HomeThangka - NewariNewariMahakala Panjaranatha Thangka, Tibetan Buddhist Art, Hand Painted, Real Gold

Mahakala Panjaranatha Thangka, Tibetan Buddhist Art, Hand Painted, Real Gold

US$560

Code

HCS30680

Weight

2 Kg / 4.41 lbs

Size

Height

73cm (29")

Width

52cm (20")

Material

Cotton Canvas

Availability

Available

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Shipping cost US$25.2 for upto 0.5 kgs

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Use of Real Gold
This thangka of Mahakala Panjaranatha Thangka, Tibetan Buddhist Art, Hand Painted, [real Gold] has real gold painted on its surface along with other paints. This is an ancient process of decorating the thangka in Tibetan Buddhism, Here gold is ground into gold dust, which is then mixed with other undisclosed material to make it paintable on the canvas. this mixture is then mixed with transparent glue and painted on the thangka. Read More . . .

Introduction to Thangka
A thangka, also known as tangka, thanka, or tanka, is a vibrant and intricate Tibetan Buddhist painting that serves as a visual representation of spiritual teachings. Crafted with meticulous detail on cotton or silk appliquÃ©, thangkas depict a wide range of subjects including Buddhist deities, sacred scenes, mandalas, and narrative stories. These sacred artworks are traditionally kept unframed and rolled up for storage, resembling ancient scrolls. To protect their delicate nature, thangkas are mounted on textile backings and often adorned with a silk cover on the front. Proper preservation in dry environments is crucial to maintain the integrity and longevity of the silk.

These sacred paintings serve as objects of contemplation, inspiration, and instruction, guiding practitioners on their spiritual path. Thangkas provide a visual gateway to the world of Tibetan Buddhism, encapsulating its rich symbolism, iconography, and spiritual concepts. With their vibrant colors, intricate patterns, and skillful craftsmanship, thangkas offer a profound visual medium for deepening one's understanding and connection to the teachings of Buddhism.

Thangkas come in various sizes, ranging from small pieces resembling Western half-length portraits to grand-scale creations spanning several meters in each dimension. While the larger thangkas are intended for temporary display during religious festivals, the majority of these artworks are designed for personal meditation or as educational aids for monastic students. The compositions of thangkas are meticulously crafted, featuring intricate details and often incorporating numerous small figures. A central deity or focal point is typically surrounded by a symmetrical arrangement of other divine beings, symbols, or narrative elements that convey profound spiritual teachings.

How is Thangka made

First, the canvas on which the painting is to be executed is laid on a wooden frame to determine the required dimensions. This canvas is an extremely finely woven cotton material, referred to in the Holy Scriptures as "Ãura Canvas".

Then the canvas is cut, hemmed and, with the use of sturdy strings, very tightly mounted in the wooden frame. Painting is carried out with the frame in an upright position, without any further rigid support or backing.

In this studio, our primary artist, who works virtually exclusively for us, applies the undercoat consisting of a mixture of chalk and glue to the canvas by hand. Other Thangka workshops have turned to mainly using industrially pre-primed canvas.

This photo shows how the canvas, after receiving its base coat followed by a second coating of bone glue, is polished and smoothed by hand with a stone to attain a perfectly smooth, featureless painting surface. Through this process the canvas becomes quite rigid, thereby providing perfect conditions to evoke very finest artistic detail and over-all superior painting quality.

Using a different Thangka, we see how, after mounting, the complete basic pattern of the respective theme is applied to the canvas.

The following picture shows the steps in creating a gold-based Thangka, such as our No PH 9, the "Holy Mount Kailash". To achieve more intensive colour, yet another prime coat, in ochre, is applied, followed by a coat of pure gold. The so-called Thangka painting gold is traditionally produced by members of the Newar people in Nepal. 24-karat gold is ground to finest powder and mixed with bone glue and water in proportions suitable for direct use in painting. Thus, the Thangka gold is not gold leaf at all! Silver can be processed and used in the same way: Mount Kailash and the surrounding peaks in our completed Thangka were not painted with white paint, rather with precious silver.

Here, the nearly completed piece has been removed from the wooden frame. Now only the very finest finishing touches remain to be added, such as compacting the gold and giving Mount Kailash its silver mantle.

K. Lama regarded his already half-finished thangka proudly

The Mount Kailash Thangka, including the black margin (which can also facilitate the fastening of a traditional brocade frame), is now complete. Only the background gold must be compacted in the places where it is later intended to exhibit a sheen.

Here we see an old ballpoint pen casing into which a specially cut agate has been fitted. The back of this semi-precious stone is slightly concave and can be used to compact gold over extensive areas of the Thangka, while the blunt point is used to lineally compact gold, thus creating a shiny effect.

In this way, through partial compaction of the gold or refraining from compaction, nearly three-dimensional effects can be achieved. The glorious sheen of gold artistically treated in this way richly rewards the beholder or meditator with a Thangka possessed of an extraordinarily aesthetic aura.

Thangka Making Video

Read More . . .

Mahakala Panjaranatha :

Mahakala Panjaranatha is a significant wrathful deity in Vajrayana Buddhism, particularly in the Tibetan Buddhist tradition. He is a two-armed manifestation of Mahakala, depicted in a standing form. As a fierce and powerful protector, he embodies the wrathful aspect of compassion, helping practitioners overcome obstacles and liberate themselves from suffering.

Iconography:

Physical Form: Mahakala Panjaranatha is depicted with a dark-blue or black complexion, symbolizing his transcendence beyond worldly concerns and his all-encompassing nature.

Two Arms: Unlike many other wrathful deities who have multiple arms, Mahakala Panjaranatha has only two arms. His two-arm form is unique and distinguishes him from other Mahakala manifestations.

Right Arm: His right arm is raised in a threatening gesture, with the index finger pointing upwards. This mudra symbolizes the cutting of ignorance and the dispelling of obstacles. It demonstrates his ability to protect practitioners and remove hindrances on the path to enlightenment.

Left Arm: In his left arm, Mahakala Panjaranatha holds a long staff or bar (sometimes referred to as a club or vajra staff). This represents his power to clear the path and remove obstructions, paving the way for spiritual progress.

Ornaments: He wears bone ornaments, including a garland of severed heads. These ornaments symbolize the transformation of the five negative emotions (ignorance, attachment, aversion, pride, and jealousy) into wisdom.

Tiger Skin Loincloth: Mahakala Panjaranatha is often depicted wearing a tiger skin loincloth, signifying his triumph over ignorance and the wild, untamed aspects of the mind.

Surrounded by Flames: He stands on a lotus pedestal amidst the flames of pristine awareness. The flames represent the transformative power of wisdom and the burning away of impurities.

Meaning and Practice:
Mahakala Panjaranatha's wrathful appearance is not meant to invoke fear but to symbolize the ferocity with which he protects and purifies the Dharma. Practitioners engage in visualizations, rituals, and mantra recitations to connect with his fierce energy and seek his protection and assistance in overcoming obstacles.

The practice of Mahakala Panjaranatha is particularly emphasized during challenging times or when facing inner and outer hindrances. By meditating on his form and reciting his mantra, practitioners aim to transform negative emotions and obstacles into wisdom and compassion.

As with any Vajrayana Buddhist practice, approaching Mahakala Panjaranatha requires guidance from qualified teachers and a sincere commitment to the practice. The understanding of the deity's symbolism and significance is essential for practitioners to engage in the practice effectively and with the right intention.

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