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Talk to help line for your question on 9841267335The Yellow Jambhala Or Kuber, Buddhist Statue [gold Plated], And [traditional Color Finishing] has been crafted using the ceramic mold casting process, a modern approach that provides an alternative to traditional methods such as the lost-wax system or rubber molding. Also referred to as ceramic molding, this technique involves the creation of a ceramic mold to cast the statue. The process begins by making a precise and detailed wax model of the desired sculpture. The wax model is then coated with layers of ceramic material, creating a sturdy mold. Once the mold is complete, it is fired in a kiln, causing the wax to melt and escape, leaving behind a cavity that perfectly replicates the original sculpture. Molten metal is then poured into the mold, allowing it to fill the cavity and take on the desired form. Once cooled and solidified, the ceramic mold is carefully broken away, revealing the final metal statue.
The Yellow Jambhala Or Kuber, Buddhist Statue [gold Plated], And [traditional Color Finishing] is adorned with traditional colors, creating a captivating aesthetic through a combination of gold and various hues. This painting technique follows a time-honored process that aims to faithfully represent the Yellow Jambhala Or Kuber, Buddhist Statue [gold Plated], And [traditional Color Finishing] in accordance with traditional color descriptions. In the context of Buddhist statues, this approach holds great significance. Each statue has its own primary color, and it is crucial to depict the statue in its authentic shade.
The Yellow Jambhala Or Kuber, Buddhist Statue [gold Plated], And [traditional Color Finishing] has been crafted using the Ceramic mold casting process, a modern approach that provides an alternative to traditional methods such as the lost-wax system or rubber molding. Also referred to as ceramic molding, this technique involves the creation of a ceramic mold to cast the statue. The process begins by making a precise and detailed wax model of the desired sculpture. The wax model is then coated with layers of ceramic material, creating a sturdy mold. Once the mold is complete, it is fired in a kiln, causing the wax to melt and escape, leaving behind a cavity that perfectly replicates the original sculpture. Molten metal is then poured into the mold, allowing it to fill the cavity and take on the desired form. Once cooled and solidified, the ceramic mold is carefully broken away, revealing the final metal statue.
Gyalten Sogdzin Rinpoche said that Jambhala is the protector of all Lineages and of all sentient beings from all sickness and difficulties. Jambhala is a Bodhisattva of material and spiritual wealth as well as many other things, especially of granting financial stability.
Because in this world, there are all kinds of wrathful and negative emotions or bad spirits, and sometimes they will harm you and other sentient beings, Dzambhala must take on such a wrathful and powerful form to protect us from these harmful spirits and negative karma. Especially, Dzambhala helps us minimize or decrease all misfortunes and obstacles and helps us increase all good fortune and happiness.
He is also said to be an emanation of Vaisravana, one of the "Four Great World-protecting Heavenly Kings". He is the guardian of light in Buddhism, a great charitable deity who grants fortune and protection. Lord Vaisravana lives in the northern region under the Four Heavens, at the northern crystal palace on the fourth level of Mount Sumeru. His servants are either yaksas or bhaisajya-yaksas. According to the commentary on Lotus Sutra, this heavenly king is extremely knowledgeable as his perpetual protection of the Buddhas has enabled him to receive many teachings.
Yellow Jambhala has a yellow-colored body, he sits in the vajra position with his right leg in the panhandle, his right foot is above a snail and lotus flower, and his left leg is kinked. He has one face and two arms. His left hand holds a mongoose named Nehulay which spews forth precious jewels from its mouth, while his right-hand holds gems-shaped fruit and leaf of a lotus. An ordinary image of Lord Vaisravana holds a precious pagoda in the left, which pours out various treasures. In Tibetan Tantric images, the precious pagoda is replaced by the treasure-emitting mongoose. Yellow Jambhala sits on a lotus, sun disk, and moon disk. His mantra is:
Om Jambhala Jalendraye Svaha
Mandra of Yellow Jambala
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