HomeThangka - FigureVajradharaBuddhist Handmade Thangka of Vajradhara with Consort, Shakti, Yab-yum, Real Gold, Hand Painted, Real Gold

Buddhist Handmade Thangka of Vajradhara with Consort, Shakti, Yab-yum, Real Gold, Hand Painted, Real Gold

US$620

Code

HCS26267

Weight

100 gm / 0.22 lbs

Size

120x88 Cm / 47.24 Inches

Material

Cotton Canvas and Mineral Color

Availability

Available

Brocading (Optional)

Brocade Knob (Optional)

Safe Payment

We accept Paypal, Money Transfer, Bank Transfer

Confidence

Protection covers your purchase and personal data.

Worldwide Delivery

We ship Worldwide, except Russia.
Shipping cost US$25.2 for upto 0.5 kgs

Hotline

Talk to help line for your question on 9841267335

Product Details
How to Order ?
Shipping & Returns
Wholesale

Shakti : Introduction
Shakti Yab-yum is a common symbol in Nepalese and Tibetan art. It represents the primordial union of wisdom and compassion, depicted as a male deity in union with his female consort via the similar concept of interpenetration or "coalescence," as illustrated by the concept of Indra's net. The male figure represents compassion and dexterity, while the female figure represents insight. The female is seated on the male's lap in yab-yum. A rare rendition of a similar figure, but reversed, with the male sitting on the female's lap, is known as yum-yab. Read More . . .

Use of Real Gold
This thangka of Buddhist Handmade Thangka Of Vajradhara With Consort, [shakti], Yab-yum, [real Gold, Hand Painted], Real Gold has real gold painted on its surface along with other paints. This is an ancient process of decorating the thangka in Tibetan Buddhism, Here gold is ground into gold dust, which is then mixed with other undisclosed material to make it paintable on the canvas. this mixture is then mixed with transparent glue and painted on the thangka. Read More . . .

Introduction to Thangka
A thangka, also known as tangka, thanka, or tanka, is a vibrant and intricate Tibetan Buddhist painting that serves as a visual representation of spiritual teachings. Crafted with meticulous detail on cotton or silk appliquÃ©, thangkas depict a wide range of subjects including Buddhist deities, sacred scenes, mandalas, and narrative stories. These sacred artworks are traditionally kept unframed and rolled up for storage, resembling ancient scrolls. To protect their delicate nature, thangkas are mounted on textile backings and often adorned with a silk cover on the front. Proper preservation in dry environments is crucial to maintain the integrity and longevity of the silk.

These sacred paintings serve as objects of contemplation, inspiration, and instruction, guiding practitioners on their spiritual path. Thangkas provide a visual gateway to the world of Tibetan Buddhism, encapsulating its rich symbolism, iconography, and spiritual concepts. With their vibrant colors, intricate patterns, and skillful craftsmanship, thangkas offer a profound visual medium for deepening one's understanding and connection to the teachings of Buddhism.

Thangkas come in various sizes, ranging from small pieces resembling Western half-length portraits to grand-scale creations spanning several meters in each dimension. While the larger thangkas are intended for temporary display during religious festivals, the majority of these artworks are designed for personal meditation or as educational aids for monastic students. The compositions of thangkas are meticulously crafted, featuring intricate details and often incorporating numerous small figures. A central deity or focal point is typically surrounded by a symmetrical arrangement of other divine beings, symbols, or narrative elements that convey profound spiritual teachings.

How is Thangka made

First, the canvas on which the painting is to be executed is laid on a wooden frame to determine the required dimensions. This canvas is an extremely finely woven cotton material, referred to in the Holy Scriptures as "Ãura Canvas".

Then the canvas is cut, hemmed and, with the use of sturdy strings, very tightly mounted in the wooden frame. Painting is carried out with the frame in an upright position, without any further rigid support or backing.

In this studio, our primary artist, who works virtually exclusively for us, applies the undercoat consisting of a mixture of chalk and glue to the canvas by hand. Other Thangka workshops have turned to mainly using industrially pre-primed canvas.

This photo shows how the canvas, after receiving its base coat followed by a second coating of bone glue, is polished and smoothed by hand with a stone to attain a perfectly smooth, featureless painting surface. Through this process the canvas becomes quite rigid, thereby providing perfect conditions to evoke very finest artistic detail and over-all superior painting quality.

Using a different Thangka, we see how, after mounting, the complete basic pattern of the respective theme is applied to the canvas.

The following picture shows the steps in creating a gold-based Thangka, such as our No PH 9, the "Holy Mount Kailash". To achieve more intensive colour, yet another prime coat, in ochre, is applied, followed by a coat of pure gold. The so-called Thangka painting gold is traditionally produced by members of the Newar people in Nepal. 24-karat gold is ground to finest powder and mixed with bone glue and water in proportions suitable for direct use in painting. Thus, the Thangka gold is not gold leaf at all! Silver can be processed and used in the same way: Mount Kailash and the surrounding peaks in our completed Thangka were not painted with white paint, rather with precious silver.

