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Talk to help line for your question on 9841267335The Simhamukha Yogini, Senge Dongma Statue In Traditional Color is adorned with traditional colors, creating a captivating aesthetic through a combination of gold and various hues. This painting technique follows a time-honored process that aims to faithfully represent the Simhamukha Yogini, Senge Dongma Statue In Traditional Color in accordance with traditional color descriptions. In the context of Buddhist statues, this approach holds great significance. Each statue has its own primary color, and it is crucial to depict the statue in its authentic shade.
The Simhamukha Yogini, Senge Dongma Statue In Traditional Color has been crafted using the Ceramic mold casting process, a modern approach that provides an alternative to traditional methods such as the lost-wax system or rubber molding. Also referred to as ceramic molding, this technique involves the creation of a ceramic mold to cast the statue. The process begins by making a precise and detailed wax model of the desired sculpture. The wax model is then coated with layers of ceramic material, creating a sturdy mold. Once the mold is complete, it is fired in a kiln, causing the wax to melt and escape, leaving behind a cavity that perfectly replicates the original sculpture. Molten metal is then poured into the mold, allowing it to fill the cavity and take on the desired form. Once cooled and solidified, the ceramic mold is carefully broken away, revealing the final metal statue.
Simhamukha is iconographically represented as a wrathful deity who is usually depicted as a dark blue, or maroon, coloured lion-faced female and is associated with the direction East. As Simhavaktra, an alternate form of Simhamukha, she is also an attendant of the Dharmapala Palden Lhamo, in which case she is depicted as carrying both a kapala, or skullcup, and a kartika, or ritual knife.
According to Sengdongma (lion-faced dakini) is a wrathful manifestation of Padmasambhava [Guru Rinpoche] who eliminates obstacles, whereas Sinhavaktra is a dark blue Lion-head Dakini who dispels obstacles to enlightenment. She holds a broad-bladed knife and skull cup.
Simhamukha usually indicates Rahu (eclipse). One of the nine planets, Rahu stands for a devourer. There is a Puranic story. During the fight between gods and demons for nectar or Amrita, the demon Rahu tried to get a sip of drink of immortality, stealthily. But he was caught in the nick of time by the Surya (the Sun God) and Chandra (the Moon God) and Lord Vishnu was informed instantly. He cut off Rahu's head. But the head became immortal, having tasted a drop of nectar. Rahu now tried to swallow Sun and Moon when they passed near him. During eclipses (grahana), this scene is repeated according to believers.
Rahu is the son of Simhika or the lioness, who symbolizes destruction. The incarnation of Narasimha has this concept behind it. The earliest carving of Kirtimuka or Simhamukha is seen in the stupa at Amaravati (2nd century C.E.). Dancers of Cambodia use Kirtimuka as a headdress. Artifacts and any worship-worthy idols or mandaps carry this symbol.
==Tibet == Within the Nyingma School, of the two divisions of Kama (Oral Teachings) and Terma (Revealed Treasures), Simhamukha belongs to the Terma. From the three general divisions of Terma: Root, Branch and Essence, Simhamukha belongs to the Dakini Cycle within the Root Terma class. Only in the Nyingma tradition she is regarded as the secret form of Guru Rinpoche Padmasambhava. Otherwise, in the Sarma Traditions coming from India, the deity Simhamukha is found in the Chakrasamvara Cycle of Tantras. Although both forms are similar in name and appearance, they are unrelated.
The dakini Simhamukha is a tutelary deity arising out of the Chakrasamvara cycle of Tantras and belongs to the Anuttarayoga 'wisdom' classification. The Sarma tradition Simhamukha is unrelated to the deity of the same name and appearance in the Nyingma 'terma' (treasure) traditions. In that tradition, of the many forms of Padmasambhava, Simhamukha is a secret form of Guru Rinpoche.
Gelugpa lineage: Vajradhara, Dakini Simhamukha, Vajrasana, Bari Lotsawa Rinchen Drag, Sachen Kunga Nyingpo (1092-1158) and the five Holy Superiors of Sakya, Rongpa Dorje Gyaltsen, Sanggye Yeshe, Yak De Panchen, Gyalwa Tsongkapa (1357-1419), etc.
There is reference to this protector's emanations in the Shurangama Mantra found in the Tibetan Chandragomin's Shurangama Mantra Sadhana translated from the original Buddhist Hybrid Sanskrit into Tibetan (Tibetan canon Tengyur Karchag Phangthangma Toh 3096, Toh 593/2/1), and also Padmankusha's Text Toh 3106, and the Vajrasana's Text Toh 3110 - Sarvatathāgataoṣṇīṣaśitātapatrā-nāmāparājitā-mahāpratyangirā-mahāvidyārājñī-nāma-dhāraṇī; Tibetan name is ['phags pa] De bshin gshegs pa'i gtsug tor nas byung ba'i gdugs dkar po can gshan gyi mi thub pa phir bzlog pa chen mo mchog tu grub pa shes bya ba'i gzungs.
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