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Code
HCS15868
Weight
3 Kg / 6.61 lbs
Size
Height
25cm (10") Width
18cm (7") Depth
9cm (4") Material
Copper
Availability
Available
Date Added
2019-02-17 14:45:21
Note : We used to sell this product 6 years ago so it may no longer be in our stock.
It is possible that we still have it with our suppliers but the price could be different from before.
Feel free to order. We will verify availability and inform you promptly.
It is possible that we still have it with our suppliers but the price could be different from before.
Feel free to order. We will verify availability and inform you promptly.
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Protection covers your purchase and personal data.
Worldwide Delivery
We ship Worldwide, except Russia.Shipping cost US$25.2 for upto 0.5 kgs
Hotline
Talk to help line for your question on 9841267335Full Gold Plated with Antique patina
This Guhyasamaja Statue [full Gold Plated] With [antique Finishing] has finished in a full gold Plated antique patina. The Antique finishing imparts a sense of age and character to the Guhyasamaja Statue [full Gold Plated] With [antique Finishing], enhancing its overall appeal. In the Antique finishing process, after the Gold plating is applied, a carefully applied layer of varnish is added. This varnish not only contributes to the antique look but also serves as a protective barrier, ensuring the longevity of the gold plating. It helps to safeguard the gold layer but also prevents tarnishing for an extended period. Read More . . .
This Guhyasamaja Statue [full Gold Plated] With [antique Finishing] has finished in a full gold Plated antique patina. The Antique finishing imparts a sense of age and character to the Guhyasamaja Statue [full Gold Plated] With [antique Finishing], enhancing its overall appeal. In the Antique finishing process, after the Gold plating is applied, a carefully applied layer of varnish is added. This varnish not only contributes to the antique look but also serves as a protective barrier, ensuring the longevity of the gold plating. It helps to safeguard the gold layer but also prevents tarnishing for an extended period. Read More . . .
Lost-Wax System
This Guhyasamaja of Guhyasamaja Statue [full Gold Plated] With [antique Finishing] is made by the process of the Lost Wax system. This is a very complicated, time consuming and historic process of making metal sculptures.Which is why it is sometimes called Precision Casting as well. Hence the sculptures made by this process are comparatively expensive. There are many new, advanced and less time consuming methods of casting metal sculptures available as well. But due to the benefits provided by the traditional lost wax system in quality control and customization, we prefer the Loss wax system over Ceramic molding, or sand casting to make our Guhyasamaja.
Below we have tried to illustrate the process of making a loss wax system statue: Read More . . .
This Guhyasamaja of Guhyasamaja Statue [full Gold Plated] With [antique Finishing] is made by the process of the Lost Wax system. This is a very complicated, time consuming and historic process of making metal sculptures.Which is why it is sometimes called Precision Casting as well. Hence the sculptures made by this process are comparatively expensive. There are many new, advanced and less time consuming methods of casting metal sculptures available as well. But due to the benefits provided by the traditional lost wax system in quality control and customization, we prefer the Loss wax system over Ceramic molding, or sand casting to make our Guhyasamaja.
Below we have tried to illustrate the process of making a loss wax system statue: Read More . . .
Iconography :
Guhyasamāja is one of the most interesting, complicated and important figures in vajrayana buddhism. It combines various important tathagata Buddhas, (Dhayani Buddhas) into one sclupture. It is perdominantly is call Akshobhayavajara which is the form of Akshobhaya buddha. Guhyasamāja is blue-black in color, a form of Akshobhya, one of the five transcendent lords. Akshobhyavajra holds a vajra and bell (ghanta) in his first two hands, and other hands hold the symbols of the four other transcendent lords, wheel of Vairocana and lotus of Amitabha in his rights, and gem of Ratnasambhava and sword of Amoghasiddhi in his lefts.
Origin of Guhaysamajha. :It is said that Guhyasamāja Tantra was taught for the first time by the Shakyamuni Buddha himsself in the form of Vajradhara to Indrabhuti the King of Oddiyana
As with most Tantras, there are different traditions and transmissions. Perhaps the oldest surviving lineage is the Jñānapada Tradition , which goes late 8th century. The most important historically is the Noble Tradition which is based on commentaries attributed to Nāgārjuna, Āryadeva and Candrakīrti.
About Guhaysamaja Tantra :As with most Tantras, there are different traditions and transmissions. Perhaps the oldest surviving lineage is the Jñānapada Tradition , which goes late 8th century. The most important historically is the Noble Tradition which is based on commentaries attributed to Nāgārjuna, Āryadeva and Candrakīrti.
The Guhyasamāja Tantra (Sanskrit; Scripture of the Esoteric Community) is one of the most important scriptures of esoteric Buddhism. In its fullest form, it consists of seventeen chapters, though a separate "explanatory tantra" known as the Appendix Tantra (uttaratantra) is sometimes considered to be its eighteenth chapter. Many scholars believe that the original core of the work consisted of the first twelve chapters, with chapters thirteen to seventeen being added later as explanatory material.
In India, it was classified as a Yoga or Mahāyoga Tantra. In Tibet it is considered an Unexcelled Yoga Tantra (rnal 'byor bla med rgyud). It develops traditions found in earlier scriptures such as the Sarva-tathāgata-tattva-saṃgraha but is focused to a greater extent on the antinomian aspects characteristic of the later Buddhist Tantras. It survives in Sanskrit manuscripts and in Tibetan and Chinese translation.
In India, it was classified as a Yoga or Mahāyoga Tantra. In Tibet it is considered an Unexcelled Yoga Tantra (rnal 'byor bla med rgyud). It develops traditions found in earlier scriptures such as the Sarva-tathāgata-tattva-saṃgraha but is focused to a greater extent on the antinomian aspects characteristic of the later Buddhist Tantras. It survives in Sanskrit manuscripts and in Tibetan and Chinese translation.
Mantra of Guhyasamaja
OM AH VAJRA DHRIK HUM HUM PHAT
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of Guhaysamjha, In 
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Full Fire Gold Plated Statue" title="Rate Manjuvajra Guhyasamaja Statue- 
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Master Quality Statue 
Master Quality Statue 
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of Guhyasamaja, 
of Guhyasamaja 
of Guhyasamaja 
of Guhyasamaja 
of Guhyasamaja 
of Guhyasamaja 
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