the statue, imbuing it with a sense of vitality and presence. The application of gold on the face showcases the devotion and craftsmanship of the artisans, ensuring that every detail is carefully attended to honor the sacred essence of the Copper Statue Of Marpa Lotsawa [gold And Silver Plated], [painted Face], [double Color Oxidation]. Read More . . .
Silver and Chocolate Oxidized
The Copper Statue Of Marpa Lotsawa [gold And Silver Plated], [painted Face], [double Color Oxidation] features a captivating combination of partly silver plating and dark oxidation. This unique finishing technique combines the lustrous shine of silver with the rich, deep tones achieved through oxidation. In the process of creating this finish, selected areas of the Copper Statue Of Marpa Lotsawa [gold And Silver Plated], [painted Face], [double Color Oxidation] are expertly silver-plated, creating a radiant and reflective surface that catches the light. The remaining areas are intentionally oxidized, resulting in a darkened patina that adds depth and character to the piece. Read More . . .
The Copper Statue Of Marpa Lotsawa [gold And Silver Plated], [painted Face], [double Color Oxidation] features a captivating combination of partly silver plating and dark oxidation. This unique finishing technique combines the lustrous shine of silver with the rich, deep tones achieved through oxidation. In the process of creating this finish, selected areas of the Copper Statue Of Marpa Lotsawa [gold And Silver Plated], [painted Face], [double Color Oxidation] are expertly silver-plated, creating a radiant and reflective surface that catches the light. The remaining areas are intentionally oxidized, resulting in a darkened patina that adds depth and character to the piece. Read More . . .
Lost-Wax System
This Tibetan Masters Guru of Copper Statue Of Marpa Lotsawa [gold And Silver Plated], [painted Face], [double Color Oxidation] is made by the process of the Lost Wax system. This is a very complicated, time consuming and historic process of making metal sculptures.Which is why it is sometimes called Precision Casting as well. Hence the sculptures made by this process are comparatively expensive. There are many new, advanced and less time consuming methods of casting metal sculptures available as well. But due to the benefits provided by the traditional lost wax system in quality control and customization, we prefer the Loss wax system over Ceramic molding, or sand casting to make our Tibetan Masters Guru.
Below we have tried to illustrate the process of making a loss wax system statue: Read More . . .
This Tibetan Masters Guru of Copper Statue Of Marpa Lotsawa [gold And Silver Plated], [painted Face], [double Color Oxidation] is made by the process of the Lost Wax system. This is a very complicated, time consuming and historic process of making metal sculptures.Which is why it is sometimes called Precision Casting as well. Hence the sculptures made by this process are comparatively expensive. There are many new, advanced and less time consuming methods of casting metal sculptures available as well. But due to the benefits provided by the traditional lost wax system in quality control and customization, we prefer the Loss wax system over Ceramic molding, or sand casting to make our Tibetan Masters Guru.
Below we have tried to illustrate the process of making a loss wax system statue: Read More . . .
Brief Introduction :
Marpa Lotsawa (མར་པ་ལོ་ཙཱ་བ་ཆོས་ཀྱི་བློ་གྲོས་, 1012-1097), sometimes known fully as Marpa Chokyi Lodro (Wylie: mar pa chos kyi blo gros) or commonly as Marpa the Translator (Marpa Lōtsawa), was a Tibetan Buddhist teacher credited with the transmission of many Vajrayana teachings from India, including the teachings and lineages of Mahamudra. Due to this the Kagyu lineage, which he founded, is often called Marpa Kagyu in his honour.
Although some accounts relate that the Mahasiddha Naropa was the personal teacher of Marpa, other accounts suggest that Marpa held Naropa's lineage through intermediary disciples only. Either way, Marpa was a personal student of the Mahasiddha Maitripa and of the dakini Niguma.
life Story :Although some accounts relate that the Mahasiddha Naropa was the personal teacher of Marpa, other accounts suggest that Marpa held Naropa's lineage through intermediary disciples only. Either way, Marpa was a personal student of the Mahasiddha Maitripa and of the dakini Niguma.
