HomeStatue - Mix MaterialSilver Statue Master Quality, Sterling Silver, 138 Gram Statue of Amitabha Buddha, Old Stock, Rare Find

Master Quality, Sterling Silver, 138 Gram Statue of Amitabha Buddha, Old Stock, Rare Find

US$672

Code

HCS22636

Weight

138 gm / 0.3 lbs

Size

8x7x4 Cm / 3.15 Inches

Material

Sterling Silver

Availability

Available

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Shipping cost US$25.2 for upto 0.5 kgs

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Rare Find : what is a Rare find?
This [master Quality], Sterling Silver, [138 Gram] Statue Of Amitabha Buddha, [old Stock], [rare Find] is a rare find product, The Rare Find product is an uncommon and elusive product that is difficult to find and likely the only one available for sale. Once sold, [master Quality], Sterling Silver, [138 Gram] Statue Of Amitabha Buddha, [old Stock], [rare Find] will be removed from the listings or marked as sold. This rarity and exclusivity make it highly sought-after by collectors and enthusiasts, offering a unique and irreplaceable addition to any collection.

Master Quality : What is master Quality?
The attribute of "master quality" distinguishes the [master Quality], Sterling Silver, [138 Gram] Statue Of Amitabha Buddha, [old Stock], [rare Find] as an embodiment of extraordinary craftsmanship and artistic excellence. This exceptional piece is directly handcrafted by an artist or craftsman of the highest categorization, reflecting their unparalleled skill and expertise. The uniqueness of [master Quality], Sterling Silver, [138 Gram] Statue Of Amitabha Buddha, [old Stock], [rare Find] lies in its exclusivity to the artist, making it a rare find with nearly impossible chances of finding an identical piece in the same category. While copies may exist, they can never truly replicate the essence of the original, as an artist or craftsman capable of creating such exceptional artistry would prefer to showcase their own creative vision rather than reproduce another's work. Read More . . .

Silver Statue : About Silver Statue:
The Silver Statues are rarely made these days, This [master Quality], Sterling Silver, [138 Gram] Statue Of Amitabha Buddha, [old Stock], [rare Find] statue date back to the late 1990 A.D. Most of the statues in our collection are highly collectibles because the silver statues were rarely found even though the prices were cheap during the late 1990 and early 2000. In this present era, the price of silver has hicked so much that making a silver statue for a commercial purpose is not viable anymore. The price we have offered for the statues are comparatively than of making a new one.

Lost-Wax System
This Silver Statue of [master Quality], Sterling Silver, [138 Gram] Statue Of Amitabha Buddha, [old Stock], [rare Find] is made by the process of the Lost Wax system. This is a very complicated, time consuming and historic process of making metal sculptures.Which is why it is sometimes called Precision Casting as well. Hence the sculptures made by this process are comparatively expensive. There are many new, advanced and less time consuming methods of casting metal sculptures available as well. But due to the benefits provided by the traditional lost wax system in quality control and customization, we prefer the Loss wax system over Ceramic molding, or sand casting to make our Silver Statue.
Below we have tried to illustrate the process of making a loss wax system statue:

The method of metal casting in which a molten metal is poured into a mold that has been created by means of a wax model. Once the mold is made, the wax model is melted and drained away. Bronze statues come to life differently than marble statues. Instead of carving a block or marble, the bronze artist uses the lost-wax technique to make a series of molds, and then pours melted bronze into the final mold to create the sculpture. This method has been around since 4500 BCE.

There are few important steps in lost wax casting process :
Step 1: Sculpting ( It all starts in the studio with an idea, Then figuring out how to realize the vision in clay.)
Step 2: Mold Making.
Step 3: Wax Pouring.
Step 5: Wax Spruing.
Step 6: Shell Dipping.
Step 7: Bronze Pouring.

Interestingly enough Loss wax process is also called Investment casting because after layers have been formed and dried, the wax is melted out of the ceramic tree by using steam (120Â°C) in an autoclave. This is why it is called "lost wax casting". The majority of the molten wax which can then be regenerated and is reusable.

Before Making statue :At work room making the wax models.

Softening a piece of wax over a brazier.

Relaxing after softening the wax The working environment with works in progress.

Working the face of an Ekajata wax model.

Working the face of wax model.Using a modeling tool to form the face of Ekajata.

Deatail of wax model

The design for Ekajata compared to the Tibetan book on which it was based.Statues Maker Are master in buddhism .

Detail of A partially finished Candamaharoshana (Acala) wax figure made in the Tibetan style.

A finished wax image of Mahakala.

Anthor Finished Wax Model of Shakyamuni Buddha

One of the modelers working in the room shows the Pehar image on which he is working.

The artist showed how the goat , which had been completed earlier, fits under the image. ,

Tej Jyoti Shakya and his wife, Nani Maya Shakya Covering the wax model in a mixture of clay and dung

Pressing the mixture of clay and dung around the wax image.

The board with the clay and dung mixture ready for use.

Model Pieces drying after the initial (dipped) thin layer of fine clay.

Clay-covered model pieces drying in the sun.

Molds waiting to be put into the burnout furnace

The same molds, seen in the previous image, in the burnout furnace

The double row of refractory bricks used to support the heated molds during casting.

The melting furnace and a pile of coke used for melting the metals. Laying the bed of coke in the melting furnace.

The first ignition of the coke.

Checking the coke bed.

The electric blower used to force air into the melting furnace

Beginning to fill the crucibles with scrap copper.

