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Tibetan Thangka Of Hevajra - Heruka With Consort, [shakti], Yab-yum In [newari Paubha], With [real Gold]
Tibetan Thangka Of Hevajra - Heruka With Consort, [shakti], Yab-yum In [newari Paubha], With [real Gold]
Tibetan Thangka Of Hevajra - Heruka With Consort, [shakti], Yab-yum In [newari Paubha], With [real Gold]
Tibetan Thangka Of Hevajra - Heruka With Consort, [shakti], Yab-yum In [newari Paubha], With [real Gold]
Tibetan Thangka Of Hevajra - Heruka With Consort, [shakti], Yab-yum In [newari Paubha], With [real Gold]
Tibetan Thangka Of Hevajra - Heruka With Consort, [shakti], Yab-yum In [newari Paubha], With [real Gold]
Tibetan Thangka Of Hevajra - Heruka With Consort, [shakti], Yab-yum In [newari Paubha], With [real Gold]
Tibetan Thangka Of Hevajra - Heruka With Consort, [shakti], Yab-yum In [newari Paubha], With [real Gold]

Tibetan Thangka of Hevajra - Heruka with Consort, Shakti, Yab-yum In Newari Paubha, with Real Gold

Also known as

Hevajra

Heifa Luo

Hevajura

More Hevajra >>

USD144 USD180 | Enjoy a price drop of USD36 (20%)
Available SKU: HMS17522
  • Size: Height: 51cm (20") | Width: 38cm (15")
  • Weight: 100 gm / 0.22 lbs
  • Material: Handmade Cotton Canvas
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Hevajra :
Hevajra is one of the main yidams in Tantric, or Vajrayana Buddhism. Hevajra's consort is Nairātmyā
Shakti : Introduction
Shakti Yab-yum is a common symbol in Nepalese and Tibetan art. It represents the primordial union of wisdom and compassion, depicted as a male deity in union with his female consort via the similar concept of interpenetration or "coalescence," as illustrated by the concept of Indra's net. The male figure represents compassion and dexterity, while the female figure represents insight. The female is seated on the male's lap in yab-yum. A rare rendition of a similar figure, but reversed, with the male sitting on the female's lap, is known as yum-yab. Read More . . .
Newari Paubha
This Hevajra is a newari thangka or Paubaha, Paubha, also known as "paubhas," is a traditional religious painting created by the Newar people of Nepal. These exquisite artworks depict various subjects, including deities, mandalas, and monuments, and serve as aids for meditation and spiritual practices. Paubhas are similar to Tibetan Thangka paintings and are highly regarded for their religious and cultural significance.
While most paubhas portray Buddhist subjects, there are also a few that incorporate Hindu themes. The creation of these paintings is seen as a means of earning religious merit for both the artist and the patron. Newar Buddhists often commission skilled artists, primarily from the Chitrakar caste (known as Pun in Nepal Bhasa), to paint paubhas that are displayed during festivals and special occasions. Read More . . .
Introduction to Thangka
A thangka, also known as tangka, thanka, or tanka, is a vibrant and intricate Tibetan Buddhist painting that serves as a visual representation of spiritual teachings. Crafted with meticulous detail on cotton or silk appliqué, thangkas depict a wide range of subjects including Buddhist deities, sacred scenes, mandalas, and narrative stories. These sacred artworks are traditionally kept unframed and rolled up for storage, resembling ancient scrolls. To protect their delicate nature, thangkas are mounted on textile backings and often adorned with a silk cover on the front. Proper preservation in dry environments is crucial to maintain the integrity and longevity of the silk. Read More . . .
Iconography and different forms of Hayagriva :
Kaya Hevajra
The two armed Body (Kaya) Hevajra described in the Hevajra Tantra stands in an advancing posture on a multi-coloured lotus, corpse, and sun disk. He is dark blue in colour. His right hand holds a vajra club, and his left hand holds a vajra-marked skull cup. He embraces his consort Vajranairatma . A khatvanga staff rests on his left shoulder and he is adorned with the six symbolic ornaments.
In the Sadhanamala this form of Hevajra is single (ekavira) - without a consort.

Vak Hevajra
The four armed Speech (Vak) Hevajra described in the Hevajra Tantra stands in an advancing posture on a multi-coloured lotus, corpse, and sun disk. He is dark blue in colour. One right hand holds a vajra and one left hand a skullfull of blood, the other pair of arms embrace his consort Vajravarahi .

Citta Hevajra
The six armed Mind (Citta) Hevajra described in the Hevajra Tantra stands in an advancing posture with right leg extended and left bent on a multi-coloured lotus, corpse, and sun disk. He is dark blue in colour with three faces - C. blue, R. white and L. red. Each face has three blood shot eyes and four bared fangs, and frowns with knotted brows. His tawny hair streams up surmounted with a crossed vajra.. Two right hands hold a vajra and a knife, two left a trident and a bell; the remaining pair of arms embrace his consort Vajrasrinkhala Hevajra is imbued with the nine dramatic sentiments and adorned with a diadem of five dry skulls, a necklace of fifty fresh heada and the six symbolic ornaments or 'seals'.

Hrdaya Hevajra
The sixteen-armed, four-legged eight-faced Heart (Hrdaya) Hevajra described in the Hevajra Tantra stands with two legs in ardha-paryanka and the other two in alidha posture (left bent, right extended) on a multi-coloured eight petalled lotus, the four Maras in the forms of yellow Brahma, black Vishnu, white Shiva (Mahesvara) and yellow Indra and a sun disc resting on their hearts.

Sri Hevajra
is 16 years old, black in color, naked, with eight faces, sixteen arms and four legs. His central face is black, the first right white, the first left red, the upper face smoke-coloured and ugly; the outer two faces on each side, black. All have three round blood shot eyes, four bared fangs, a vibrating tongue, and frowning with knotted brows. His lustrous tawny hair streams upward crowned with a crossed vajra. He is adorned with a diadem of five dry skulls. The sixteen hands hold sixteen skull cups. The central pair of arms skull contain a white elephant and the yellow earth-goddess Prithvi, and embrace his consort Vajranairatma (rDo-rje bDag-med-ma) whose two legs encircle his body. Her right hands holds a curved knife (kartika), while the left is wrapped around the neck of her lord and holds a skullcup (kapala). In the other seven skull cups held in Hevajra's outer right hands are: a blue horse, a white-nosed ass, a red ox, an ashen camel, a red human, a blue sarabha deer, and an owl or cat. In the skull cups in the outer seven left hands are the white water-god Varuna, the green wind-god Vayu, the red fire-god Agni / Tejas, the white moon god Candra, the red sun god Surya or Aditya, blue Yama lord of death and yellow Kubera or Dhanada lord of wealth. Hevajra is adorned with the six symbolic ornaments: circlet, earrings, necklace, bracelets, girdle armlets and anklets and smeared with the ashes of the charnel ground. He wears a necklace of fifty freshly severed human heads.

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