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9841267335

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Tibetan Statue of Marici, Chocolate Oxidized

US$120

Code
HCS17023
Weight
890 gm / 1.96 lbs
Size
18x6x13 Cm / 7.09 Inches
Material
Copper
Availability
Available
Date Added
2019-09-20 01:51:56
Note : We used to sell this product 5 years ago so it may no longer be in our stock.
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Shipping cost US$25.2 for upto 0.5 kgs
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About Chocolate Oxidized
This Tibetan Statue Of Marici, [chocolate Oxidized] has been meticulously treated with a chocolate color antique patina. The intention behind this patina is to replicate the appearance of a copper statue that has gracefully aged over a century. Unlike a simple coat of paint, this patina is not applied superficially and is designed to endure. It undergoes an artificial oxidation process that adds depth and character, while also serving as a protective layer against natural oxidation.
By imitating the natural aging process, the chocolate color antique patina lends an air of authenticity and vintage charm to the Tibetan Statue Of Marici, [chocolate Oxidized]. This carefully crafted finish ensures that the patina remains intact for an extended period, offering longevity and resistance to wear. The result is a unique piece that captures the essence of a time-worn copper statue, evoking a sense of history and artistic heritage.
Ceramic Molding System
The Tibetan Statue Of Marici, [chocolate Oxidized] has been crafted using the Ceramic mold casting process, a modern approach that provides an alternative to traditional methods such as the lost-wax system or rubber molding. Also referred to as ceramic molding, this technique involves the creation of a ceramic mold to cast the statue. The process begins by making a precise and detailed wax model of the desired sculpture. The wax model is then coated with layers of ceramic material, creating a sturdy mold. Once the mold is complete, it is fired in a kiln, causing the wax to melt and escape, leaving behind a cavity that perfectly replicates the original sculpture. Molten metal is then poured into the mold, allowing it to fill the cavity and take on the desired form. Once cooled and solidified, the ceramic mold is carefully broken away, revealing the final metal statue. Read More . . .
Brief Introduction :
Marici, in Mahayana and Vajrayana Buddhism, is a deva or bodhisattva associated with light and the sun. She is known as Molizhitian (摩利支天) or Molizhitian Pusa (摩利支天菩萨) in China, Marishi-ten (摩利支天) in Japan, and ozer Chenma (Wylie: od zer can ma) in Tibet. She is one of the 20 (or 24) Celestials (二十/二十四諸天). In Taoism and Chinese folk religion, Marici is known under the epithet Doumu (Chinese: 斗母元君; pinyin: Dǒumǔ Yuanjūn), a name sometimes used by Buddhists.
Marici is usually depicted in one of the following ways:
As a beautiful woman on an open lotus, the lotus itself sometimes perched on the back of seven sows.
As a ferocious wrathful deity perched on the back of a boar.
Riding a fiery chariot pulled by seven savage boars or sows.
As a multi-armed woman with a different weapon in each hand standing or sitting on the back of a boar.
She has been depicted with one, three, five or six faces and two, six, eight, ten or twelve arms; three eyes; in her many-faced manifestations one of her faces is that of a sow.
Origin of Marichi :
Marici in China is worshiped as both a Buddhist and Taoist deity. She is highly revered in Esoteric Buddhism. Most often, she is depicted with three eyes in each of her four faces; with four arms on each side of her body. Two of her hands are held together, and the other six hold a sun, moon, bell, golden seal, bow, and halberd. She is either standing/sitting on top of a lotus or pig, or on a Lotus on top of seven pigs. She is celebrated on the 9th day of the 9th lunar month.

Due to similar iconography, she is often confused with the Bodhisattva Cundī. Among Chinese Buddhists, she is worshiped as the goddess of light and as the guardian of all nations, whom she protects from the fury of war.
In Taoism, Doumu remains a popular deity and is often referred to as Queen of Heaven (Chinese: 天后; pinyin: Tiān Hòu) and is widely worshiped as the Goddess of Beidou (the Chinese equivalent of Ursa Major except that it also includes 2 "attendant" stars). She is also revered as the mother of the Nine Emperor Gods who are represented by the nine stars in the Beidou constellation. Legend has it that one spring day a queen went to bath in a pond. Upon entering she suddenly felt "moved" and nine lotus buds rose from the pond. Each of these lotus buds opened to reveal a star which then became the Beidou constellation.

She is worshiped today in Taoist temples like the White Cloud Temple and the Tou Mu Kung Temple which has both Taoist and Buddhist influences.


MariciMarichi painted 1600-1699, Central Tibet. Ground mineral pigment on silk. "The Fifth Dalai Lama instructed Choying Dorje to go to Drak, a remote region south of Lhasa. There at Ngakdrak Monastery he produced some of his last works of art, a sculpture of Vajrapani and a drawing of the goddess MarichiMarici with eight-arms & four faces riding on a boar - Hongfashan Temple, Hong KongMulti-armed Marici on one boar.


Doumu is chronicled in three scriptural Daozang texts, from which the above stories have been extracted. The three texts in Daoist Canon were compiled during the Song Yuan, according to the each entry’s preface in the Zhengtong daozang (Numbered according to Schipper, 1975). They are Dz 45: 'Yuqing wushang lingbao ziran bei dou ben sheng jing' 玉清無上靈寶自然北斗本生經, True and Unsurpassed Lingbao Scripture from the Yuqing Heaven on the Spontaneous Origin of the Northern Dipper; Dz 621: Taishang xuanling doumu da sheng yuanchun benming yansheng xinjing 太上玄靈斗姆大聖元君本命延生心經, Heart Scripture of Original Destiny and Extending Life of the Great Sagely Goddess Dipper Mother; and Dz 1452: Xiantian doumu qingao xuanke 先天斗姆秦告玄科, Mysterious Rite for Petitioning the Dipper Mother of Former Heavens.

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Tibetan Statue of Marici, Chocolate Oxidized