HomeThangka - FigureMiscellaneousMaha Vairochana Thangka, Buddhist Traditional Painting, Real Gold Karma Gadri Art

Maha Vairochana Thangka, Buddhist Traditional Painting, Real Gold Karma Gadri Art

US$700

Code

HCS29502

Weight

200 gm / 0.44 lbs

Size

76x52 Cm / 29.92 Inches

Material

Cotton Canvas & Natural Color

Availability

Available

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Karma Gadri Art : Karma Gadri Tradition: An introduction
Description inspired from Images of Englitment.
This Custom of Tibetan thangka painting started from the creative ordered trials of the eighth Karmapa, MikyÃ¶ Dorje (1507-1554). He was one of the most prestigious Karmapas, a great contemplation ace as well as a productive, and student. Energetic about human expression and an imaginative visionary. He generally urged his devotees to master painting and cheered for this action.
The name Karma Gadri (gar-bris) came from the Karmapa settlements
It was set up when Mikyo Dorje and his company needed to travel. He composed an incredible book on craftsmanship named "the Incomparable Sun Workmanship Manual". It was beneficial for future craftsmen.
This thangka painting custom was likewise kept up within a spot called Karshoma, in eastern Tibet. To this end, the custom is known as KarshÃ¶ma.
Since the source is from the eighth Karmapa, it is an unadulterated Tibetan way of painting thangka.

Introduction to Thangka
A thangka, also known as tangka, thanka, or tanka, is a vibrant and intricate Tibetan Buddhist painting that serves as a visual representation of spiritual teachings. Crafted with meticulous detail on cotton or silk appliquÃ©, thangkas depict a wide range of subjects including Buddhist deities, sacred scenes, mandalas, and narrative stories. These sacred artworks are traditionally kept unframed and rolled up for storage, resembling ancient scrolls. To protect their delicate nature, thangkas are mounted on textile backings and often adorned with a silk cover on the front. Proper preservation in dry environments is crucial to maintain the integrity and longevity of the silk.

These sacred paintings serve as objects of contemplation, inspiration, and instruction, guiding practitioners on their spiritual path. Thangkas provide a visual gateway to the world of Tibetan Buddhism, encapsulating its rich symbolism, iconography, and spiritual concepts. With their vibrant colors, intricate patterns, and skillful craftsmanship, thangkas offer a profound visual medium for deepening one's understanding and connection to the teachings of Buddhism.

Thangkas come in various sizes, ranging from small pieces resembling Western half-length portraits to grand-scale creations spanning several meters in each dimension. While the larger thangkas are intended for temporary display during religious festivals, the majority of these artworks are designed for personal meditation or as educational aids for monastic students. The compositions of thangkas are meticulously crafted, featuring intricate details and often incorporating numerous small figures. A central deity or focal point is typically surrounded by a symmetrical arrangement of other divine beings, symbols, or narrative elements that convey profound spiritual teachings.

How is Thangka made

First, the canvas on which the painting is to be executed is laid on a wooden frame to determine the required dimensions. This canvas is an extremely finely woven cotton material, referred to in the Holy Scriptures as "Ãura Canvas".

Then the canvas is cut, hemmed and, with the use of sturdy strings, very tightly mounted in the wooden frame. Painting is carried out with the frame in an upright position, without any further rigid support or backing.

In this studio, our primary artist, who works virtually exclusively for us, applies the undercoat consisting of a mixture of chalk and glue to the canvas by hand. Other Thangka workshops have turned to mainly using industrially pre-primed canvas.

This photo shows how the canvas, after receiving its base coat followed by a second coating of bone glue, is polished and smoothed by hand with a stone to attain a perfectly smooth, featureless painting surface. Through this process the canvas becomes quite rigid, thereby providing perfect conditions to evoke very finest artistic detail and over-all superior painting quality.

Using a different Thangka, we see how, after mounting, the complete basic pattern of the respective theme is applied to the canvas.

