HomeThangka - FigureJambhalaTibetan Thangka Yellow Jambhala Real Gold, Hq

Tibetan Thangka Yellow Jambhala Real Gold, Hq

US$60

Code

HCS13215

Weight

100 gm / 0.22 lbs

Size

36x25 Cm / 14.17 Inches

Material

Handmade Canvas

Availability

Available

Date Added

2017-06-15 18:41:00

Note : We used to sell this product 7 years ago so it may no longer be in our stock.
It is possible that we still have it with our suppliers but the price could be different from before.
Feel free to order. We will verify availability and inform you promptly.

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Introduction to Thangka
A thangka, also known as tangka, thanka, or tanka, is a vibrant and intricate Tibetan Buddhist painting that serves as a visual representation of spiritual teachings. Crafted with meticulous detail on cotton or silk appliquÃ©, thangkas depict a wide range of subjects including Buddhist deities, sacred scenes, mandalas, and narrative stories. These sacred artworks are traditionally kept unframed and rolled up for storage, resembling ancient scrolls. To protect their delicate nature, thangkas are mounted on textile backings and often adorned with a silk cover on the front. Proper preservation in dry environments is crucial to maintain the integrity and longevity of the silk.

These sacred paintings serve as objects of contemplation, inspiration, and instruction, guiding practitioners on their spiritual path. Thangkas provide a visual gateway to the world of Tibetan Buddhism, encapsulating its rich symbolism, iconography, and spiritual concepts. With their vibrant colors, intricate patterns, and skillful craftsmanship, thangkas offer a profound visual medium for deepening one's understanding and connection to the teachings of Buddhism.

Thangkas come in various sizes, ranging from small pieces resembling Western half-length portraits to grand-scale creations spanning several meters in each dimension. While the larger thangkas are intended for temporary display during religious festivals, the majority of these artworks are designed for personal meditation or as educational aids for monastic students. The compositions of thangkas are meticulously crafted, featuring intricate details and often incorporating numerous small figures. A central deity or focal point is typically surrounded by a symmetrical arrangement of other divine beings, symbols, or narrative elements that convey profound spiritual teachings.

How is Thangka made

First, the canvas on which the painting is to be executed is laid on a wooden frame to determine the required dimensions. This canvas is an extremely finely woven cotton material, referred to in the Holy Scriptures as "Ãura Canvas".

Then the canvas is cut, hemmed and, with the use of sturdy strings, very tightly mounted in the wooden frame. Painting is carried out with the frame in an upright position, without any further rigid support or backing.

In this studio, our primary artist, who works virtually exclusively for us, applies the undercoat consisting of a mixture of chalk and glue to the canvas by hand. Other Thangka workshops have turned to mainly using industrially pre-primed canvas.

This photo shows how the canvas, after receiving its base coat followed by a second coating of bone glue, is polished and smoothed by hand with a stone to attain a perfectly smooth, featureless painting surface. Through this process the canvas becomes quite rigid, thereby providing perfect conditions to evoke very finest artistic detail and over-all superior painting quality.

Using a different Thangka, we see how, after mounting, the complete basic pattern of the respective theme is applied to the canvas.

The following picture shows the steps in creating a gold-based Thangka, such as our No PH 9, the "Holy Mount Kailash". To achieve more intensive colour, yet another prime coat, in ochre, is applied, followed by a coat of pure gold. The so-called Thangka painting gold is traditionally produced by members of the Newar people in Nepal. 24-karat gold is ground to finest powder and mixed with bone glue and water in proportions suitable for direct use in painting. Thus, the Thangka gold is not gold leaf at all! Silver can be processed and used in the same way: Mount Kailash and the surrounding peaks in our completed Thangka were not painted with white paint, rather with precious silver.

Here, the nearly completed piece has been removed from the wooden frame. Now only the very finest finishing touches remain to be added, such as compacting the gold and giving Mount Kailash its silver mantle.

