HomeTibetan Wall HangingWooden - RitualTibetan Buddhist Thangka Painting of Maitreya Buddha, Wooden Frame

Tibetan Buddhist Thangka Painting of Maitreya Buddha, Wooden Frame

US$36

Code

HCS25220

Weight

500 gm / 1.1 lbs

Size

44x34 Cm / 17.32 Inches

Material

Wood, Cotton Canvas, Natural Color

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Available

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Introduction to Thangka
A thangka, also known as tangka, thanka, or tanka, is a vibrant and intricate Tibetan Buddhist painting that serves as a visual representation of spiritual teachings. Crafted with meticulous detail on cotton or silk appliquÃ©, thangkas depict a wide range of subjects including Buddhist deities, sacred scenes, mandalas, and narrative stories. These sacred artworks are traditionally kept unframed and rolled up for storage, resembling ancient scrolls. To protect their delicate nature, thangkas are mounted on textile backings and often adorned with a silk cover on the front. Proper preservation in dry environments is crucial to maintain the integrity and longevity of the silk.

These sacred paintings serve as objects of contemplation, inspiration, and instruction, guiding practitioners on their spiritual path. Thangkas provide a visual gateway to the world of Tibetan Buddhism, encapsulating its rich symbolism, iconography, and spiritual concepts. With their vibrant colors, intricate patterns, and skillful craftsmanship, thangkas offer a profound visual medium for deepening one's understanding and connection to the teachings of Buddhism.

Thangkas come in various sizes, ranging from small pieces resembling Western half-length portraits to grand-scale creations spanning several meters in each dimension. While the larger thangkas are intended for temporary display during religious festivals, the majority of these artworks are designed for personal meditation or as educational aids for monastic students. The compositions of thangkas are meticulously crafted, featuring intricate details and often incorporating numerous small figures. A central deity or focal point is typically surrounded by a symmetrical arrangement of other divine beings, symbols, or narrative elements that convey profound spiritual teachings.

How is Thangka made

First, the canvas on which the painting is to be executed is laid on a wooden frame to determine the required dimensions. This canvas is an extremely finely woven cotton material, referred to in the Holy Scriptures as "Ãura Canvas".

Then the canvas is cut, hemmed and, with the use of sturdy strings, very tightly mounted in the wooden frame. Painting is carried out with the frame in an upright position, without any further rigid support or backing.

In this studio, our primary artist, who works virtually exclusively for us, applies the undercoat consisting of a mixture of chalk and glue to the canvas by hand. Other Thangka workshops have turned to mainly using industrially pre-primed canvas.

This photo shows how the canvas, after receiving its base coat followed by a second coating of bone glue, is polished and smoothed by hand with a stone to attain a perfectly smooth, featureless painting surface. Through this process the canvas becomes quite rigid, thereby providing perfect conditions to evoke very finest artistic detail and over-all superior painting quality.

Using a different Thangka, we see how, after mounting, the complete basic pattern of the respective theme is applied to the canvas.

The following picture shows the steps in creating a gold-based Thangka, such as our No PH 9, the "Holy Mount Kailash". To achieve more intensive colour, yet another prime coat, in ochre, is applied, followed by a coat of pure gold. The so-called Thangka painting gold is traditionally produced by members of the Newar people in Nepal. 24-karat gold is ground to finest powder and mixed with bone glue and water in proportions suitable for direct use in painting. Thus, the Thangka gold is not gold leaf at all! Silver can be processed and used in the same way: Mount Kailash and the surrounding peaks in our completed Thangka were not painted with white paint, rather with precious silver.

Here, the nearly completed piece has been removed from the wooden frame. Now only the very finest finishing touches remain to be added, such as compacting the gold and giving Mount Kailash its silver mantle.

K. Lama regarded his already half-finished thangka proudly

The Mount Kailash Thangka, including the black margin (which can also facilitate the fastening of a traditional brocade frame), is now complete. Only the background gold must be compacted in the places where it is later intended to exhibit a sheen.

Here we see an old ballpoint pen casing into which a specially cut agate has been fitted. The back of this semi-precious stone is slightly concave and can be used to compact gold over extensive areas of the Thangka, while the blunt point is used to lineally compact gold, thus creating a shiny effect.

