HomeThangka - FigureKurukullaKurukulla, Buddhist Handmade Thangka Painting, Real Gold, Rigjeyma, Pema Khandro, Wangyi Lhamo, Red Tara

Kurukulla, Buddhist Handmade Thangka Painting, Real Gold, Rigjeyma, Pema Khandro, Wangyi Lhamo, Red Tara

US$1000

Code

HCS29983

Weight

200 gm / 0.44 lbs

Size

67x43 Cm / 26.38 Inches

Material

Cotton Canvas & Natural Color

Availability

Available

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Use of Real Gold
This thangka of Kurukulla, Buddhist Handmade Thangka Painting, [real Gold], Rigjeyma, Pema Khandro, Wangyi Lhamo, Red Tara has real gold painted on its surface along with other paints. This is an ancient process of decorating the thangka in Tibetan Buddhism, Here gold is ground into gold dust, which is then mixed with other undisclosed material to make it paintable on the canvas. this mixture is then mixed with transparent glue and painted on the thangka. Read More . . .

Introduction to Thangka
A thangka, also known as tangka, thanka, or tanka, is a vibrant and intricate Tibetan Buddhist painting that serves as a visual representation of spiritual teachings. Crafted with meticulous detail on cotton or silk appliquÃ©, thangkas depict a wide range of subjects including Buddhist deities, sacred scenes, mandalas, and narrative stories. These sacred artworks are traditionally kept unframed and rolled up for storage, resembling ancient scrolls. To protect their delicate nature, thangkas are mounted on textile backings and often adorned with a silk cover on the front. Proper preservation in dry environments is crucial to maintain the integrity and longevity of the silk.

These sacred paintings serve as objects of contemplation, inspiration, and instruction, guiding practitioners on their spiritual path. Thangkas provide a visual gateway to the world of Tibetan Buddhism, encapsulating its rich symbolism, iconography, and spiritual concepts. With their vibrant colors, intricate patterns, and skillful craftsmanship, thangkas offer a profound visual medium for deepening one's understanding and connection to the teachings of Buddhism.

Thangkas come in various sizes, ranging from small pieces resembling Western half-length portraits to grand-scale creations spanning several meters in each dimension. While the larger thangkas are intended for temporary display during religious festivals, the majority of these artworks are designed for personal meditation or as educational aids for monastic students. The compositions of thangkas are meticulously crafted, featuring intricate details and often incorporating numerous small figures. A central deity or focal point is typically surrounded by a symmetrical arrangement of other divine beings, symbols, or narrative elements that convey profound spiritual teachings.

How is Thangka made

First, the canvas on which the painting is to be executed is laid on a wooden frame to determine the required dimensions. This canvas is an extremely finely woven cotton material, referred to in the Holy Scriptures as "Ãura Canvas".

Then the canvas is cut, hemmed and, with the use of sturdy strings, very tightly mounted in the wooden frame. Painting is carried out with the frame in an upright position, without any further rigid support or backing.

In this studio, our primary artist, who works virtually exclusively for us, applies the undercoat consisting of a mixture of chalk and glue to the canvas by hand. Other Thangka workshops have turned to mainly using industrially pre-primed canvas.

This photo shows how the canvas, after receiving its base coat followed by a second coating of bone glue, is polished and smoothed by hand with a stone to attain a perfectly smooth, featureless painting surface. Through this process the canvas becomes quite rigid, thereby providing perfect conditions to evoke very finest artistic detail and over-all superior painting quality.

Using a different Thangka, we see how, after mounting, the complete basic pattern of the respective theme is applied to the canvas.

The following picture shows the steps in creating a gold-based Thangka, such as our No PH 9, the "Holy Mount Kailash". To achieve more intensive colour, yet another prime coat, in ochre, is applied, followed by a coat of pure gold. The so-called Thangka painting gold is traditionally produced by members of the Newar people in Nepal. 24-karat gold is ground to finest powder and mixed with bone glue and water in proportions suitable for direct use in painting. Thus, the Thangka gold is not gold leaf at all! Silver can be processed and used in the same way: Mount Kailash and the surrounding peaks in our completed Thangka were not painted with white paint, rather with precious silver.

