HomeThangka - FigureMahakalaTibetan Thangka of Mahakala - Four Arms

Tibetan Thangka of Mahakala - Four Arms

US$70

Code

HCS18847

Weight

100 gm / 0.22 lbs

Size

49x37 Cm / 19.29 Inches

Material

Cotton Canvas

Availability

Available

Date Added

2020-07-07 00:41:48

Note : We used to sell this product 4 years ago so it may no longer be in our stock.
It is possible that we still have it with our suppliers but the price could be different from before.
Feel free to order. We will verify availability and inform you promptly.

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Introduction to Thangka
A thangka, also known as tangka, thanka, or tanka, is a vibrant and intricate Tibetan Buddhist painting that serves as a visual representation of spiritual teachings. Crafted with meticulous detail on cotton or silk appliquÃ©, thangkas depict a wide range of subjects including Buddhist deities, sacred scenes, mandalas, and narrative stories. These sacred artworks are traditionally kept unframed and rolled up for storage, resembling ancient scrolls. To protect their delicate nature, thangkas are mounted on textile backings and often adorned with a silk cover on the front. Proper preservation in dry environments is crucial to maintain the integrity and longevity of the silk.

These sacred paintings serve as objects of contemplation, inspiration, and instruction, guiding practitioners on their spiritual path. Thangkas provide a visual gateway to the world of Tibetan Buddhism, encapsulating its rich symbolism, iconography, and spiritual concepts. With their vibrant colors, intricate patterns, and skillful craftsmanship, thangkas offer a profound visual medium for deepening one's understanding and connection to the teachings of Buddhism.

Thangkas come in various sizes, ranging from small pieces resembling Western half-length portraits to grand-scale creations spanning several meters in each dimension. While the larger thangkas are intended for temporary display during religious festivals, the majority of these artworks are designed for personal meditation or as educational aids for monastic students. The compositions of thangkas are meticulously crafted, featuring intricate details and often incorporating numerous small figures. A central deity or focal point is typically surrounded by a symmetrical arrangement of other divine beings, symbols, or narrative elements that convey profound spiritual teachings.

How is Thangka made

First, the canvas on which the painting is to be executed is laid on a wooden frame to determine the required dimensions. This canvas is an extremely finely woven cotton material, referred to in the Holy Scriptures as "Ãura Canvas".

Then the canvas is cut, hemmed and, with the use of sturdy strings, very tightly mounted in the wooden frame. Painting is carried out with the frame in an upright position, without any further rigid support or backing.

In this studio, our primary artist, who works virtually exclusively for us, applies the undercoat consisting of a mixture of chalk and glue to the canvas by hand. Other Thangka workshops have turned to mainly using industrially pre-primed canvas.

This photo shows how the canvas, after receiving its base coat followed by a second coating of bone glue, is polished and smoothed by hand with a stone to attain a perfectly smooth, featureless painting surface. Through this process the canvas becomes quite rigid, thereby providing perfect conditions to evoke very finest artistic detail and over-all superior painting quality.

Using a different Thangka, we see how, after mounting, the complete basic pattern of the respective theme is applied to the canvas.

The following picture shows the steps in creating a gold-based Thangka, such as our No PH 9, the "Holy Mount Kailash". To achieve more intensive colour, yet another prime coat, in ochre, is applied, followed by a coat of pure gold. The so-called Thangka painting gold is traditionally produced by members of the Newar people in Nepal. 24-karat gold is ground to finest powder and mixed with bone glue and water in proportions suitable for direct use in painting. Thus, the Thangka gold is not gold leaf at all! Silver can be processed and used in the same way: Mount Kailash and the surrounding peaks in our completed Thangka were not painted with white paint, rather with precious silver.

Here, the nearly completed piece has been removed from the wooden frame. Now only the very finest finishing touches remain to be added, such as compacting the gold and giving Mount Kailash its silver mantle.

K. Lama regarded his already half-finished thangka proudly

The Mount Kailash Thangka, including the black margin (which can also facilitate the fastening of a traditional brocade frame), is now complete. Only the background gold must be compacted in the places where it is later intended to exhibit a sheen.

Here we see an old ballpoint pen casing into which a specially cut agate has been fitted. The back of this semi-precious stone is slightly concave and can be used to compact gold over extensive areas of the Thangka, while the blunt point is used to lineally compact gold, thus creating a shiny effect.

In this way, through partial compaction of the gold or refraining from compaction, nearly three-dimensional effects can be achieved. The glorious sheen of gold artistically treated in this way richly rewards the beholder or meditator with a Thangka possessed of an extraordinarily aesthetic aura.

Thangka Making Video

Read More . . .

The Four-Armed Mahakala :

Chaturbhuja Mahakala, meaning "four-armed Mahakala," is a revered deity in Tibetan Buddhism. This form of Mahakala is associated with power, protection, and the ability to overcome obstacles. With a fierce expression and a dark complexion, Chaturbhuja Mahakala is depicted with four arms, each holding significant symbolic objects. Devotees turn to this deity for guidance and assistance on their spiritual journey.

Iconography:
Chaturbhuja Mahakala is depicted with a wrathful appearance. His four arms hold various symbolic attributes, including a sword in the top right hand, representing the cutting of ignorance and obstacles. The other hands may hold a trident (trishula), a skull cup (kapala), and a lasso (pasha). He typically stands atop a corpse, symbolizing the transcendence of death and impermanence.

History:
The origins of Chaturbhuja Mahakala can be traced back to ancient Indian Buddhism, where the concept of Mahakala as a wrathful deity emerged. This form gained prominence in Tibetan Buddhism and is highly revered in the Kagyu and Gelug lineages. Chaturbhuja Mahakala is seen as a guardian and protector of the teachings and practitioners.

Temples and Monasteries:
While specific temples or monasteries dedicated solely to Chaturbhuja Mahakala may not be widely known, various Buddhist monasteries and temples in Nepal, such as Boudhanath Stupa, Swayambhunath Stupa, Kopan Monastery, and Shechen Monastery, incorporate worship and reverence for Mahakala within their sacred spaces.

Benefits of practicing Chaturbhuja Mahakala:
Devotees believe that practicing Chaturbhuja Mahakala can bring protection from negative influences, removal of obstacles, and the development of inner strength and fearlessness. By connecting with this deity, practitioners seek spiritual growth, transformation, and the attainment of enlightenment.

How to practice:
Practices associated with Chaturbhuja Mahakala involve mantra recitation, visualization, meditation, and ritual offerings. Engaging in ethical conduct, cultivating compassion, and dedicating one's actions for the benefit of all beings are also important aspects of the practice.

Mantras of Chaturbhuja Mahakala:
The primary mantra associated with Chaturbhuja Mahakala is "OM BENZA MAHAKALA HUNG PHAT." Chanting this mantra with devotion and focus is believed to invoke the blessings and protective power of Chaturbhuja Mahakala. Various lineages and practices may also have their own unique mantras associated with this deity.

You may also want to read the related articles :

Videos of Thangka Making Process | Making Process Of Tibetan Thangka | What is a Thangka | Thangka Brocading Option

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