In this way, through partial compaction of the gold or refraining from compaction, nearly three-dimensional effects can be achieved. The glorious sheen of gold artistically treated in this way richly rewards the beholder or meditator with a Thangka possessed of an extraordinarily aesthetic aura.

Thangka Making Video

Read More . . .

Brief Introduction :

Benefit Maitreya represents the future state of love emanating from great universal bliss. This is embodied by the Adi Buddha Samantabhadra & gained by using the tools of Vajrayana 'magical' Buddhism & can be realised from the adamantine truth of emptiness embodied by Adi Buddha Vajradhara. The name Maitreya is derived from the Sanskrit word maitri stemming from the old Pali word metta meaning 'loving-kindness' related to Pali word mitta meaning 'friend'. When Maitreya becomes fully realised, he will preside over the Ketumati Pure Land, an earthly paradise. Maitreya is the embodiment of a future state of loving kindness, sympathetic joy, equanimity & compassion which create great bliss & conscious love.

Iconography :

Maitreya resides in Tushita heaven accessible through mediation & sits on a throne seat with two snow lions [Skt. Singhasana] in the frieze. Snow lions are the national symbol of Tibet. Tushita is alluded to by the mountainous landscapes swirling cumulous cloudbanks. His wears a green upper garment of Indian royalty from his shoulders, maroon Buddhist trousers with silk brocade, a blue Mantrayana apron and a sash representing the Himalayan Rainbow [Five Pure Lights of the Mahabhuta]. The small stupa shape in his headdress represents the stupa of the Buddha Sakyamuni's relics to help him identify it when his turn comes to lay claim to his succession. The light green khata loose around his waist is a traditional ceremonial scarf symbolizing purity.

He holds both hands in front of his heart in a hand position signifying the turning the wheel of Buddhist teachings [Skt. dharmachakra mudra]. The left hand holds the stem of a blue lotus or 'night lotus'[Skt. Utpala]. The word utpala means to 'burst open'. This supports an auspicious golden wheel [Skt. Chakra] which represents change, universal cycles of existence such as the changing of the hands of a watch, the seasons of the year, the earth & moon revolving around the sun and these three in turn revolving with other planets. All is in flux, forever changing. Each forward Turning of the wheel represents a movement of Buddhist teaching. This is usually called the turning of the Wheel of Dharma. The eight spokes symbolising the noble Eightfold Path of right Thought [mirror], right Insight or View [mustard seed], right Thought, right Action [bilva fruit], right Effort [durva grass], right Livelihood [curds] and right Contemplation [vermilion powder].

The right hand holds another lotus stem supporting a water pot [Skt. Kalasa] which traditionally contains the primeval water carried by the creator Brahma. This water of creation or water of life [don't confuse with the blue nectar of immortality]represents the pure conscious mind and its ability to regenerate and purify the conscious mind. The water pot is one of the eight auspicious symbols [Skt. Astamangalas] where the word asta means eight. The green nimbus around his head represents his cosmic nature. He is surrounded by a blooming 'pink lotus' [Skt. Kamala] and an unopened bud on her left hand. The Pink lotus blossoms represents the present love and the red unopened bud future love & yet to be born Buddhas. The future here also refers to beneficial changes circumstances that will help bring about. Maitreya's elongated earlobes represent patience; his topknot [Skt. Ushnisa] his abandonment of worldly possessions, the dot [Skt.urna] on his brow on the command chakra [Skt.ajna] represents his transcendent wisdom. The thin blue aureole around his body signifies the highest level of understanding.

Commentary :

It is up to all sentient beings to turn the wheel Maitreya is a future Buddha, an enlightened person who will appear on Earth, achieve complete enlightenment, and teach the pure dharma which are the principles of Buddhism.

Mantra Maitreya Buddha

NAMO RATNA TRAYAYA / NAMO BHAGAVATE
SHAKYAMUNIYE / TATHAGATAYA / ARHATE SAMYAKSAM
BUDDHAYA / TADYATHA / OM AJITE AJITE APARAJITE /
AJITAÃCHAYA HA RA HA RA MAITRI AVALOKITE KARA KARA
MAHA SAMAYA SIDDHI BHARA BHARA MAHA BODHI MANDA
BIJA SMARA SMARA AHSMA KAM SAMAYA BODHI BODHI
MAHA BODHI SVAHA

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