HomeThangka - Old StockOld StockOld Thangka of Vajrasattva, Real Gold

Old Thangka of Vajrasattva, Real Gold

US$220

Code

HCS15755

Weight

100 gm / 0.22 lbs

Size

45x39 Cm / 17.72 Inches

Material

Cotton Canvas

Availability

Available

Date Added

2018-09-11 14:09:06

Note : We used to sell this product 6 years ago so it may no longer be in our stock.
It is possible that we still have it with our suppliers but the price could be different from before.
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Old Stock Thangka : Old Stock Thangka
This Old Thangka Of Vajrasattva, [real Gold] is our old stock collection, Experience the captivating allure of the "Timeless Splendor" thangka painting, a rare and extraordinary masterpiece that embodies the essence of ancient artistic traditions. Created approximately 15 to 20 years ago, this painting showcases the meticulous artistry and devotion of a single artist, who skillfully prepared the canvas and brought the artwork to life.
The age of this painting adds to its rarity and significance. With its creation dating back 15 to 20 years, it carries the legacy of traditional artistic techniques. Once this collection is sold, no more paintings of its kind will be produced, making it an extraordinary find for art enthusiasts and collectors.
What sets this thangka painting apart is the genuine and thick layers of gold meticulously applied by the artist. The result is a resplendent and opulent appearance that captivates the viewer's gaze. Unlike contemporary practices where different artists handle different aspects of the painting, this unique artwork is a testament to the singular vision and talent of one artist, ensuring a harmonious and unified composition. Read More . . .

Introduction to Thangka
A thangka, also known as tangka, thanka, or tanka, is a vibrant and intricate Tibetan Buddhist painting that serves as a visual representation of spiritual teachings. Crafted with meticulous detail on cotton or silk appliquÃ©, thangkas depict a wide range of subjects including Buddhist deities, sacred scenes, mandalas, and narrative stories. These sacred artworks are traditionally kept unframed and rolled up for storage, resembling ancient scrolls. To protect their delicate nature, thangkas are mounted on textile backings and often adorned with a silk cover on the front. Proper preservation in dry environments is crucial to maintain the integrity and longevity of the silk.

These sacred paintings serve as objects of contemplation, inspiration, and instruction, guiding practitioners on their spiritual path. Thangkas provide a visual gateway to the world of Tibetan Buddhism, encapsulating its rich symbolism, iconography, and spiritual concepts. With their vibrant colors, intricate patterns, and skillful craftsmanship, thangkas offer a profound visual medium for deepening one's understanding and connection to the teachings of Buddhism.

Thangkas come in various sizes, ranging from small pieces resembling Western half-length portraits to grand-scale creations spanning several meters in each dimension. While the larger thangkas are intended for temporary display during religious festivals, the majority of these artworks are designed for personal meditation or as educational aids for monastic students. The compositions of thangkas are meticulously crafted, featuring intricate details and often incorporating numerous small figures. A central deity or focal point is typically surrounded by a symmetrical arrangement of other divine beings, symbols, or narrative elements that convey profound spiritual teachings.

How is Thangka made

First, the canvas on which the painting is to be executed is laid on a wooden frame to determine the required dimensions. This canvas is an extremely finely woven cotton material, referred to in the Holy Scriptures as "Ãura Canvas".

Then the canvas is cut, hemmed and, with the use of sturdy strings, very tightly mounted in the wooden frame. Painting is carried out with the frame in an upright position, without any further rigid support or backing.

In this studio, our primary artist, who works virtually exclusively for us, applies the undercoat consisting of a mixture of chalk and glue to the canvas by hand. Other Thangka workshops have turned to mainly using industrially pre-primed canvas.

This photo shows how the canvas, after receiving its base coat followed by a second coating of bone glue, is polished and smoothed by hand with a stone to attain a perfectly smooth, featureless painting surface. Through this process the canvas becomes quite rigid, thereby providing perfect conditions to evoke very finest artistic detail and over-all superior painting quality.

Using a different Thangka, we see how, after mounting, the complete basic pattern of the respective theme is applied to the canvas.

The following picture shows the steps in creating a gold-based Thangka, such as our No PH 9, the "Holy Mount Kailash". To achieve more intensive colour, yet another prime coat, in ochre, is applied, followed by a coat of pure gold. The so-called Thangka painting gold is traditionally produced by members of the Newar people in Nepal. 24-karat gold is ground to finest powder and mixed with bone glue and water in proportions suitable for direct use in painting. Thus, the Thangka gold is not gold leaf at all! Silver can be processed and used in the same way: Mount Kailash and the surrounding peaks in our completed Thangka were not painted with white paint, rather with precious silver.

Here, the nearly completed piece has been removed from the wooden frame. Now only the very finest finishing touches remain to be added, such as compacting the gold and giving Mount Kailash its silver mantle.

K. Lama regarded his already half-finished thangka proudly

The Mount Kailash Thangka, including the black margin (which can also facilitate the fastening of a traditional brocade frame), is now complete. Only the background gold must be compacted in the places where it is later intended to exhibit a sheen.

