HomeThangka - FigureRahulaRahula Thangka, Buddhist Traditional Painting, Tibetan Style, Real Gold

Rahula Thangka, Buddhist Traditional Painting, Tibetan Style, Real Gold

US$900

Code

HCS29960

Weight

200 gm / 0.44 lbs

Size

65x46 Cm / 25.59 Inches

Material

Cotton Canvas & Natural Color

Availability

Available

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Shipping cost US$25.2 for upto 0.5 kgs

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Use of Real Gold
This thangka of Rahula Thangka, Buddhist Traditional Painting, Tibetan Style, [real Gold] has real gold painted on its surface along with other paints. This is an ancient process of decorating the thangka in Tibetan Buddhism, Here gold is ground into gold dust, which is then mixed with other undisclosed material to make it paintable on the canvas. this mixture is then mixed with transparent glue and painted on the thangka. Read More . . .

Introduction to Thangka
A thangka, also known as tangka, thanka, or tanka, is a vibrant and intricate Tibetan Buddhist painting that serves as a visual representation of spiritual teachings. Crafted with meticulous detail on cotton or silk appliquÃ©, thangkas depict a wide range of subjects including Buddhist deities, sacred scenes, mandalas, and narrative stories. These sacred artworks are traditionally kept unframed and rolled up for storage, resembling ancient scrolls. To protect their delicate nature, thangkas are mounted on textile backings and often adorned with a silk cover on the front. Proper preservation in dry environments is crucial to maintain the integrity and longevity of the silk.

These sacred paintings serve as objects of contemplation, inspiration, and instruction, guiding practitioners on their spiritual path. Thangkas provide a visual gateway to the world of Tibetan Buddhism, encapsulating its rich symbolism, iconography, and spiritual concepts. With their vibrant colors, intricate patterns, and skillful craftsmanship, thangkas offer a profound visual medium for deepening one's understanding and connection to the teachings of Buddhism.

Thangkas come in various sizes, ranging from small pieces resembling Western half-length portraits to grand-scale creations spanning several meters in each dimension. While the larger thangkas are intended for temporary display during religious festivals, the majority of these artworks are designed for personal meditation or as educational aids for monastic students. The compositions of thangkas are meticulously crafted, featuring intricate details and often incorporating numerous small figures. A central deity or focal point is typically surrounded by a symmetrical arrangement of other divine beings, symbols, or narrative elements that convey profound spiritual teachings.

How is Thangka made

First, the canvas on which the painting is to be executed is laid on a wooden frame to determine the required dimensions. This canvas is an extremely finely woven cotton material, referred to in the Holy Scriptures as "Ãura Canvas".

Then the canvas is cut, hemmed and, with the use of sturdy strings, very tightly mounted in the wooden frame. Painting is carried out with the frame in an upright position, without any further rigid support or backing.

In this studio, our primary artist, who works virtually exclusively for us, applies the undercoat consisting of a mixture of chalk and glue to the canvas by hand. Other Thangka workshops have turned to mainly using industrially pre-primed canvas.

This photo shows how the canvas, after receiving its base coat followed by a second coating of bone glue, is polished and smoothed by hand with a stone to attain a perfectly smooth, featureless painting surface. Through this process the canvas becomes quite rigid, thereby providing perfect conditions to evoke very finest artistic detail and over-all superior painting quality.

Using a different Thangka, we see how, after mounting, the complete basic pattern of the respective theme is applied to the canvas.

The following picture shows the steps in creating a gold-based Thangka, such as our No PH 9, the "Holy Mount Kailash". To achieve more intensive colour, yet another prime coat, in ochre, is applied, followed by a coat of pure gold. The so-called Thangka painting gold is traditionally produced by members of the Newar people in Nepal. 24-karat gold is ground to finest powder and mixed with bone glue and water in proportions suitable for direct use in painting. Thus, the Thangka gold is not gold leaf at all! Silver can be processed and used in the same way: Mount Kailash and the surrounding peaks in our completed Thangka were not painted with white paint, rather with precious silver.

Here, the nearly completed piece has been removed from the wooden frame. Now only the very finest finishing touches remain to be added, such as compacting the gold and giving Mount Kailash its silver mantle.

K. Lama regarded his already half-finished thangka proudly

The Mount Kailash Thangka, including the black margin (which can also facilitate the fastening of a traditional brocade frame), is now complete. Only the background gold must be compacted in the places where it is later intended to exhibit a sheen.

Here we see an old ballpoint pen casing into which a specially cut agate has been fitted. The back of this semi-precious stone is slightly concave and can be used to compact gold over extensive areas of the Thangka, while the blunt point is used to lineally compact gold, thus creating a shiny effect.