Born as Marpa Chokyi Lodro, in Lhodrak Chukhyer in the southern part of Tibet, to an affluent family, he began studying at a young age but was wild and untamed compared to other children. Marpa first received instruction for three years at Mangkhar with Drokmi Shakya Yeshe and mastered Sanskrit. He decided to travel to India to study with renowned Indian Buddhist masters. His first trip to Nepal and India was in the company of Nyo Lōtsawa, whom he attended as a servant. Marpa returned home to Lhodrak and converted his entire inheritance into gold to fund his travel expenses and to make offerings to teachers.
Marpa journeyed first to Nepal where he studied with Paindapa and Chitherpa, two famous students of Naropa. Paindapa later accompanied Marpa to Pullahari, near Nalanda University, where Naropa taught. Marpa spent twelve years studying with Naropa and other great Indian gurus, most prominently Maitripada. After twelve years he set forth on his journey back to Tibet to teach and continue his dharma activities.
Marpa was to travel to India twice more and Nepal three more times and studied with Naropa and other great teachers including Maitripa. He is said to have stayed in the cave at Phugtal Monastery. On his third visit to India, Naropa, who was engaged in tantric practices, proved difficult to find. However eventually Marpa found him and received the final teachings and instructions from Naropa. It was then that Naropa prophesied that a family lineage would not continue for Marpa, but that his lineage would be carried on by his disciples. Marpa now had received the full transmission, so Naropa formally declared Marpa to be his successor although he had other major disciples including Paindapa, Chitherpa, Shri Shantibhadra or Kukuripa, and Maitripa.
Upon his return to Tibet, Marpa spent many years translating Buddhist scriptures and made a major contribution to the transmission of the complete buddhadharma to Tibet. Marpa continued to practice and give teachings and transmissions to many students in Tibet. After his second visit to India Milarepa became his disciple. After the death of Marpa's son, Darma Dode, Milarepa inherited his lineage in full. Marpa lived with his wife Dakmema and their sons in Lhodrak in the southern part of Tibet. Marpa is said to have founded Stongdey Monastery in Zanskar in 1052 CE.
Marpa journeyed first to Nepal where he studied with Paindapa and Chitherpa, two famous students of Naropa. Paindapa later accompanied Marpa to Pullahari, near Nalanda University, where Naropa taught. Marpa spent twelve years studying with Naropa and other great Indian gurus, most prominently Maitripada. After twelve years he set forth on his journey back to Tibet to teach and continue his dharma activities.
Marpa was to travel to India twice more and Nepal three more times and studied with Naropa and other great teachers including Maitripa. He is said to have stayed in the cave at Phugtal Monastery. On his third visit to India, Naropa, who was engaged in tantric practices, proved difficult to find. However eventually Marpa found him and received the final teachings and instructions from Naropa. It was then that Naropa prophesied that a family lineage would not continue for Marpa, but that his lineage would be carried on by his disciples. Marpa now had received the full transmission, so Naropa formally declared Marpa to be his successor although he had other major disciples including Paindapa, Chitherpa, Shri Shantibhadra or Kukuripa, and Maitripa.
Upon his return to Tibet, Marpa spent many years translating Buddhist scriptures and made a major contribution to the transmission of the complete buddhadharma to Tibet. Marpa continued to practice and give teachings and transmissions to many students in Tibet. After his second visit to India Milarepa became his disciple. After the death of Marpa's son, Darma Dode, Milarepa inherited his lineage in full. Marpa lived with his wife Dakmema and their sons in Lhodrak in the southern part of Tibet. Marpa is said to have founded Stongdey Monastery in Zanskar in 1052 CE.
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| A traditional depiction of Marpa painted on a rock on Holy Isle, Firth of Clyde | Lotsawa Marpa Chokyi Lodro, (1012-1097) |
of The 4th Zhabdrung Rinpoche 
of The 4th Zhabdrung Rinpoche 
of Gampopa, 
of Gampopa, 
Monastery Quality Statue 
Monastery Quality Statue 
of Marpa Lotsawa, 
of Marpa Lotsawa, 
of The 4th Zhabdrung Rinpoche 
of The 4th Zhabdrung Rinpoche 
4th Zhabdrung Rinpoche, Buddhist Handmade Statue, 
4th Zhabdrung Rinpoche, Buddhist Handmade Statue, 
of Naropa, 
of Naropa, 
of Gampopa, 
of Gampopa, 
of Tilopa, 
of Tilopa, 
Partly Gold Plated, 
Partly Gold Plated, 