Here, the nearly completed piece has been removed from the wooden frame. Now only the very finest finishing touches remain to be added, such as compacting the gold and giving Mount Kailash its silver mantle.

K. Lama regarded his already half-finished thangka proudly

The Mount Kailash Thangka, including the black margin (which can also facilitate the fastening of a traditional brocade frame), is now complete. Only the background gold must be compacted in the places where it is later intended to exhibit a sheen.

Here we see an old ballpoint pen casing into which a specially cut agate has been fitted. The back of this semi-precious stone is slightly concave and can be used to compact gold over extensive areas of the Thangka, while the blunt point is used to lineally compact gold, thus creating a shiny effect.

In this way, through partial compaction of the gold or refraining from compaction, nearly three-dimensional effects can be achieved. The glorious sheen of gold artistically treated in this way richly rewards the beholder or meditator with a Thangka possessed of an extraordinarily aesthetic aura.

Thangka Making Video

Read More . . .

Description :

Shakyamuni Buddha appeared in this world with the sole purpose of benefitting all sentient beings. Out of great compassion Lord Buddha revealed many different means/paths to enlightenment and set forth three Wheels of Law to suit varying degrees of intelligence and receptivities.
Shakyamuni Buddha himself was, it is said, in the form of Vajradhara while he was teaching tantric path to his gifted disciples.
Vajradhara is depicted holding a Vajra and a bell in his left hand and his arms are kept crossed in front of him expressing complete integration of Prajna and Upaya. He is usually depicted in blue colour in vajraparyanka posture. He has a crown, an Urna and an Ushnisha as a Sambhogakaya Buddha. Vajradhara is also depicted in father-mother (Anju-Aji in Newari) aspect. en he holds his usual symbols while his arms are crossed at the back of his consort. the consort is none other than Prajnaparamita in deified form.
The Kargyudpa lineage of Tibetan Buddhism begins with the Buddha Vajradhara. The individual in this tradition is allowed to visualize his root Guru as Buddha Vajradhara. Guru Tilopa is said to have received Mahamudra instruction directly from Buddha Vajradhara through visions and other extraordinary means.
In Nispannayogavali, Vajradhara is the main deity in Vajrasattvamandala. He is three faced, six-armed and reddish white in color. His right arm holds a vajra, a sword and a kapala and his left hand holds a bell, an ankush and a noose. He stands in the Ardhaparyanka posture and dances in Tandava style.

Brief Introduction :

This image represents the understanding & application of internal & external tantric energy, by skilfully influencing & directing energies arising from everyday experiences [Skt. dharmas]. Vajradhara expresses not just the awoken mind but the direction of understanding which develops into a transcendent experience of the Dharmakaya. This is symbolised by the lightening [Skt. vajra] headed bell [Skt. ghanta] which represents the feminine creative wisdom and the double ended lightening sceptre representing 'energy', method & the masculine. Vajradhara personifies the ways [bell] & means [lightening sceptre] to objectively transform experience beyond everyday conception of space & time.

Dharmakaya is often taken to mean the 'truth body' & is one of the three Forms of or realms of understanding [Skt. Trikaya]. The Principle of Non-Duality i.e. the 'union of two' is represented in the Bell [Skt. Ghanta] & the Lightning sceptre [Skt. Vajra]. The bell embodies female wisdom & the Diamond Sceptre being compassion or method. The truth body of Vajradhara and Vajrayana tools will empower your journey in all places. This involves unlocking the mysteries or obscuration's of the material & inner world through methods of tantric practice & understanding. In fact Vajradhara represents latent power of transformation using tantric through wisdom to allow us to uncover Great Bliss. Vajradhara the realised way of method. Since Vajradhara personifies the essence of non dualitic union the figure represents a mastery of the symbols portrayed in other tantric deities & having understood their meaning does not need to bear them.

Iconography :

The name Vajradhara means the bearer of the lightning sceptre. The inherent tradition of lightning representing transformation & energy originates 2,500 c. BCE. The term Vajra is a typical Sanskrit word being a composite of va- meaning to bear or carry, ja or ja whose syllable denotes the energy & ra meaning to rise, overcome or power. The vajra sceptre is a special object embodies the principle of change. Conjoined prongs at each end denote lightning bolts and their being conjoined denotes latent self reacting energy. In effect as important to Buddhism as the Cross to Christianity. The Vajra [Tib. Dorje] has four prongs enclosing a fifth central prong making five in total and at both end. The tridents is another representation of the lightening more associated with Hinduism. Varjadhara's arms are crossed in a gesture of Victory over the Three Worlds [Skt. Triolyavijaya mudra also called Skt. Vajrahumkara],with reference to the syllable 'Hum', & is seated in the lotus seat [Skt. Padmasana] The lotus seat & the crossed arms mudra are together called the Skt. Vajrasana or Position of transcendent change. The white sash draped across Vajradharas chest represents the purity and essence of the varjayana school of Buddhism. In fact Mahayana & Hinayana both arise from the ancient Vajrayana tradition of personal transformation.