Preparing the bed of burning coke to receive the crucibles

Sorting various metals used in the alloys.

Weighing precious metals that are used in the alloys

Weighing copper from Singapore to achieve a correct alloy.

Different sizes of crucibles and various types of metals to be cast in this melt.

Placing the crucibles in the bed of coke filled with metal are in place.

After the crucibles are in place, more coke is piled around them.

The crucibles are covered with scrap metal to hold in the heat.

The electric fan is then connected.Soon a very hot flame is produced.

The entire furnace temperature goes up to about 1800 -1900 degrees.

Setting up molds in between the refractory bricks to receive the molten metal. Handling the molds with asbestos gloves and bracing them with fragments of bricks.

Pouring the molten metal into the base of a mold

Another view of the artists pouring the molten metal.Detailed view showing the molten metal being poured into the sprues.

Preparing to lift and pour molten metal from one of the larger crucibles.

Cooling a mold containing the recently poured metal.

Beginning to break away the clay mold from the metal casting. The mold breaks away revealing the metal image inside

The first metal image from the day's work.

Examining the image for flaws

Two auras (prabhamandalas), one that cast perfectly and one (in front) that only partially filled.

Opening more molds

Researchers mark specific metal images for future identification.

Cleaning the details of the image with a metal tool.

Sawing off the sprues from Aura image. The sprue metal will be reused in future castings.

Two auras that worked perfectly. The one on the right has been cut off of the sprues, while the one on the left still has the sprues attached.

The finishing specialist begins the finishing process with a set of tools, including a small hammer. to give more detail

The entire surface of the image will be gently hammered to a final, almost polished finish.

The finisher's tools and the work in progress

Finishing work on an image of the Buddha.

Hammering the chest of an image that is being held against the work block

A Buddha image hammered and chased to the final, detailed finish.

Cleaning in a very mild acid bath. The image and prabhamandala are placed in a final acidic bath to make sure the surface is absolutely clean.

Drying the image with a blow torch.

Read More . . .

Brief Introduction :

Amitabha is head of the Lotus Family, one of oldest & significant of the Five Buddha Families. This family represents love, purity, compassion & peace. Amitabha Purelandis a place of infinite bliss & boundless light. He will guide you along a path of simplicity and purity towards such a place where you can find inner contentment. Amitabha will help you overcome addictions and cravings.

Iconography :

Amitabha Buddha is also one of the five Tathagatas representing the wisdom of discriminating awareness (skt. Pratyavekshanajnana). When discriminating wisdom dawns on us we realize Non-production or non-origination of all things. He also represents purified form of desire.

Amitabha Buddha is red in color. He is represented in the stupa facing to the west. He rides on peacock symbolizing that he can take away the suffering of others just as the peacock eats poisonous plants and yet his tail shines forth.

Amitabha in Sanskrit means immeasurable light or limitless light. He resides in the western land of unlimited bliss (skt. Sukhavati). He is assisted by two Bodhisattvas viz. Avalokiteshvara and Mahasthamaprapta. When he was a bodhisattva he was called Bhikshu Dharmakara. He made vows to establish an adorned land of unlimited bliss to ferry over those living beings who recite his name. On the basis of those vows, any living being who has faith, makes vows and practices diligently will be received by this Buddha and reborn in the pure land of unlimited bliss.

Amitabha Buddha presides over the Bhadrakalpa i.e. Fortunate Aeon. He always exhibits Dhyana mudra. He belongs to the Lotus family. He originates from the seed syllable Hrih. He can be recognized through the symbol of the lotus. With his extensive vows and great compassion this Buddha has ferried over innumerable sentient beings. The recitation of the name of Amitabha Buddha is a common practice in China and Japan. In Tibet too, devotees recite very often the prayer to be reborn in the land of Amitabha Buddha.urity

Commentary :

The word 'Amitabha' is composed of 2 syllables. Amita-[Skt.] translates as infinite & -bha universal life or simply the universe. Related Sanskrit words include bha-va asin Bhavachakra & Bha-gavad as in Bhagavad Gita. Amitabha is often translated as Boundless Light which is taken to be the boundless Universe. Amitabha realised a Pure Land called Sukhavati which meanspossessinghappinessin Sanskrit. Sukhavati is situated in the uttermost west beyond the bounds of rational understanding. By the power of his vows he made it possible for all who call upon him to be reborn into this land, there to undergo instruction by him in the dharma and ultimately become bodhisattvas & Buddhas. Amitabha is one of the five Transcendent Buddhas emanated from the primeval 'Adi' Buddha Vajrdhara. Each of the transcendent Buddhas has arisen to help us overcome the five obstructions [Skt. Kleshas] to our spiritual growth and each is the Head of a Family. The Sanskrit word Klesha means poison in the sense of curruption. For this reason the transcendent Buddhas are called Wisdom Buddhas; they possess the wisdom to overcome viz. transcend the five obstructions are greed, hatred, delusion, jealousy & pride. Amitabha is formed to help us overcome greed [often expressed as desire]. Greed is conceived of as a thirst [Skt. Tanha] or appetite for the destructive things that harm us such as smoking, alcohol & selfishness. The transcendent Buddhas are sometimecalled the Meditation [Skt. Dhyana] Buddhas as people meditate on their wisdoms to overcome the five obstructions to spiritual growth to anable us to reach a higher level of understanding.

Mantra of Amitabha Buddha

Oṃ Amideva Hrīḥ

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