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Talk to help line for your question on 9841267335This Tibetan Statue Of Ekajata, [chocolate Oxidized] has been meticulously treated with a chocolate color antique patina. The intention behind this patina is to replicate the appearance of a copper statue that has gracefully aged over a century. Unlike a simple coat of paint, this patina is not applied superficially and is designed to endure. It undergoes an artificial oxidation process that adds depth and character, while also serving as a protective layer against natural oxidation.
By imitating the natural aging process, the chocolate color antique patina lends an air of authenticity and vintage charm to the Tibetan Statue Of Ekajata, [chocolate Oxidized]. This carefully crafted finish ensures that the patina remains intact for an extended period, offering longevity and resistance to wear. The result is a unique piece that captures the essence of a time-worn copper statue, evoking a sense of history and artistic heritage.
The Tibetan Statue Of Ekajata, [chocolate Oxidized] has been crafted using the Ceramic mold casting process, a modern approach that provides an alternative to traditional methods such as the lost-wax system or rubber molding. Also referred to as ceramic molding, this technique involves the creation of a ceramic mold to cast the statue. The process begins by making a precise and detailed wax model of the desired sculpture. The wax model is then coated with layers of ceramic material, creating a sturdy mold. Once the mold is complete, it is fired in a kiln, causing the wax to melt and escape, leaving behind a cavity that perfectly replicates the original sculpture. Molten metal is then poured into the mold, allowing it to fill the cavity and take on the desired form. Once cooled and solidified, the ceramic mold is carefully broken away, revealing the final metal statue. Read More . . .
Often she appears as liberator in the mandala of Green Tara. Along with that her ascribed powers are removing the fear of enemies, spreading joy and removing personal hindrances on the path to enlightenment.
Ekajati is the protector of secret mantras and "as the mother of the mothers of all the Buddhas," represents ultimate unity. As such her own mantra is also secret. She is the most important protector of the Vajrayana teachings, especially the inner tantras and termas. As the protector of mantra she supports the practitioner in deciphering symbolic dakini codes and properly determines appropriate times and circumstances for revealing tantric teachings. Because she completely realizes the texts and mantras under her care, she reminds the practitioner of their preciousness and secrecy.
In another form her hair is arranged in the same single bun with a turquoise forehead curl. This and her other features signify her blazing Loyalty to no duality. Ekajati's single eye gazes into unceasing space, a single fang pierces through obstacles, a single breast "nurtures supreme practitioners as her children." She is naked, like awareness itself, except for a garment of white clouds and tiger skin around her waist. The tiger skin is the realized siddha's garb, which signifies fearless enlightenment. She is ornamented with snakes and a garland of human heads.
In some representations, she stands on a single leg. Her body is dark in color, brown or deep blue. She stands on a flaming mandala of triangular shape. She is surrounded by a fearsome retinue of mamo demonesses who do her bidding in support of the secret teachings, and she emanates a retinue of one hundred ferocious iron she wolves from her left hand. For discouraged or lazy practitioners, she is committed to being "an arrow of awareness" to reawaken and refresh them. For defiant or disrespectful practitioners, she is wrathful and threatening, committed to killing their egos and leading them to dharmakaya, or the ultimate realization itself. She holds in her right hand the eviscerated, dripping red heart of those who have betrayed their Vajrayana vows.
In her most common form she holds an axe, drigug (cleaver) or khatvanga (tantric staff) and a skull cup in her hands. In her chignon is a picture of Akshobhya.
Her demeanour expresses determination. With her right foot she steps upon corpses, symbols of the ego. Her vajra laugh bares a split tongue or a forked tongue and a single tooth. She is dressed in a skull necklace and with a tiger and a human skin. She is surrounded by flames representing wisdom.
When Ekajati appears to yogins in hagiographies, she is especially wrathful. She speaks in sharp piercing shrieks, her eye boils, and she gnashes her fang. At times she appears twice human size, brandishing weapons and served by witches drenched in blood.
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