Commentary :

Vajradhara is one of two primeval [Skt. Adi] Buddhas associated with the Trikaya Doctrine. The Sanskrit stem Tri means three & the word Kaya means body in the sense of form. Samantabhadra & Vajradhara, Bodhisattvas & mankind all exist within the primary dimension called Nirmanakaya because have been conceived by the human mind and so in part manifests within time and space. Vajradhara also exists in a second dimension of emptiness realised through the understanding of the emptiness of all phenomena called Dharmakaya. Dharmakaya [Skt.] means Truth Body or Reality Body. Dharmas are phenomena in this universe such as candles, televisions, planets, cows and significantly the laws governing them. The principle of Dharmakaya is that there is no individuality at all as nothing exists on its own and all is transient. The idea is that in fact they are temporary arrangements of emptiness. Thus Dharmakaya is ultimate truth of the unreal nature of all things and that truth is in fact nothing of emptiness. The concept of emptiness helps us break our attachment or dependency on the physical world and free ourselves from cyclical existence.

Dharmakaya represents the inconceivable [Skt. Acintya] aspect of a Buddha out of which Buddhas and indeed all phenomena [Skt. Dharmas] arise and to which they return after their dissolution. The principle of Dharmakaya helps us free ourselves from material bondage & dependency on the material world to take us towards Individual & Universal Bliss which is the union of Great Love and great Freedom. The Five Transcendent Buddhas [Skt. Dhyani Buddhas] arose from the Vajradhara, Adi Buddha,& Samantabhadra. As we detach ourselves we are able to create the Sambhogakaya state of Great Bliss. Some Vajrayana sutras refer to a fourth kaya dimension called Svabhavikiakaya [Skt.] meaning the self created body in the sense of self arising and self perpetuating essence embodying the three other kaya's. This alludes to the self arising self emanating and self perpetuating Thousand Petalled Lotus of Great Bliss.

You may also want to read the related articles :

Videos of Thangka Making Process | Making Process Of Tibetan Thangka | What is a Thangka | Thangka Brocading Option

At Handicraft Seller, we believe in providing a seamless and user-friendly experience to our valued customers. While our website is not an online shopping platform, we have incorporated a shopping cart system to simplify the process of sending us your inquiries. Please follow the steps below to place your order:

Step 1: Browsing the Selection
Explore our website to discover a delightful array of authentic Nepali handicraft products.
Click on the products you are interested in to view detailed descriptions and images.

Step 2: Adding Items to Your Inquiry Cart
To express your interest in a particular product, click the "Add to Inquiry Cart" button associated with that item.
The shopping cart will accumulate your selected products, providing a convenient way to organize your choices.

Step 3: Reviewing Your Inquiry Cart
Once you have finished selecting the items you wish to inquire about, review your "Inquiry Cart" to ensure accuracy.

Step 4: Sending Your Inquiries
Proceed to submit your inquiries by clicking the "Submit Inquiry" button.
A form will prompt you to provide your contact details, the selected products, and any specific queries you may have.

Step 5: Communicating through Email
As we do not have an automated payment system, we will conduct the business process through email.
Our team will review your inquiries and respond via email, offering further assistance and guidance.

Step 6: Clarifying Details and Finalizing Your Order
Engage in direct communication with our team to clarify any additional information or customization requests.
Once you are satisfied with the details, we will provide you with payment instructions and confirm the order.

Step 7: Completing the Transaction
Make the payment through the designated method as provided in the email.
After receiving the payment, we will process your order and prepare it for shipment.

Step 8: Shipping and Delivery
We offer worldwide shipping for all our products.
Once your order is dispatched, we will provide you with shipping details and tracking information.

Step 9: Receiving and Enjoying Your Handicrafts
Wait for your exquisite handicrafts to arrive at your doorstep.
Unpack and revel in the beauty and craftsmanship of your chosen Nepali treasures.

Contacting Us
If you encounter any complications while submitting your inquiries or need further assistance, please feel free to contact us.
Preferably, reach out to us through mobile communication applications or email for prompt responses and support.

We hope this straightforward ordering process ensures a delightful and satisfying experience with Handicraft Seller. Thank you for choosing us to connect you with the rich heritage of Nepali handicrafts.

Return Policy

We have a 7 days money back policy but buyer have to pay the return shipping charges.

Shipping

Shipping cost USD US$25.2 for upto 0.5 kgs
We ship Worldwide, Except Russia and India.
The deliver duration varies for international Shipping location. We normally dispatch the product in 2 -3 business days. Else Buyer will be infromed Personally about the shipping.

This is not a direct shopping website. So no payments are needed for placing an order. Please feel free to send us an order for the product you are interested in, mentioning the approximate quantity. Based on which we will send you a wholesale price quotation.