Here, the nearly completed piece has been removed from the wooden frame. Now only the very finest finishing touches remain to be added, such as compacting the gold and giving Mount Kailash its silver mantle.

K. Lama regarded his already half-finished thangka proudly

The Mount Kailash Thangka, including the black margin (which can also facilitate the fastening of a traditional brocade frame), is now complete. Only the background gold must be compacted in the places where it is later intended to exhibit a sheen.

Here we see an old ballpoint pen casing into which a specially cut agate has been fitted. The back of this semi-precious stone is slightly concave and can be used to compact gold over extensive areas of the Thangka, while the blunt point is used to lineally compact gold, thus creating a shiny effect.

In this way, through partial compaction of the gold or refraining from compaction, nearly three-dimensional effects can be achieved. The glorious sheen of gold artistically treated in this way richly rewards the beholder or meditator with a Thangka possessed of an extraordinarily aesthetic aura.

Thangka Making Video

Read More . . .

Brief Introduction :

Kurukulla, also known as Rigiyedma or Red Tara, is a revered yogini deity in Tibetan Buddhism, embodying enchantment, magnetism, and love. With her captivating form and vibrant red color, she represents the transformative power of attraction. Kurukulla's multiple arms hold symbolic objects, including a bow and arrow, a noose, a flower, and a hook, symbolizing her ability to strike desires, bind aspirations, spread love, and captivate aspirations. Although specific temples dedicated to Kurukulla may be scarce in Nepal, her presence can be found in Tibetan Buddhist monasteries worldwide. Devotees practice Kurukulla to manifest their desires, transform challenges, and radiate love and positivity in their lives.

Iconography:
Kurukulla is typically depicted as a youthful and beautiful goddess, often depicted in a dancing posture. She is adorned with a crown, multiple arms, and holds various symbolic objects such as a bow and arrow, noose, flower, and a hook. Her vivid red color symbolizes her passionate and transformative qualities.

History:
Kurukulla has her roots in ancient Indian traditions, particularly within the Shakta and Tantra traditions. Over time, her worship was incorporated into Tibetan Buddhism, where she became recognized as a powerful deity associated with magnetism, attraction, and love.

Temples and Monasteries:
There might not be specific temples dedicated solely to Kurukulla in Nepal. However, you can find representations or depictions of Kurukulla in various Tibetan Buddhist monasteries and temples worldwide. Monastic institutions such as Swayambhunath Stupa in Kathmandu, Nepal, may feature images of Kurukulla.

Benefits of Practicing Kurukulla:
Devotees believe that practicing Kurukulla can help enhance one's magnetism, charm, and ability to attract positive influences and circumstances. She is associated with love, passion, and the power to transform difficult situations into favorable ones.

How to Practice:
To practice Kurukulla, one can engage in meditation and visualization practices focused on the deity. Meditating on Kurukulla's image, imagining her qualities manifesting within oneself, and reciting mantras can form a part of the practice. Additionally, practitioners may also engage in rituals and offerings to invoke her blessings.

Mantras of Kurukulla:
A common mantra associated with Kurukulla is: "Om Kurukulle Hrih Svaha." This mantra can be recited during meditation or as part of devotional practices to invoke the energies and blessings of Kurukulla.


Kurukull? at Samye	Kurukulla sculpture from Calcutta Art gallery, 1913

The mantra of Kurukulla

The essential mantra of Kurukull? is O? Kurukulle Hr?? Sv?h? (Tibetan: ??????????????????????????).

You may also want to read the related articles :

Videos of Thangka Making Process | Making Process Of Tibetan Thangka | What is a Thangka | Thangka Brocading Option

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