K. Lama regarded his already half-finished thangka proudly

The Mount Kailash Thangka, including the black margin (which can also facilitate the fastening of a traditional brocade frame), is now complete. Only the background gold must be compacted in the places where it is later intended to exhibit a sheen.

Here we see an old ballpoint pen casing into which a specially cut agate has been fitted. The back of this semi-precious stone is slightly concave and can be used to compact gold over extensive areas of the Thangka, while the blunt point is used to lineally compact gold, thus creating a shiny effect.

In this way, through partial compaction of the gold or refraining from compaction, nearly three-dimensional effects can be achieved. The glorious sheen of gold artistically treated in this way richly rewards the beholder or meditator with a Thangka possessed of an extraordinarily aesthetic aura.

Thangka Making Video

Read More . . .

Brief Introduction :

Jambhala (also known as Dzambhala, Dzambala, Zambala or Jambala) is the God of Wealth and appropriately a member of the Jewel Family (see Ratnasambhava). He is sometimes equated with the Hindu deity Kubera. Jambhala is also believed to be an emanation of Avalokitesvara or Chenrezig, the Bodhisattva of Compassion. There are five different wealth Jambhalas; each has his own practice and mantra to help eliminate poverty and create financial stability.
Gyalten Sogdzin Rinpoche said that Jambhala is the protector of all Lineages and of all sentient beings from all sickness and difficulties. Jambhala is a Bodhisattva of material and spiritual wealth as well as many other things, especially of granting financial stability.
âBecause in this world, there are all kinds of wrathful and negative emotions or bad spirits, and sometimes they will harm you and other sentient beings, Dzambhala must take on such a wrathful and powerful form to protect us from these harmful spirits and negative karma. Especially, Dzambhala helps us minimize or decrease all misfortunes and obstacles and helps us increase all good fortune and happiness.â

About Red Jambala :

Red Jambhala is depicted practising together with his consort, the heavenly mother of wealth that is in charge of wealth in the human realm. In ancient times, this deity was practiced mainly by kings and royalty. His practice is most suitable to people in high power, or to pray for high power, for it can attract people, wealth and fame. One will enjoy wealth in abundance and shall be well respected and supported by people. There is also the Red Jambhala magnetizing method that can bless the practitioner with marital bliss and a harmonious family.

Red Jambhala is the manifisation of Vajrasattva. He has two faces and four arms and holds a treasury mongoose on his left hand. His Tibetan name is Dzambhala Mapo. Red Jambhala has a red colored body, sits in the vajra position with Dakini in front of him. His right leg is panhandle with right foot is above a snail and lotus flower, his left leg is bent. He is holding an animal known as Nehulay (mongoose) in his left hand, his right hand holding Khorlo (Cakra), the Dakini holding Kapala containing Nectar in her left hand and Norbu Mebar in her right hand. The Mantra of Red Jambhala is:

Ganapati, Maha Rakta

Om Jambhala Jalendraye Dhanam Medehi Hrih Dakini Jambhala Sambhara Svaha
Some people believe he is the Hindu God of Wealth Ganesha, the Red Ganapati, and has the head of an elephant. After the rise of Tantric Buddhism, Ganesha became a Tantric wealth deity and is known as the "Lord of Provisions in Tibetan Tantrism". According to legend, Red Jambhala was in charge of the heavenly treasury that belonged to Lord Mahesvaraâs son. Due to his extreme compassion, Red Jambhala had unfailingly answered the prayers of many worshippers. Enraged by Red Jambhalaâs indiscriminate charity to both the good and evil, Dharma guardian Mahakala decapitated him. It was only after the wealth deity repents that Mahakala plants an elephantâs head on his neck and receives him as a retainer.

Matra of Red Jambala

Om Dzambhala Dzalim Dzaya Nama Mumei E She E Om Dzajini Dzambhala Dzambhala Svaha

You may also want to read the related articles :

Videos of Thangka Making Process | Making Process Of Tibetan Thangka | What is a Thangka | Thangka Brocading Option

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