![[karma Gardri Style], Buddhist Handmade Thangka Of Sahasrabhuja Avalokitesvara, [real Gold, Hand Painted]](https://handicraftseller.com/uploads/pics/product/thumb/2022/04/25445.jpg)
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HCS25445
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100 gm / 0.22 lbs
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58cm (23") Width
84cm (33") Material
Cotton Canvas And Mineral Colors
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There are very few examples of early Karma Gardri paintings and those that do exist belong the Karma Kagyu Sertreng Lineage sets.
The late Karma Gardri painting style begins in the 17th century with Situ Panchen Chokyi Jungne and extends up to the present time. There are original Karma Gardri painting sets depicting the Karma Kagyu lineage of teachers dating from the 16th through 17th centuries. The later Karma Gardri style paintings also continue to depict the same Karma Kagyu Lineage even copying the earlier format and composition of those paintings. During the time of Situ other lineage subject sets related to the Karma Kagyu are also created such as the Dagpo Kagyu and Kadam lineages. Sets of Bodhisattva figures also begin to appear at this time in a similar but not exactly the same style as the later Karma Gardri. Late Karma Gardri is both a copying of the earlier compositions as well as a movement of minimalism
There are very few examples of early Karma Gardri paintings and those that do exist belong the Karma Kagyu Sertreng Lineage sets.
The late Karma Gardri painting style begins in the 17th century with Situ Panchen Chokyi Jungne and extends up to the present time. There are original Karma Gardri painting sets depicting the Karma Kagyu lineage of teachers dating from the 16th through 17th centuries. The later Karma Gardri style paintings also continue to depict the same Karma Kagyu Lineage even copying the earlier format and composition of those paintings. During the time of Situ other lineage subject sets related to the Karma Kagyu are also created such as the Dagpo Kagyu and Kadam lineages. Sets of Bodhisattva figures also begin to appear at this time in a similar but not exactly the same style as the later Karma Gardri. Late Karma Gardri is both a copying of the earlier compositions as well as a movement of minimalism
Use of Real Gold
This thangka of [karma Gardri Style], Buddhist Handmade Thangka Of Sahasrabhuja Avalokitesvara, [real Gold, Hand Painted] has real gold painted on its surface along with other paints. This is an ancient process of decorating the thangka in Tibetan Buddhism, Here gold is ground into gold dust, which is then mixed with other undisclosed material to make it paintable on the canvas. this mixture is then mixed with transparent glue and painted on the thangka. Read More . . .
This thangka of [karma Gardri Style], Buddhist Handmade Thangka Of Sahasrabhuja Avalokitesvara, [real Gold, Hand Painted] has real gold painted on its surface along with other paints. This is an ancient process of decorating the thangka in Tibetan Buddhism, Here gold is ground into gold dust, which is then mixed with other undisclosed material to make it paintable on the canvas. this mixture is then mixed with transparent glue and painted on the thangka. Read More . . .
Introduction to Thangka
A thangka, also known as tangka, thanka, or tanka, is a vibrant and intricate Tibetan Buddhist painting that serves as a visual representation of spiritual teachings. Crafted with meticulous detail on cotton or silk appliqué, thangkas depict a wide range of subjects including Buddhist deities, sacred scenes, mandalas, and narrative stories. These sacred artworks are traditionally kept unframed and rolled up for storage, resembling ancient scrolls. To protect their delicate nature, thangkas are mounted on textile backings and often adorned with a silk cover on the front. Proper preservation in dry environments is crucial to maintain the integrity and longevity of the silk. Read More . . .
A thangka, also known as tangka, thanka, or tanka, is a vibrant and intricate Tibetan Buddhist painting that serves as a visual representation of spiritual teachings. Crafted with meticulous detail on cotton or silk appliqué, thangkas depict a wide range of subjects including Buddhist deities, sacred scenes, mandalas, and narrative stories. These sacred artworks are traditionally kept unframed and rolled up for storage, resembling ancient scrolls. To protect their delicate nature, thangkas are mounted on textile backings and often adorned with a silk cover on the front. Proper preservation in dry environments is crucial to maintain the integrity and longevity of the silk. Read More . . .
of Chengrezig, 
of Chengrezig, 
Sethi- Setang, 
Sethi- Setang, 
of Chengrezig, 
of Chengrezig, 
of Green Tara, Lamas Art, 
of Green Tara, Lamas Art, 
of Chengrezig, 
of Chengrezig, 
Oil Painting,buddhist Hand Painting Thangka 
Oil Painting,buddhist Hand Painting Thangka 
of Chenrezig, 
of Chenrezig, 
of Sahasrabhuja Avalokitesvara, 
of Sahasrabhuja Avalokitesvara, 
of Sahasrabhuja Avalokitesvara" title="Tiny Thangka 
Master Quality, Buddhist Traditional Painting, Tibetan Style, 
Master Quality, Buddhist Traditional Painting, Tibetan Style,