Here we see an old ballpoint pen casing into which a specially cut agate has been fitted. The back of this semi-precious stone is slightly concave and can be used to compact gold over extensive areas of the Thangka, while the blunt point is used to lineally compact gold, thus creating a shiny effect.

In this way, through partial compaction of the gold or refraining from compaction, nearly three-dimensional effects can be achieved. The glorious sheen of gold artistically treated in this way richly rewards the beholder or meditator with a Thangka possessed of an extraordinarily aesthetic aura.

Thangka Making Video

Read More . . .

Brief Introduction :

Vajrasattva is also regarded as Adi-Buddha by Nepalese Bajracharya's who follow Vajrayana tradition according to the text Vajrasattva Kaya. His body is white with one face and two hands. His right-hand holds a five-pronged golden vajra at his heart. His left-hand holds a silver bell at his side. He sits in the Vajraparyanka posture wearing precious silks and ornaments with jewel diadem. His body is adorned with the major and minor marks of a Sambhogakaya and emits a clear limitless light. It appears to lack all notion of substantiality, like the reflection of the moon in the water.
Vajrasattva has a father-mother aspect too. Generally, this form is not exhibited in open. It is shown only to those who are initiated in the Highest Yoga Tantra. His form is the same as in the single one but his consort carries a Kartika in her right hand and a kapala in her left hand.

Iconography :

Vajrasattva is pure white in colour and is sometimes known as the Prince of Purity. His name means "Adamantine Being", or more poetically "Embodying Reality". He is a member of the Vajra family of Akṣobhya which also includes Vajrapāṇi.
He is depicted as a young man in the prime of life, with all the silks and jewels of a wealthy prince. In his right hand he delicately balances a vajra at his heart. In his left had he holds a bell at his waist. The vajra represents Reality, and Compassion; while the bell represents Wisdom.

Vajrasattva is said to have been originated from seed syllable Hum and is generally invoked for removal of obscuration of Kleshavarana and Jneya Avarana. His hundred syllable mantra is very efficacious in purifying our defilements through confession practice. It is said if confession is done with the four opponent powers, then non-virtuous actions or obscurations will be purified. The first opponent power is the force of reliance. This means looking upon the visualized image of Vajrasattva as the embodiment of oneâ' refuge. The second opponent power is the sincere regret for the non-virtuous action done by oneself. The third opponent power is desisting from evil deeds. The fourth opponent power is to apply power of good deeds; and specially regarding this case, practicing the meditation and recitation of Vajrasattva without parting from Bodhicitta while remaining in the state of emptiness. Vajrasattva is a very popular tutelary deity for Nepalese Vajracharya. He is worshipped very often by Nepalese Buddhists through Guru Mandala ritual.

In some mandalas Vajrasattva represents the Adi Buddha or the Primordial Principle of Buddhahood; in others he changes places with Akṣobhya in the East. In Shingon Buddhism it is Vajrasattva that passes on the initiation of the Dharmakāya Buddha Mahāvairocana to Nāgārjuna, thereby creating the Vajrayāna lineage.

Vajrasattav Purification :

Purification of Body
Your disturbing attitudes and negativities in general and particularly those of the body, take the form of black ink. Sickness takes the form of pus and blood and afflictions caused by spirits appear in the form of scorpions, snakes, frogs and crabs. Flushed out by the light and nectar, they all leave your body through the lower openings, like filthy liquid flowing down a drain pipe. Feel completely empty of these problems and negativities; they no longer exist anywhere.
Purification of Speech
Your disturbing attitudes and imprints of negativities of speech take the form of liquid tar. The light and nectar fill your body as water fills a dirty glass: the negativities, like the dirt, rise to the top and flow out through the upper openings of your body: your eyes, ears, mouth, nose, etc. Feel completely empty of these problems; they no longer exist.
Purification of the Mind
Your disturbing attitudes and the imprints of mental negativities appear as darkness at your heart. When struck by the forceful stream of light and nectar, the darkness completely vanishes. It is like turning a light on in a room: the darkness does not go anywhere, it simply ceases to exist. Feel that you are completely empty of all these problems; they are non-existent.
Simultaneous Purification
Do the three above visualizations simultaneously. This sweeps away the subtle obscurations that prevent you from seeing correctly all that exists. Feel completely free of these obscurations.
The Power of the Promise
After reciting the mantra and doing the visualizations, make the following promise to Vajrasattva, specifying a period of time for which you intend to keep it:
"I shall not create these negative actions from now until ."
Vajrasattva is extremely pleased and says, "My spiritual child of the essence, all your negativities, obscurations and degenerated vows have been completely purified."
With delight, Vajrasattva melts into light and dissolves into you. Your body, speech and mind become inseparably one with Vajrasattva holy body, speech and mind. Concentrate on this.

Dedication
Due to this merit may I soon Attain the enlightened state of Vajrasattva, That I may be able to liberate
All sentient beings from their suffering.
May the precious bodhi mind Not yet born arise and grow. May that born have no decline,But increase forever more.

Mantras in Various Language :

Mantra of Vajrasattva

ༀ་ཨ་ར་པ་ཙ་ན་དྷཱི༔,
om vajrasattva hum

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