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Code
HCS14946
Weight
1.5 Kg / 3.31 lbs
Size
Height
29cm (11") Width
19cm (7") Depth
14cm (6") Material
Copper
Availability
Available
Date Added
2018-01-06 16:13:03
Note : We used to sell this product 7 years ago so it may no longer be in our stock.
It is possible that we still have it with our suppliers but the price could be different from before.
Feel free to order. We will verify availability and inform you promptly.
It is possible that we still have it with our suppliers but the price could be different from before.
Feel free to order. We will verify availability and inform you promptly.
Safe Payment
We accept Paypal, Money Transfer, Bank Transfer
Confidence
Protection covers your purchase and personal data.
Worldwide Delivery
We ship Worldwide, except Russia.Shipping cost US$25.2 for upto 0.5 kgs
Hotline
Talk to help line for your question on 9841267335About Elector Gold Plating
The Statue Of Nagarjuna Buddha[full Gold Plated], [magasuddhi] has been crafted using the ceramic mold casting process, a modern approach that provides an alternative to traditional methods such as the lost-wax system or rubber molding. Also referred to as ceramic molding, this technique involves the creation of a ceramic mold to cast the statue. The process begins by making a precise and detailed wax model of the desired sculpture. The wax model is then coated with layers of ceramic material, creating a sturdy mold. Once the mold is complete, it is fired in a kiln, causing the wax to melt and escape, leaving behind a cavity that perfectly replicates the original sculpture. Molten metal is then poured into the mold, allowing it to fill the cavity and take on the desired form. Once cooled and solidified, the ceramic mold is carefully broken away, revealing the final metal statue. Read More . . .
The Statue Of Nagarjuna Buddha[full Gold Plated], [magasuddhi] has been crafted using the ceramic mold casting process, a modern approach that provides an alternative to traditional methods such as the lost-wax system or rubber molding. Also referred to as ceramic molding, this technique involves the creation of a ceramic mold to cast the statue. The process begins by making a precise and detailed wax model of the desired sculpture. The wax model is then coated with layers of ceramic material, creating a sturdy mold. Once the mold is complete, it is fired in a kiln, causing the wax to melt and escape, leaving behind a cavity that perfectly replicates the original sculpture. Molten metal is then poured into the mold, allowing it to fill the cavity and take on the desired form. Once cooled and solidified, the ceramic mold is carefully broken away, revealing the final metal statue. Read More . . .
Lost-Wax System
This Buddha of Statue Of Nagarjuna Buddha[full Gold Plated], [magasuddhi] is made by the process of the Lost Wax system. This is a very complicated, time consuming and historic process of making metal sculptures.Which is why it is sometimes called Precision Casting as well. Hence the sculptures made by this process are comparatively expensive. There are many new, advanced and less time consuming methods of casting metal sculptures available as well. But due to the benefits provided by the traditional lost wax system in quality control and customization, we prefer the Loss wax system over Ceramic molding, or sand casting to make our Buddha.
Below we have tried to illustrate the process of making a loss wax system statue: Read More . . .
This Buddha of Statue Of Nagarjuna Buddha[full Gold Plated], [magasuddhi] is made by the process of the Lost Wax system. This is a very complicated, time consuming and historic process of making metal sculptures.Which is why it is sometimes called Precision Casting as well. Hence the sculptures made by this process are comparatively expensive. There are many new, advanced and less time consuming methods of casting metal sculptures available as well. But due to the benefits provided by the traditional lost wax system in quality control and customization, we prefer the Loss wax system over Ceramic molding, or sand casting to make our Buddha.
Below we have tried to illustrate the process of making a loss wax system statue: Read More . . .
Brief Introduction :
Nagarjuna was an Indian Mahāyāna Buddhist thinker, scholar-saint and philosopher. He is widely considered as one of the most important Buddhist philosophers. Furthermore, according to Jan Westerhoff, he is also "one of the greatest thinkers in the history of Asian philosophy." Nagarjuna is widely considered to be the founder of the madhyamaka school of Buddhist philosophy and a defender of the Mahāyāna movement. His Mulamadhyamakakarika is the most important text on the madhyamaka philosophy of emptiness. The MMK inspired a large number of commentaries in Sanskrit, Chinese, Tibetan, Korean and Japanese and continues to be studied today
life Of Nagarjuna :Very little is reliably known of the life of Nagarjuna and modern historians do not agree on a specific date or place for him. The earliest surviving accounts were written in Chinese and Tibetan centuries after his death and are mostly hagiographical accounts that are historically unverifiable.
Some scholars such as Joseph Walser argue that Nāgārjuna was an advisor to a king of the Sātavāhana dynasty which ruled the Deccan Plateau in the second century. This is supported by most of the traditional hagiographical sources as well. Archaeological evidence at Amarāvatī indicates that if this is true, the king may have been Yajna Sri Satakarni. On the basis of this association, Nagarjuna is conventionally placed at around 150â250 CE.
A model of the Amaravati Stupa
Walser thinks that it is most likely that when Nagarjuna wrote the Ratnavali, he lived in a mixed monastery in which Mahāyānists were the minority. The most likely sectarian affiliation of the monastery according to Walser was Purvasailya, Aparasailya, or Caityaka
He also argues that "it is plausible that he wrote the Ratnavali within a thirty-year period at the end of the second century in the Andhra region around Dhanyakataka (modern-day Amaravati)."
Some scholars such as Joseph Walser argue that Nāgārjuna was an advisor to a king of the Sātavāhana dynasty which ruled the Deccan Plateau in the second century. This is supported by most of the traditional hagiographical sources as well. Archaeological evidence at Amarāvatī indicates that if this is true, the king may have been Yajna Sri Satakarni. On the basis of this association, Nagarjuna is conventionally placed at around 150â250 CE.
A model of the Amaravati Stupa
Walser thinks that it is most likely that when Nagarjuna wrote the Ratnavali, he lived in a mixed monastery in which Mahāyānists were the minority. The most likely sectarian affiliation of the monastery according to Walser was Purvasailya, Aparasailya, or Caityaka
He also argues that "it is plausible that he wrote the Ratnavali within a thirty-year period at the end of the second century in the Andhra region around Dhanyakataka (modern-day Amaravati)."
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