In this way, through partial compaction of the gold or refraining from compaction, nearly three-dimensional effects can be achieved. The glorious sheen of gold artistically treated in this way richly rewards the beholder or meditator with a Thangka possessed of an extraordinarily aesthetic aura.

Thangka Making Video

Read More . . .

Brief Introduction :

Rahula has arisen out of the fire of infinite ferocity. Having tricked his way to drinking the nectar of immortality he is tasked to use his venom & guile to good ends. Rahula is the great planetary deity and protector of the Dharma [set a thief to catch a thief]. The Dharma represents all the principles of Buddhism which guides sentient beings to nirvana.â He has ultimate influence over all the planets.

Iconography :

Rahula is represented as a Naga king with a human torso and water serpent [Skt. Naga] lower body. Nagas are primordial mythical creatures similar to snakes in appearance but with more rounded worm-like heads connected with water. Snakes such as the Cobra have a strong connection with Shiva & are more commonly distributed in Hindu art. Nagas are often shown being consumed by their mortal enemies the Garudas. In Buddhist legend the Naga King colied around Mounted Meru & pulled to & fro by the Gods & Demi-gods to up the great ocean of existence. The face in his belly is Rahulaâs actual face with large gaping central mouth which emits an effluvium of illness to protect the Buddhist teachings against enemies. He has four arms, a torso covered with one thousand eyes & nine heads representing the nine planets that Rahula has eclipsed [swallowed]. On top of these is the head of a raven symbolising Rahula who was originally a raven. When Vishnu realised that Rahula was disguised as a God & had stolen the nectar of immortality he cut Rahulaâs head off which reverted to a ravenâs. His flaming hair is driven upwards by the intensity of his tantric energy.

His top right hand brandishes a Makara Banner [Skt. Makaradhwoja] made from the flayed skin & head of a Makara. In Buddhism, a dhwoja symbolises a victory or supremacy of some kind. A Makara is a water dragon formed by the combination of several animals including the trunk of an elephant, scales of a fish, a crocodileâs mouth, the tusks of a boar and the tail feathers of a peacock. The Makhara Banner symbolises Buddhas victory over the four Maras & his immolation of the Five Afflicting Poisons. His lower right hand draws a Naga Bow [Skt. Nagadanusa] ready to shoot an arrow [Skt. Bana] into the heart of anyone who threatens the Buddhist teachings. The bow & arrow combination also represent the important âwisdom and methodâ teaching which should be used in tandem to ascend to the state of Great Bliss . The human skin is draped over his back represents his destruction of delusion, held to be the chief negative affliction. Ignorance is very much a part of the idea of delusion.

His top right hand is in threatening tarjani hand position & holds a coiled viridian serpent noose which represents the âbinding of ignoranceâ & its inherent poison. Nagas are guardians of the underworld and Buddhist teachings who control the element water & can hold back rain & cause droughts. They can be wrathful too sending disease through the rivers and streams is they are not respected. This is also a warning against ignorance and her ability obscure the truth of the Dharma and salvation from the Wheel of Cyclical Existence.

Commentary :

The Buddhas met on Mount Meru to discuss how to obtain the elixir of life called Dutsi as an antidote to Hala, the source of human illness that the demons have in their possession. They churned the ocean of existence to procure the Dutsi which they put into a vessel & entrusted this to the protector Vajrapani. Rahu manages to steal it, drink this elixir & then urinate into the original vessel had been put into by the Buddhas. Vajrapani realizes what has happened and sets out to kill Rahu. He asks the Sun and Moooon eventually reveals where Rahu is hiding. When slain by Vajrapani he comes back to life because he had drunk the Dutsi or, in Sanskrit, Amrita. Medicinal plants sprung up where the drops of Rahulaâs blood dripped onto the earth.

In ancient Indian text, Rahu [Rahula] was a titan who disguised himself to steal the nectar of immortality from the gods. The sun and the moon both exposed him to Vishnu who promptly cut off his head. It is believed that Rahu avenges himself by periodically swallowing up the sun and the moon, thus causing eclipses. He is hence known as the Lord of Eclipses. There are both solar eclipses involving the sun & more common lunar eclipses involving the moon. Rahulaâs myriad eyes are often compared to the starry night sky. The gaping mouth in his belly symbolizes his swallowing of the sun and the moon.

Mantra of Rahula

Om Ketu ketu
Saha Ghahula Samaya Hum !

You may also want to read the related articles :

Videos of Thangka Making Process | Making Process Of Tibetan Thangka | What is a Thangka | Thangka Brocading Option

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