HomeThangka - FigureVajrayogini Nairatmya Yogini, Buddhist Traditional Painting, Hand Painted

Nairatmya Yogini, Buddhist Traditional Painting, Hand Painted

US$240

Code

HCS32567

Weight

275 gm / 0.61 lbs

Size

77x55 Cm / 30.31 Inches

Material

cotton canvas

Availability

Available

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Introduction to Thangka
A thangka, also known as tangka, thanka, or tanka, is a vibrant and intricate Tibetan Buddhist painting that serves as a visual representation of spiritual teachings. Crafted with meticulous detail on cotton or silk appliquÃ©, thangkas depict a wide range of subjects including Buddhist deities, sacred scenes, mandalas, and narrative stories. These sacred artworks are traditionally kept unframed and rolled up for storage, resembling ancient scrolls. To protect their delicate nature, thangkas are mounted on textile backings and often adorned with a silk cover on the front. Proper preservation in dry environments is crucial to maintain the integrity and longevity of the silk.

These sacred paintings serve as objects of contemplation, inspiration, and instruction, guiding practitioners on their spiritual path. Thangkas provide a visual gateway to the world of Tibetan Buddhism, encapsulating its rich symbolism, iconography, and spiritual concepts. With their vibrant colors, intricate patterns, and skillful craftsmanship, thangkas offer a profound visual medium for deepening one's understanding and connection to the teachings of Buddhism.

Thangkas come in various sizes, ranging from small pieces resembling Western half-length portraits to grand-scale creations spanning several meters in each dimension. While the larger thangkas are intended for temporary display during religious festivals, the majority of these artworks are designed for personal meditation or as educational aids for monastic students. The compositions of thangkas are meticulously crafted, featuring intricate details and often incorporating numerous small figures. A central deity or focal point is typically surrounded by a symmetrical arrangement of other divine beings, symbols, or narrative elements that convey profound spiritual teachings.

How is Thangka made

First, the canvas on which the painting is to be executed is laid on a wooden frame to determine the required dimensions. This canvas is an extremely finely woven cotton material, referred to in the Holy Scriptures as "Ãura Canvas".

Then the canvas is cut, hemmed and, with the use of sturdy strings, very tightly mounted in the wooden frame. Painting is carried out with the frame in an upright position, without any further rigid support or backing.

In this studio, our primary artist, who works virtually exclusively for us, applies the undercoat consisting of a mixture of chalk and glue to the canvas by hand. Other Thangka workshops have turned to mainly using industrially pre-primed canvas.

This photo shows how the canvas, after receiving its base coat followed by a second coating of bone glue, is polished and smoothed by hand with a stone to attain a perfectly smooth, featureless painting surface. Through this process the canvas becomes quite rigid, thereby providing perfect conditions to evoke very finest artistic detail and over-all superior painting quality.

Using a different Thangka, we see how, after mounting, the complete basic pattern of the respective theme is applied to the canvas.

The following picture shows the steps in creating a gold-based Thangka, such as our No PH 9, the "Holy Mount Kailash". To achieve more intensive colour, yet another prime coat, in ochre, is applied, followed by a coat of pure gold. The so-called Thangka painting gold is traditionally produced by members of the Newar people in Nepal. 24-karat gold is ground to finest powder and mixed with bone glue and water in proportions suitable for direct use in painting. Thus, the Thangka gold is not gold leaf at all! Silver can be processed and used in the same way: Mount Kailash and the surrounding peaks in our completed Thangka were not painted with white paint, rather with precious silver.

Here, the nearly completed piece has been removed from the wooden frame. Now only the very finest finishing touches remain to be added, such as compacting the gold and giving Mount Kailash its silver mantle.

K. Lama regarded his already half-finished thangka proudly

The Mount Kailash Thangka, including the black margin (which can also facilitate the fastening of a traditional brocade frame), is now complete. Only the background gold must be compacted in the places where it is later intended to exhibit a sheen.

Here we see an old ballpoint pen casing into which a specially cut agate has been fitted. The back of this semi-precious stone is slightly concave and can be used to compact gold over extensive areas of the Thangka, while the blunt point is used to lineally compact gold, thus creating a shiny effect.

In this way, through partial compaction of the gold or refraining from compaction, nearly three-dimensional effects can be achieved. The glorious sheen of gold artistically treated in this way richly rewards the beholder or meditator with a Thangka possessed of an extraordinarily aesthetic aura.

Thangka Making Video

Read More . . .

Brief Introduction :

Nairatmya Yogini is a female Buddha in Tibetan Buddhism, the consort of Hevajra in the Hevajra-tantra. She is also known as Dagmema, which means "ego-less woman." Nairatmya is a powerful symbol of non-duality and emptiness, and she is often depicted with three eyes, bared fangs, and a crown of skulls.

Iconography

Nairatmya is typically depicted as a black-skinned figure with one face and two hands. She is often seated in a lotus position, with her right hand holding aloft a curved knife and her left hand holding a skullcup to her heart. She may also be depicted with a katvanga (a ritual staff) in the bend of her elbow. Nairatmya's three eyes represent her ability to see the past, present, and future, and her bared fangs represent her fierce determination to overcome ignorance and delusion. The crown of skulls represents the death of the ego, and the skullcup represents the nectar of wisdom.

History
The cult of Nairatmya originated in India, where she was first worshipped as a yogini. She was later introduced to Tibet, where she became one of the most important deities in the Buddhist pantheon. Nairatmya is often seen as a patron deity of tantric practitioners, and she is frequently depicted in mandalas and thangkas.

Temples and Monasteries
There are no temples dedicated specifically to Nairatmya in Nepal, but she is often worshipped in temples dedicated to other deities, such as Hevajra and Vajrayogini. There are also a number of monasteries in Nepal where Nairatmya is worshipped, such as the Sakya Monastery in Kathmandu and the Gyume Tantric Monastery in Dolpo.

Benefits of Practicing Nairatmya
There are many benefits to practicing Nairatmya, including:
Increased non-dual awareness
Reduced attachment to the ego
Increased compassion for others
Improved mental clarity
Increased peace and happiness

How to Practice Nairatmya
There are many different ways to practice Nairatmya. Some common practices include:
Chanting the mantra "Om Nairatmya Hum"
Visualizing Nairatmya
Offering prayers and supplications to Nairatmya
Serving others in the spirit of Nairatmya

Mantras of Nairatmya
The most famous mantra of Nairatmya is "Om Nairatmya Hum." This mantra is said to have many benefits, including:

Removing obstacles
Accumulating merit
Achieving enlightenment
Conclusion

Nairatmya Yogini is a powerful and compassionate deity who can help us to develop our own non-dual awareness and compassion. By practicing Nairatmya, we can bring more peace and happiness into our own lives and into the world.

You may also want to read the related articles :

Videos of Thangka Making Process | Making Process Of Tibetan Thangka | What is a Thangka | Thangka Brocading Option

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