The following picture shows the steps in creating a gold-based Thangka, such as our No PH 9, the "Holy Mount Kailash". To achieve more intensive colour, yet another prime coat, in ochre, is applied, followed by a coat of pure gold. The so-called Thangka painting gold is traditionally produced by members of the Newar people in Nepal. 24-karat gold is ground to finest powder and mixed with bone glue and water in proportions suitable for direct use in painting. Thus, the Thangka gold is not gold leaf at all! Silver can be processed and used in the same way: Mount Kailash and the surrounding peaks in our completed Thangka were not painted with white paint, rather with precious silver.

Here, the nearly completed piece has been removed from the wooden frame. Now only the very finest finishing touches remain to be added, such as compacting the gold and giving Mount Kailash its silver mantle.

K. Lama regarded his already half-finished thangka proudly

The Mount Kailash Thangka, including the black margin (which can also facilitate the fastening of a traditional brocade frame), is now complete. Only the background gold must be compacted in the places where it is later intended to exhibit a sheen.

Here we see an old ballpoint pen casing into which a specially cut agate has been fitted. The back of this semi-precious stone is slightly concave and can be used to compact gold over extensive areas of the Thangka, while the blunt point is used to lineally compact gold, thus creating a shiny effect.

In this way, through partial compaction of the gold or refraining from compaction, nearly three-dimensional effects can be achieved. The glorious sheen of gold artistically treated in this way richly rewards the beholder or meditator with a Thangka possessed of an extraordinarily aesthetic aura.

Thangka Making Video

Read More . . .

Use of Real Gold
This thangka of Maha Vairochana Thangka, Buddhist Traditional Painting, [real Gold] Karma Gadri Art has real gold painted on its surface along with other paints. This is an ancient process of decorating the thangka in Tibetan Buddhism, Here gold is ground into gold dust, which is then mixed with other undisclosed material to make it paintable on the canvas. this mixture is then mixed with transparent glue and painted on the thangka. Read More . . .

Brief Introduction :

Maha Virochana Buddha holds a significant position in Buddhist cosmology, particularly within certain Vajrayana Buddhist traditions. As a central deity, Maha Virochana embodies profound radiance, supreme enlightenment, and the transformative power to dispel ignorance and cultivate wisdom. The symbolism associated with this form of Buddha, with four heads and the Dharma Wheel held in the hands, further accentuates the profound nature of this deity.

The figure of Maha Virochana Buddha with four heads and the Dharma Wheel held in the hands serves as a powerful inspiration for practitioners to cultivate wisdom, compassion, and the ability to guide others toward liberation. Through the contemplation and visualization of Maha Virochana Buddha, practitioners seek to connect with and embody the profound qualities represented by this divine figure, ultimately attaining the same enlightened state.

The four heads of Maha Virochana Buddha are a representation of his omniscient wisdom, enabling him to perceive and comprehend all phenomena from every direction. Each head gazes toward a cardinal direction (north, east, south, and west), signifying the Buddha's ability to perceive and illuminate the truth in all corners of existence. This symbolism reflects the all-encompassing nature of his enlightened consciousness, encompassing the entirety of existence.

The Dharma Wheel, also known as the Dharmachakra, held in the hands of Maha Virochana Buddha, holds great significance. The Dharmachakra is a powerful symbol representing the teaching and dissemination of Buddhist teachings, representing the turning of the wheel of truth. With this symbolic gesture, Maha Virochana Buddha is seen as the supreme teacher, guiding sentient beings towards liberation by expounding the profound wisdom of the Dharma.

Maha Virochana Buddha's radiant appearance further exemplifies his enlightened nature. The luminous aura enveloping his form represents the transcendence beyond ordinary perception and the embodiment of supreme wisdom. This radiance symbolizes the transformative power of enlightenment, capable of dispelling the darkness of ignorance and illuminating the path towards liberation and ultimate truth.

In depictions of Maha Virochana Buddha, additional arms and hands often accompany the four heads. These hands hold various symbolic objects, such as a lotus flower symbolizing purity and spiritual realization, and a vajra symbolizing indestructible power and the union of compassion and wisdom. These symbolic objects represent the Buddha's qualities of compassion, wisdom, and enlightened activity, emphasizing his role as a guiding force in the spiritual journey of practitioners.

You may also want to read the related articles :

Videos of Thangka Making Process | Making Process Of Tibetan Thangka | What is a Thangka | Thangka Brocading Option

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