Ashtamangala : Brief Introduction
The Ashtamangala is a sacred suite of Eight Auspicious Signs endemic to a number of religions such as Hinduism, Jainism, and Buddhism. The symbols or "symbolic attributes" are yidam and teaching tools. Not only do these attributes point to qualities of enlightened mindstream, but they are the investiture that ornaments these enlightened "qualities". Many cultural enumerations and variations of the Ashtamangala are extant.
Conch The right-turning white conch shell represents the beautiful, deep, melodious, interpenetrating and pervasive sound of the dharma, which awakens disciples from the deep slumber of ignorance and urges them to accomplish their own welfare for the welfare of others
Endless knot The endless knot denotes "the auspicious mark represented by a curled noose emblematic of love" . It is a symbol of the ultimate unity of everything. Moreover, it represents the intertwining of wisdom and compassion, the mutual dependence of religious doctrine and secular affairs, the union of wisdom and method, the inseparability of śūnyatā "emptiness" and pratītyasamutpāda "interdependent origination" , and the union of wisdom and compassion in enlightenment. This knot, net or web metaphor also conveys the Buddhist teaching of interpenetration. It is also an attribute of the god Vishnu, which is said to be engraved on his chest. A similar engraving of the Shrivatsa on the historical Gautama Buddha's chest is mentioned in some lists of the Physical characteristics of the Buddha.
Pair of Golden FishThe two golden fish symbolise the auspiciousness of all sentient beings in a state of fearlessness without danger of drowning in saṃsāra. The two golden fishes are linked with the Ganges and Yamuna nadi, prana and carp:
LotusThe lotus flower , represent the primordial purity of body, speech, and mind, floating above the muddy waters of attachment and desire. The lotus symbolizes purity and renunciation. Although the lotus has its roots in the mud at the bottom of a pond, its flower lies immaculate above the water.
ParasolThe jewelled parasol , which is similar in ritual function to the baldachin or canopy: represents the protection of beings from harmful forces and illness. It represents the canopy or firmament of the sky and therefore the expansiveness and unfolding of space and the element æther. It represents the expansiveness, unfolding and protective quality of the sahasrara: all take refuge in the dharma under the auspiciousness of the parasol.
VaseThe treasure vase represents health, longevity, wealth, prosperity, wisdom and the phenomenon of space. The treasure vase, or pot, symbolizes the Buddha's infinite quality of teaching the dharma: no matter how many teachings he shared, the treasure never lessened.
DharmaChakraThe Dharmachakra or "Wheel of the Law" represents Gautama Buddha and the Dharma teaching. This symbol is commonly used by Tibetan Buddhists, where it sometimes also includes an inner wheel of the Gankyil. Nepalese Buddhists don't use the Wheel of Law in the eight auspicious symbols.
Vicoty BannerThe dhvaja "banner, flag" was a military standard of ancient Indian warfare. The symbol represents the Buddha's victory over the four māras, or hindrances in the path of enlightenment. These hindrances are pride, desire, disturbing emotions, and the fear of death. Within the Tibetan tradition, a list of eleven different forms of the victory banner is given to represent eleven specific methods for overcoming defilement. Many variations of the dhvaja's design can be seen on the roofs of Tibetan monasteries to symbolise the Buddha's victory over four māras. Banners are placed at the four corners of monastery and temple roofs. The cylindrical banners placed on monastery roofs are often made of beaten copper.
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About Chocolate Oxidized
This [high Quality], Handmade Buddhist Incense Burner, With Ashtamangala Carving [silver Plated], [oxidized] has been meticulously treated with a chocolate color antique patina. The intention behind this patina is to replicate the appearance of a copper statue that has gracefully aged over a century. Unlike a simple coat of paint, this patina is not applied superficially and is designed to endure. It undergoes an artificial oxidation process that adds depth and character, while also serving as a protective layer against natural oxidation.
By imitating the natural aging process, the chocolate color antique patina lends an air of authenticity and vintage charm to the [high Quality], Handmade Buddhist Incense Burner, With Ashtamangala Carving [silver Plated], [oxidized]. This carefully crafted finish ensures that the patina remains intact for an extended period, offering longevity and resistance to wear. The result is a unique piece that captures the essence of a time-worn copper statue, evoking a sense of history and artistic heritage.
Silver Plated
The [high Quality], Handmade Buddhist Incense Burner, With Ashtamangala Carving [silver Plated], [oxidized] has a full Silver plated finish, Sliver plating process involves the application of a thin layer of genuine silver onto the surface of the [high Quality], Handmade Buddhist Incense Burner, With Ashtamangala Carving [silver Plated], [oxidized], creating a stunning and lustrous appearance. Skilled artisans handle the silver plating, ensuring even coverage and a flawless finish. The silver plating adds a touch of elegance and sophistication to the [high Quality], Handmade Buddhist Incense Burner, With Ashtamangala Carving [silver Plated], [oxidized], enhancing its overall aesthetic appeal.
WHAT'S THE SILVER PLATING PROCESS? Silver plating is valued for its durability and ability to resist tarnishing, allowing the [high Quality], Handmade Buddhist Incense Burner, With Ashtamangala Carving [silver Plated], [oxidized] to maintain its radiant shine for an extended period. The silver-plated finish also offers versatility, complementing various design styles and adding a touch of refinement to any setting.
By choosing the [high Quality], Handmade Buddhist Incense Burner, With Ashtamangala Carving [silver Plated], [oxidized] with a silver plated finish, you can enjoy the timeless beauty and allure of silver, creating an exquisite and eye-catching piece that is sure to captivate.
The silver plating process steps are relatively straightforward, although they differ depending on what type you're doing â barrel or rack plating. The basic strategy, however, goes like this:
Inspection: Before electroplating, you should always check the part for imperfections â like cold shuts or sharp edges â and amend these issues before starting the process. Otherwise, the quality of the substrate will decrease, and this may cause problems for your customers.
Pre-treatment: Complete any necessary treatments before plating onto your metal part. You should also do an under-plating of copper, nickel or both metals. Additionally, you can add a silver strike or an anti-tarnish coating if there's a particular effect you want to achieve. If you plate a layer of nickel or copper with a 0.0005-inch thickness, the silver should also be 0.0005 inches for a total of 0.0010 inches.
Electroplating: Silver plating involves submerging the substrate into a bath of silver ions. After passing an electric current through the solution, the ions deposit onto the part's surface, coating it in your chosen metal â in this case, silver.
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Brief Introduction :
An incense burner or perfume burner is a vessel made for burning incense or perfume in some solid form.These vessels vary greatly in size, form, and material of construction,and have been in use since ancient times in many cultures, in both secular and religious contexts. Many designs use openwork to allow a flow of air. In many cultures,burning incense has spiritual and religious connotations, and this influences the design and decoration of the censer.
How to Burn a Stick Incense
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