Ksitigarbha, Buddhist Miniature Statue, Thangka Color Finishing

Also known as

Jigje Wangpo

Dizang Pusa

Jigje Wangpo

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USD88 USD110 | Enjoy a price drop of USD22 (20%)

Available SKU: HMS35196

Size: Height: 10cm (4") | Width: 7cm (3") | Depth: 6cm (2")
Weight: 180 gm / 0.4 lbs
Material: Copper

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The shipping weight for 1 piece of the product is 0.50 kg, and shipping cost is USD31.00.

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Ksitigarbha :

Ksitigarbha is a bodhisattva who is most commonly represented as a Buddhist monk in East Asian Buddhism. "Earth Treasury," "Earth Store," "Earth Matrix," or "Earth Womb" are all possible translations of his name. K?itigarbha is known for his vow to take responsibility for the instruction of all beings in the six worlds between the death of Gautama Buddha and the rise of Maitreya, as well as his vow not to achieve Buddhahood until all hells are emptied. He is therefore often regarded as the bodhisattva of hell-beings, as well as the guardian of children and patron deity of deceased children and aborted fetuses in Japanese culture, where he is known as Jiz? or Ojiz?-sama.
He is usually represented as a shaved-headed monk with a halo around his head, wielding a staff to open the gates of hell and a wish-fulfilling diamond to light up the darkness.

Gold Painted Face
The face of ksitigarbha is painted with gold to enhance its significant features, particularly the eyes, and lips. This detailed painting is essential as it brings forth the crucial attributes of the expression of eyes and lips that metal carving alone cannot capture.
Moreover, the painted face serves as a symbolic and sacred ritual in Buddhism, preparing the statue for consecration and practice. The act of painting the face with gold in Buddhism holds deep meaning. It represents the intention to bring life and expression to the statue, imbuing it with a sense of vitality and presence. The application of gold on the face showcases the devotion and craftsmanship of the artisans, ensuring that every detail is carefully attended to honor the sacred essence of the ksitigarbha. Read More . . .

About Color Finishing
The ksitigarbha is adorned with traditional colors, creating a captivating aesthetic through a combination of gold and various hues. This painting technique follows a time-honored process that aims to faithfully represent the ksitigarbha in accordance with traditional color descriptions. In the context of Buddhist statues, this approach holds great significance. Each statue has its own primary color, and it is crucial to depict the statue in its authentic shade. Read More . . .

Ceramic Molding System
The ksitigarbha has been crafted using the Ceramic mold casting process, a modern approach that provides an alternative to traditional methods such as the lost-wax system or rubber molding. Also referred to as ceramic molding, this technique involves the creation of a ceramic mold to cast the statue. The process begins by making a precise and detailed wax model of the desired sculpture. The wax model is then coated with layers of ceramic material, creating a sturdy mold. Once the mold is complete, it is fired in a kiln, causing the wax to melt and escape, leaving behind a cavity that perfectly replicates the original sculpture. Molten metal is then poured into the mold, allowing it to fill the cavity and take on the desired form. Once cooled and solidified, the ceramic mold is carefully broken away, revealing the final metal statue. Read More . . .

In East Asian Mahayana Buddhism, Kitigarbha is one of the four main bodhisattvas. Samantabhadra, Manjusri, and Avalokitevara are the others.

He is represented in a classical bodhisattva form in pre-Tang dynasty grottos in Dunhuang and Longmen. He was increasingly represented as a monk carrying Buddhist prayer beads and a staff after the Tang.

Dayuan Dizang Pusa, or "Kitigarbha Bodhisattva of the Great Vow," is his Chinese name, which is pronounced Daigan Jiz Bosatsu in Japanese and Jijang Bosal in Korean. This term refers to his promise to accept responsibility for the education of all creatures in the six worlds in the age between the Buddha's parinirvana and the rising of Maitreya, as stated in the sutras. Because of its significance, shrines to Kitigarbha are frequently seen in temples, particularly in memorial halls or mausoleums.

You may also want to read the related articles :

Service of Filling and blessing in Statue | Altering Finishing in Statue

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