Ghau :Ghau is a portable shrine in which an image of the owner's personal deity (Ishta Devata) is kept wrapped in silk cloth. Most Tibetans used Ghau at home and during traveling. At home, it is kept on alter but when traveling it is fastened at the cross belt. Generally, Ghau has trefoil shapes to and a window in the middle through which one can see the personal deity. Ghau is made of two parts which fit together to form a box. The back is usually left plain and the front is richly decorated.
Ashtamangala : Brief Introduction
The Ashtamangala is a sacred suite of Eight Auspicious Signs endemic to a number of religions such as Hinduism, Jainism, and Buddhism. The symbols or "symbolic attributes" are yidam and teaching tools. Not only do these attributes point to qualities of enlightened mindstream, but they are the investiture that ornaments these enlightened "qualities". Many cultural enumerations and variations of the Ashtamangala are extant.
Conch The right-turning white conch shell represents the beautiful, deep, melodious, interpenetrating and pervasive sound of the dharma, which awakens disciples from the deep slumber of ignorance and urges them to accomplish their own welfare for the welfare of others | Endless knot The endless knot denotes "the auspicious mark represented by a curled noose emblematic of love" . It is a symbol of the ultimate unity of everything. Moreover, it represents the intertwining of wisdom and compassion, the mutual dependence of religious doctrine and secular affairs, the union of wisdom and method, the inseparability of śūnyatā "emptiness" and pratītyasamutpāda "interdependent origination" , and the union of wisdom and compassion in enlightenment. This knot, net or web metaphor also conveys the Buddhist teaching of interpenetration. It is also an attribute of the god Vishnu, which is said to be engraved on his chest. A similar engraving of the Shrivatsa on the historical Gautama Buddha's chest is mentioned in some lists of the Physical characteristics of the Buddha. | Pair of Golden FishThe two golden fish symbolise the auspiciousness of all sentient beings in a state of fearlessness without danger of drowning in saṃsāra. The two golden fishes are linked with the Ganges and Yamuna nadi, prana and carp: |
LotusThe lotus flower , represent the primordial purity of body, speech, and mind, floating above the muddy waters of attachment and desire. The lotus symbolizes purity and renunciation. Although the lotus has its roots in the mud at the bottom of a pond, its flower lies immaculate above the water. | ParasolThe jewelled parasol , which is similar in ritual function to the baldachin or canopy: represents the protection of beings from harmful forces and illness. It represents the canopy or firmament of the sky and therefore the expansiveness and unfolding of space and the element æther. It represents the expansiveness, unfolding and protective quality of the sahasrara: all take refuge in the dharma under the auspiciousness of the parasol. | VaseThe treasure vase represents health, longevity, wealth, prosperity, wisdom and the phenomenon of space. The treasure vase, or pot, symbolizes the Buddha's infinite quality of teaching the dharma: no matter how many teachings he shared, the treasure never lessened. |
DharmaChakraThe Dharmachakra or "Wheel of the Law" represents Gautama Buddha and the Dharma teaching. This symbol is commonly used by Tibetan Buddhists, where it sometimes also includes an inner wheel of the Gankyil. Nepalese Buddhists don't use the Wheel of Law in the eight auspicious symbols. | Vicoty BannerThe dhvaja "banner, flag" was a military standard of ancient Indian warfare. The symbol represents the Buddha's victory over the four māras, or hindrances in the path of enlightenment. These hindrances are pride, desire, disturbing emotions, and the fear of death. Within the Tibetan tradition, a list of eleven different forms of the victory banner is given to represent eleven specific methods for overcoming defilement. Many variations of the dhvaja's design can be seen on the roofs of Tibetan monasteries to symbolise the Buddha's victory over four māras. Banners are placed at the four corners of monastery and temple roofs. The cylindrical banners placed on monastery roofs are often made of beaten copper. |
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Finishing: Stone Setting
The Ghau is adorned with an exquisite array of semi-precious stones, including turquoise, coral, and lapis lazuli. These stones are carefully selected and meticulously placed on the Ghau's surface, adding a touch of opulence and enhancing its overall beauty. Each stone is thoughtfully positioned using a high-quality adhesive, ensuring secure and long-lasting attachment. The vibrant colors and unique patterns of the stones create a captivating contrast against the backdrop of the Ghau, elevating its visual appeal and making it truly eye-catching.
Beyond their decorative purpose, these semi-precious stones carry symbolic significance in various cultures and traditions. Turquoise is often associated with protection and healing, coral represents vitality and passion, while lapis lazuli symbolizes wisdom and truth. The inclusion of these stones not only adds to the aesthetic allure of the Ghau but also imbues it with deeper meaning and cultural symbolism.
The intricate placement of these semi-precious stones showcases the meticulous craftsmanship and attention to detail that goes into the creation of the Ghau. It is a testament to the skill and artistic vision of the artisans who delicately adorn the statue, resulting in a truly remarkable and captivating piece of art.
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Seku Design : What is Seku Desing
Seku is a traditional Newari craftsmanship technique that involves the use of thin metal wire, typically copper or silver, to create intricate patterns on various objects. The word "Seku" is derived from the Newari language, and is commonly used to refer to this type of craftsmanship. This technique is a prominent aspect of Newari art and has been passed down through generations of artisans.
The process of creating Seku designs involves carefully shaping and molding the metal wire into various patterns. This can include simple geometric shapes or more complex, detailed designs. The wire is then carefully placed onto the surface of the object, where it is secured in place. The final result is a beautiful and intricate design that showcases the skill and precision of the artisan.
Seku craftsmanship can be found on a variety of different objects, including traditional Newari jewelry, home decor, and even architectural elements. The technique is often used to add decorative touches to objects that are already rich in cultural significance, such as statues of deities and other religious artifacts. The intricate and detailed nature of the craftsmanship makes it highly valued and respected within the Newari community, and it continues to be an important aspect of their cultural heritage.
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About Elector Gold Plating
The Ghau has been crafted using the ceramic mold casting process, a modern approach that provides an alternative to traditional methods such as the lost-wax system or rubber molding. Also referred to as ceramic molding, this technique involves the creation of a ceramic mold to cast the statue. The process begins by making a precise and detailed wax model of the desired sculpture. The wax model is then coated with layers of ceramic material, creating a sturdy mold. Once the mold is complete, it is fired in a kiln, causing the wax to melt and escape, leaving behind a cavity that perfectly replicates the original sculpture. Molten metal is then poured into the mold, allowing it to fill the cavity and take on the desired form. Once cooled and solidified, the ceramic mold is carefully broken away, revealing the final metal statue.
The process begins with the thorough cleaning and preparation of the object to be plated. A layer of silver plating is first applied to create a base. Subsequently, the object is submerged in a solution containing gold ions, while an electric current is passed through the solution. The gold ions are attracted to the surface of the object, forming a layer that can be polished to achieve a smooth and radiant finish.
The Full Electro Gold plated finishing offers several advantages, including affordability and high-quality results. In Nepal's handicraft industry, this method of gold plating is gaining popularity due to its ability to produce exquisite and long-lasting handicraft items. Skilled craftsmen employ their expertise to ensure that the gold plating is of the utmost quality, resulting in beautiful and durable Ghau products.
By choosing the Full Electro Gold plated finishing, you can enjoy the luxurious and captivating allure of gold, enhancing the aesthetic appeal of the Ghau product while ensuring its longevity and enduring beauty.
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