HomeTibetan Wall HangingMetal Wall HangingMetal Good Luck Wall Hanging, Fine Quality Buddhist Ashtamangala, 8 Auspicious Symbol of Good Fortune

Metal Good Luck Wall Hanging, Fine Quality Buddhist Ashtamangala, 8 Auspicious Symbol of Good Fortune

US$28

Code

HCS31905

Weight

220 gm / 0.49 lbs

Size

3x19.5x19.5 Cm / 1.18 Inches

Material

Brass

Availability

Available

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Shipping cost US$25.2 for upto 0.5 kgs

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Ashtamangala : Brief Introduction
The Ashtamangala is a sacred suite of Eight Auspicious Signs endemic to a number of religions such as Hinduism, Jainism, and Buddhism. The symbols or "symbolic attributes" are yidam and teaching tools. Not only do these attributes point to qualities of enlightened mindstream, but they are the investiture that ornaments these enlightened "qualities". Many cultural enumerations and variations of the Ashtamangala are extant.

Conch The right-turning white conch shell represents the beautiful, deep, melodious, interpenetrating and pervasive sound of the dharma, which awakens disciples from the deep slumber of ignorance and urges them to accomplish their own welfare for the welfare of others

Endless knot The endless knot denotes "the auspicious mark represented by a curled noose emblematic of love" . It is a symbol of the ultimate unity of everything. Moreover, it represents the intertwining of wisdom and compassion, the mutual dependence of religious doctrine and secular affairs, the union of wisdom and method, the inseparability of śūnyatā "emptiness" and pratītyasamutpāda "interdependent origination" , and the union of wisdom and compassion in enlightenment. This knot, net or web metaphor also conveys the Buddhist teaching of interpenetration. It is also an attribute of the god Vishnu, which is said to be engraved on his chest. A similar engraving of the Shrivatsa on the historical Gautama Buddha's chest is mentioned in some lists of the Physical characteristics of the Buddha.

Pair of Golden FishThe two golden fish symbolise the auspiciousness of all sentient beings in a state of fearlessness without danger of drowning in saṃsāra. The two golden fishes are linked with the Ganges and Yamuna nadi, prana and carp:

LotusThe lotus flower , represent the primordial purity of body, speech, and mind, floating above the muddy waters of attachment and desire. The lotus symbolizes purity and renunciation. Although the lotus has its roots in the mud at the bottom of a pond, its flower lies immaculate above the water.

ParasolThe jewelled parasol , which is similar in ritual function to the baldachin or canopy: represents the protection of beings from harmful forces and illness. It represents the canopy or firmament of the sky and therefore the expansiveness and unfolding of space and the element Ã¦ther. It represents the expansiveness, unfolding and protective quality of the sahasrara: all take refuge in the dharma under the auspiciousness of the parasol.

VaseThe treasure vase represents health, longevity, wealth, prosperity, wisdom and the phenomenon of space. The treasure vase, or pot, symbolizes the Buddha's infinite quality of teaching the dharma: no matter how many teachings he shared, the treasure never lessened.

DharmaChakraThe Dharmachakra or "Wheel of the Law" represents Gautama Buddha and the Dharma teaching. This symbol is commonly used by Tibetan Buddhists, where it sometimes also includes an inner wheel of the Gankyil. Nepalese Buddhists don't use the Wheel of Law in the eight auspicious symbols.

Vicoty BannerThe dhvaja "banner, flag" was a military standard of ancient Indian warfare. The symbol represents the Buddha's victory over the four māras, or hindrances in the path of enlightenment. These hindrances are pride, desire, disturbing emotions, and the fear of death. Within the Tibetan tradition, a list of eleven different forms of the victory banner is given to represent eleven specific methods for overcoming defilement. Many variations of the dhvaja's design can be seen on the roofs of Tibetan monasteries to symbolise the Buddha's victory over four māras. Banners are placed at the four corners of monastery and temple roofs. The cylindrical banners placed on monastery roofs are often made of beaten copper.

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Brief Introduction :

Tibetan Buddhist culture is rich in symbolism and art, and metal or wooden wall hangings are essential to this tradition. These wall hangings, also known as paubhas, are typically made in painting form, painted on a cotton canvas with natural color. they are also made in wood, brass, or clay, and feature intricate designs and vibrant colors. They depict various aspects of Buddhism, such as deities, Buddhist teachings, and spiritual stories. Many of these wall hangings are adorned with semi-precious stones, such as turquoise, coral, and lapis lazuli, which add to their beauty and symbolic significance.

The art of creating these metal or wooden wall hangings is considered a sacred tradition in Tibetan Buddhist culture, and it is often passed down from generation to generation. The creation process can take many months or even years, as each detail is carefully crafted and the colors are meticulously applied. These wall hangings are considered to be sacred objects and are used for meditation, worship, and offerings.

One of the most common themes depicted in Tibetan wall hangings is the mandala, a geometric representation of the universe. Mandalas are often intricate, symmetrical designs that are meant to represent the balance and harmony of the universe. They can also depict important Buddhist teachings and spiritual stories, and they serve as a focus for meditation and spiritual contemplation. Other popular themes in Tibetan wall hangings include Buddhist deities such as the Buddha, bodhisattvas, and protectors, as well as important Buddhist symbols like the lotus flower, the wheel of life, and the eight auspicious symbols.

The use of color in Tibetan wall hangings is also significant, as each color is associated with a specific emotion, quality, or spiritual aspect. For example, gold is associated with wisdom and compassion, red symbolizes passion and power, and blue represents serenity and peace. The use of semi-precious stones in these wall hangings is also significant, as each stone is believed to have spiritual properties and can bring positive energy to the environment.

In conclusion, Tibetan metal or wooden wall hangings are a rich and important part of Tibetan Buddhist culture. They serve as sacred objects for meditation, worship, and offerings, and their intricate designs, vibrant colors, and semi-precious stone settings make them both beautiful and significant. These wall hangings are a testament to the beauty and significance of Tibetan Buddhist culture and continue to be valued and revered to this day.

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